{"id":103,"date":"2007-08-21T20:10:55","date_gmt":"2007-08-22T03:10:55","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/index.php\/variations-of-2-5-1-chord-progressions\/"},"modified":"2024-12-26T00:09:57","modified_gmt":"2024-12-26T08:09:57","slug":"variations-of-2-5-1-chord-progressions","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/variations-of-2-5-1-chord-progressions\/","title":{"rendered":"Variations of &#8220;2-5-1&#8221; Chord Progressions"},"content":{"rendered":"<p>If you listen to music, you&#8217;ve definitely heard a &#8220;2-5-1&#8221; progression. They are found in just about any type of music &#8212; regardless of style, genre, or <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">rhythmical pattern<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>. It is commonly the series of chords that end a song or phrase. However, it can be used in several situations (I can only go over a few in this lesson but encourage you to check out <a rel=\"nofollow\" href=\"http:\/\/www.https:\/\/www.hearandplay.com\/course\">my course<\/a> for further instruction).<\/p>\n<p>In this <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chord progression<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>, the 2 chord (you&#8217;ll learn what this is later on in this lesson) leads to the 5 chord which in turns, produces a strong pull towards the ending chord (which is usually the 1st major chord of the scale).<\/p>\n<p>First, let me start by showing you what chords correspond to each tone of a major scale:<\/p>\n<blockquote><p>\n1 tone &#8211; Major<br \/>\n2 tone &#8211; Minor<br \/>\n3 tone &#8211; Minor<br \/>\n4 tone &#8211; Major<br \/>\n5 tone &#8211; Major (dominant)<br \/>\n6 tone &#8211; Minor<br \/>\n7 tone &#8211; Half Diminished\n<\/p><\/blockquote>\n<p>To understand the chart above, you must understand that each tone of a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">major scale<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> has a chord which goes along with it. For example, the following is a C major scale:<\/p>\n<blockquote><p>(C &#8212; D &#8212; E &#8212; F &#8212; G &#8212; A &#8212; B &#8212; C)\n<\/p><\/blockquote>\n<p>Each tone above has a matching chord. Simply add the endings of the chart above to the scale as shown below:<\/p>\n<blockquote><p>&gt;C MAJORD MINORE MINORF MAJORG MAJOR \/ DOMA MINORB HALF-DIMINISHED&lt;\n<\/p><\/blockquote>\n<p>To further understand progressions, lets number each chord:<\/p>\n<blockquote><p>1 = C major<br \/>\n2 = D minor<br \/>\n3 = E minor<br \/>\n4 = F major<br \/>\n5 = G dominant<br \/>\n6 = A minor<br \/>\n7 = B half &#8211; diminished<br \/>\n8 = C major\n<\/p><\/blockquote>\n<p>Now, to create a &#8220;2-5-1&#8221; chord progression (or any numbered chord progression), simply take the 2, 5, and 1 chord out of the entire series of chords above. That is, we would not use the 3,4, 6, or 7 chord.<\/p>\n<p>The 2 chord is D minor; the 5 chord is G dominant; and the 1 chord is C major.<\/p>\n<p>This right here is the most basic &#8220;2-5-1&#8221; chord progression you&#8217;ll ever see:<\/p>\n<blockquote><p>Dmin &#8212; Gdom &#8212; Cmaj<\/p>\n<p>min = minor<br \/>\ndom = dominant<br \/>\nmaj = major<\/p><\/blockquote>\n<p>REFERENCE 1A:<\/p>\n<blockquote><p>D minor chord = (D) + (F) + (A)<br \/>\nG dominant chord = (G) + (B) + (D) + (F)<br \/>\nC major chord = (C) + (E) + (G)<\/p><\/blockquote>\n<p>Example: To play a Dminor chord simply play all three of the notes shown above at the same time (D+F+A)<\/p>\n<p>Moving on&#8230;<\/p>\n<p>Now that we have covered some theory (I&#8217;m glad that&#8217;s out of the way), let me just show you a few chords that I love to play. I will try not to be as theoretic &#8230; I will simply give you the chord changes and you&#8217;ll have to apply them to your understanding of chords and alterations. All of these progression will be shown in the key of C major&#8230;<\/p>\n<p>(For more chord progressions, check out our <a rel=\"nofollow\" href=\"https:\/\/www.hearandplay.com\/course\">300-pg course<\/a>! It is currently on special.)