{"id":104,"date":"2007-08-22T20:12:19","date_gmt":"2007-08-23T03:12:19","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/index.php\/1-4-chord-progressions-you-can-use\/"},"modified":"2024-12-26T00:09:39","modified_gmt":"2024-12-26T08:09:39","slug":"1-4-chord-progressions-you-can-use","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/1-4-chord-progressions-you-can-use\/","title":{"rendered":"&#8220;1-4&#8221; chord progressions you can use!"},"content":{"rendered":"<p>The <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">1-4 chord progression<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> is one of the most commonly used progressions in gospel and blues music. In our 300-pg course, we cover several ways to play 1-4 chord progressions.<\/p>\n<p>In this lesson, I will show you a couple of ways to transition from a 1 chord to a 4 chord. These techniques are taken from pages 292 and 293 out of my <a rel=\"nofollow\" href=\"https:\/\/www.hearandplay.com\/course\">300-pg course<\/a>&#8230;<\/p>\n<p>1) Adding a Vmin9 &#8212; I 9 \/ 6 Chord Progression:<\/p>\n<p>This progression can always lead to the IV chord. I play it all the time! In C major, this progression is: Cmaj &#8211; Gmin9 &#8211; C9 \/ 6 &#8211; F9<\/p>\n<p>Don&#8217;t worry about all the terminology like C9 \/ 6 as this is covered in our workbook. Below, you will find the notes of each of the <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>.<\/p>\n<p>REFERENCE:<\/p>\n<p>Cmaj = C + E + G<br \/>\nGmin9 = F + A + Bb + D<br \/>\nC9\/ 6 = E + A + Bb + D<br \/>\nF9 = Eb + G + A + C<\/p>\n<p>Now &#8230; try playing them giving the Cmaj and F9 twice the amount of duration than the Gmin9 and C9 \/ 6 (pronounced &#8220;C minor nine with added 6th&#8221;).<\/p>\n<p>Cmaj Gmin9 C9\/6 F9<\/p>\n<p>How did it sound? If it worked out for you, try adding it to some of your songs when you need to transition from any 1 chord (like Cmaj) to a 4 chord (like Fmaj) &#8230; that is, just simply add a Gmin9 &#8211;&gt; C9\/6. And don&#8217;t forget, the only REAL difference between the Gmin9 and C9 \/ 6 chord is the lowered F to E.<\/p>\n<p>For more information on these types of chord progressions, check out my 300-pg &#8220;The Secrets to Playing Piano By Ear!&#8221; at https:\/\/www.hearandplay.com\/course  or https:\/\/www.hearandplay.com\/ordernow.html <\/p>\n<p>2) Add a IV#9 right before the IV chord:<\/p>\n<p>If the IV chord is a dom9 chord, then simply add the <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">dom9 chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> a half step higher to create a IV# 9 &#8212; IV 9 progression. This sounds great in blues and gospel music! For example, in C major, this is: C9 &#8211; F#9 &#8211; F9<\/p>\n<p>REFERENCE:<\/p>\n<p>C9 = Bb + D + E + G (this chord is inverted so that Bb is on the bottom)<\/p>\n<p>F#9 = E + G# + A# + C#<\/p>\n<p>F9 = Eb + G + A + C<\/p>\n<p>&#8230; Try it!<\/p>\n<p>C9 F#9 F9<\/p>\n<p>&gt;&gt;&gt; These two progressions can be used when you are in a situation that requires a fill-in between a C7 or C9 and an F7 or F9 (or any 1-4 relationship in another key). For more fills and progressions like the ones above, visit: http:\/\/www.https:\/\/www.hearandplay.com\/course <\/p>\n<p>This concludes this month&#8217;s lesson on &#8220;1-4 Chord Progressions.&#8221;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The 1-4 chord progression is one of the most commonly used progressions in gospel and blues music. In our 300-pg course, we cover several ways to play 1-4 chord progressions. In this lesson, I will show you a couple of ways to transition from a 1 chord to a 4 chord. These techniques are taken [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":23438,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[1488,244,245,34],"class_list":["post-104","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","tag-1-4-chord-progression","tag-1-4-chord-progressions","tag-245","tag-turnarounds","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>&quot;1-4&quot; chord progressions you can use! - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/1-4-chord-progressions-you-can-use\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"&quot;1-4&quot; chord progressions you can use! - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"The 1-4 chord progression is one of the most commonly used progressions in gospel and blues music. 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