{"id":10328,"date":"2015-11-10T08:48:35","date_gmt":"2015-11-10T16:48:35","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=10328"},"modified":"2024-10-21T07:56:05","modified_gmt":"2024-10-21T15:56:05","slug":"using-dominant-7-chords-in-1-4-progressions","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/using-dominant-7-chords-in-1-4-progressions\/","title":{"rendered":"Using Dominant 7 Chords In 1-4 Progressions"},"content":{"rendered":"<p>1-4 progressions are easily one of the top 5 movements in music. <\/p>\n<p>It simply consists of a chord on the first degree of the scale going to a chord on the 4th degree.<\/p>\n<p>Take C major:<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C&#038;color=FFCC33&#038;size=2' border=0 \/><br \/>\nC D E F G A B C<\/p>\n<p>C is the first degree.<br \/>\nD is the second degree.<br \/>\nE is the third degree.<br \/>\nF is the fourth degree.<br \/>\nG is the fifth degree.<br \/>\nA is the sixth degree.<br \/>\nB is the seventh degree.<\/p>\n<p>[Tweet &#8220;1-4 progressions are easily one of the top 5 movements in music.&#8221;]<\/p>\n<h2>1-4 Progressions &#8211; Explained<\/h2>\n<p>A 1-4 progression would be some type of C chord going to some type of F chord.<\/p>\n<p>If we build chords on every tone of the scale by simply taking every other note (we call these &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/tertian-chords-and-the-secret-relationship-between-almost-every-chord\">thirds<\/a>,&#8221; which are the building blocks of most chords), we get:<\/p>\n<p>C major 7<br \/>\n<img alt='1-4 progressions C major 7' src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,E,G,B,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>D minor 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,F,A,C&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>E minor 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,G,B,D&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>F major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,A,C,E&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>G 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,B,D,F&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>A minor 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,C,E,G&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>B half-diminished 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,F,A&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>Thus, a 1-4 progression would be a C major 7 going to an F major 7.<\/p>\n<p>&#8220;1&#8221;<br \/>\nC major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,E,G,B,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>&#8220;4&#8221;<br \/>\nF major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,A,C,E&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>But to create movement to the 4, you might see a progression like this (pay attention to the highest note):<\/p>\n<p>C major<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,C&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>C major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,B,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>C7 (aka &#8211; &#8220;C dominant 7&#8221;)<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,Bb,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>It is this C7 chord that gives us the strongest resolution to the 4 (or F major 7).<\/p>\n<p>Why?<\/p>\n<p>Because we&#8217;re introducing a tone from F&#8217;s family.<\/p>\n<p><em>(I&#8217;m often at events where people are being <a href=\"https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/11\/Jermaine-Griggs-BSA-OC_040914_DG-085.jpg\" target=\"_blank\" rel=\"noopener\">honored<\/a> and it is very common to have the honoree introduced by a close family member or friend as opposed to someone from the organization honoring them. That&#8217;s what we&#8217;re doing by introducing the dominant 7 on C. We&#8217;re bringing a chord that&#8217;s familiar to F into the mix to make the transition smooth).<\/em><\/p>\n<p>By bringing in the Bb (in the C dominant 7 chord), we&#8217;ve now entered F major&#8217;s &#8220;planet.&#8221;<\/p>\n<p>Bb does not naturally occur in the C major scale. We are literally taking a chord from F major because we know it provides the strongest connection to F.<\/p>\n<p>C dominant 7 occurs on the 5th degree of F major. And if you know anything about the dominant scale degree, it is the degree that most likely brings you home to the &#8220;1.&#8221; <\/p>\n<p>1 = home<br \/>\n4 = away from home<br \/>\n5 = coming home<\/p>\n<p>In C major, that chord is G7 (G dominant 7). In F major, that chord is C7.<\/p>\n<p>A common technique you&#8217;ll run across is what we call &#8220;tonicizing&#8221; other tones of the scale. Simply put, it means making those tones temporarily the &#8220;1&#8221; (or &#8220;tonic&#8221; or &#8220;home&#8221;) and allowing chords from other keys to lead to that tone&#8230; while remaining in the original key (this happens a lot in jazz and even gospel where you do a &#8220;2-5-1&#8221; based on the 4th degree of the scale. Where you&#8217;d never see a G minor naturally on the 5th tone of C, you would use it in this instance because the G minor 7 is really the 2nd degree of F major. This then leads to the same C dominant 7 chord we&#8217;re using in this example, and then to F major 7).<\/p>\n<p>[Tweet &#8220;I love to tonicize other tones of the scale in unique ways like this&#8230;&#8221;]<\/p>\n<p>That&#8217;s why we can use C7 to bring us to F major 7 in this 1-4 progression.<\/p>\n<p>C major<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,C&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>C major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,B,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>C7 (aka &#8211; &#8220;C dominant 7&#8221;)<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,Bb,&#038;color=FFCC33&#038;size=2' border=0 \/><\/p>\n<p>F major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,C,E,A,&#038;color=FFCC33&#038;size=2' border=0 \/><br \/>\nI chose this inversion of F major 7 to keep &#8220;A&#8221; on top. Notice the chromatic (half step) movement from C to B to Bb. I wanted to keep that going by placing &#8220;A&#8221; on top (C &#8211;> B &#8211;> Bb &#8211;> A).<\/p>\n<p>If you want to create some more movement, take the E in the F major 7 chord and resolve it down to D half way through the chord to make it an F major 6. Sounds good.<\/p>\n<p>I hope you enjoyed this short, but sweet lesson.<\/p>\n<p>Until next time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>1-4 progressions are easily one of the top 5 movements in music. It simply consists of a chord on the first degree of the scale going to a chord on the 4th degree. But here&#8217;s how to use the dominant 7 chord as a transition in this progression.<\/p>\n","protected":false},"author":1,"featured_media":23053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,9],"tags":[244,1771,1772],"class_list":["post-10328","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-piano","tag-1-4-chord-progressions","tag-1-4-progressions","tag-1-4-turnarounds","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Using Dominant 7 Chords In 1-4 Progressions - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"1-4 progressions are easily one of the top 5 movements in music. 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