<\/p>\n<p><strong>1) &#8220;Churchy 2-5-1 Chord Progression&#8221; Style #1<\/strong><\/p>\n<p>D7 (b9) &#8212; G13 &#8212;- Cmaj (pronounced &#8220;D seven, flat nine &#8212;&#8211; G thirteenth &#8212; C major&#8221;)<\/p>\n<p>D7 (b9) = Bass * Play &#8220;D&#8221; &#8212;&#8212;&#8212; F# + A + C + D#<br \/>\nG13 = Bass * Play &#8220;G&#8221; &#8212;&#8212;&#8212;- F + A + C + E<br \/>\nCmaj = Bass * Play &#8220;C&#8221; &#8212;&#8212;&#8212;&#8211; E + G + C (1st inversion)<\/p>\n<p>Example: For D7 (b9), we would play F# + A + C + D# with &#8220;D&#8221; on the bass (left hand).<\/p>\n<p>Inversion just refers to the way the chord is played. Since &#8220;C&#8221; is the highest note, it is said to be played in its &#8220;first inversion&#8221;<\/p>\n<p>Note: I love playing this chord progression in gospel music. You try playing it and let me know what you come up with!<\/p>\n<p>(For more chord progressions, check out our <a rel=\"nofollow\" href=\"https:\/\/www.hearandplay.com\/course\">300-pg course<\/a>! It is currently on special.)<\/p>\n<p><strong>2) &#8220;Churchy 2-5-1 Chord Progression&#8221; Style #2<\/strong><\/p>\n<p>For this progression, every chord will be the same except for the D7 (b9). We will simply play a regular D9 chord.<\/p>\n<p>D9 = F# + A + C + &#8220;E&#8221; (not D#)<\/p>\n<p>Notice: The only difference in a D9 and a D7 (b9) is the difference in the &#8220;ninth&#8221; tone. Since we are not flatting the 9th tone, we use &#8220;E&#8221; instead of &#8220;D#.&#8221;<\/p>\n<p>D9 = Bass * Play &#8220;D&#8221; &#8212;&#8212;&#8212; F# + A + C + E<br \/>\nG13 = Bass * Play &#8220;G&#8221; &#8212;&#8212;&#8212;- F + A + C + E<br \/>\nCmaj = Bass * Play &#8220;C&#8221; &#8212;&#8212;&#8212;&#8211; E + G + C<\/p>\n<p><strong>3). &#8220;Contemporary 2-5-1 Chord Progression&#8221; Style #1<\/strong><\/p>\n<p>For this progression, we are going to use:<\/p>\n<p>D9 add 6 &#8212;&gt; G13 &#8212;&gt; Cmaj<\/p>\n<p>D9 add 6 = Bass * Play &#8220;D&#8221; &#8212;&#8212;&#8212; F# + B + C + E<br \/>\nG13 = Bass * Play &#8220;G&#8221; &#8212;&#8212;&#8212;- F + A + C + E<br \/>\nCmaj = Bass * Play &#8220;C&#8221; &#8212;&#8212;&#8212;&#8211; E + G + C<\/p>\n<p><strong>4.) &#8220;Contemporary 2-5-1 Chord Progression&#8221; Style #2<br \/>\n<\/strong><\/p>\n<p>This progression will follow the same exact pattern as #3 with the following chord alteration:<\/p>\n<p>D9 b5 &#8212;&gt; G13 &#8212;-&gt; Cmaj<\/p>\n<p>*** You are going to have to extend your fingers for this one!<\/p>\n<p>D9 b5 = Bass * Play &#8220;D&#8221; &#8212;&#8212;&#8212; F# + B + C + E + A#<br \/>\nG13 = Bass * Play &#8220;G&#8221; &#8212;&#8212;&#8212;- F + A + C + E<br \/>\nCmaj = Bass * Play &#8220;C&#8221; &#8212;&#8212;&#8212;&#8211; E + G + C<\/p>\n<p>Well, that&#8217;s it for this lesson. See ya next time!<\/p>\n<p>(Leave your comments about this lesson below. Did you like the chords I shared? Have you tried them out? Have your own 2-5-1&#8217;s to share?)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you listen to music, you&#8217;ve definitely heard a &#8220;2-5-1&#8221; progression. They are found in just about any type of music &#8212; regardless of style, genre, or rhythmical pattern. It is commonly the series of chords that end a song or phrase. However, it can be used in several situations (I can only go over a few in this lesson but encourage you to check out <a href=\"http:\/\/www.https:\/\/www.hearandplay.com\/course\">my course<\/a> for further instruction).<\/p>\n","protected":false},"author":1,"featured_media":23439,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[209,33,243,13],"class_list":["post-103","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","tag-2-5-1","tag-2-5-1-chord-progression","tag-243","tag-chord-progressions","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Variations of &quot;2-5-1&quot; Chord Progressions - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/variations-of-2-5-1-chord-progressions\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Variations of &quot;2-5-1&quot; Chord Progressions - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"If you listen to music, you&#039;ve definitely heard a &quot;2-5-1&quot; progression. 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