\n| \n State<\/b><\/p>\n<\/td>\n | \n Parallel State<\/b><\/p>\n<\/td>\n | \n Capital City<\/b><\/p>\n<\/td>\n<\/tr>\n\n| \n C Major<\/p>\n<\/td>\n | \n C Minor<\/p>\n<\/td>\n | \n G<\/p>\n<\/td>\n<\/tr>\n | \n| \n D\u266d<\/span> Major<\/p>\n<\/td>\n | \n D\u266d<\/span> Minor<\/p>\n<\/td>\n | \n A\u266d<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n D Major<\/p>\n<\/td>\n | \n D Minor<\/p>\n<\/td>\n | \n A<\/p>\n<\/td>\n<\/tr>\n | \n| \n E\u266d<\/span> Major<\/p>\n<\/td>\n | \n E\u266d<\/span> Minor<\/p>\n<\/td>\n | \n B\u266d<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n E Major<\/p>\n<\/td>\n | \n E Minor<\/p>\n<\/td>\n | \n B<\/p>\n<\/td>\n<\/tr>\n | \n| \n F Major<\/p>\n<\/td>\n | \n F Minor<\/p>\n<\/td>\n | \n C<\/p>\n<\/td>\n<\/tr>\n | \n| \n G\u266d<\/span> Major<\/p>\n<\/td>\n | \n G\u266d<\/span> Minor<\/p>\n<\/td>\n | \n D\u266d<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n G Major<\/p>\n<\/td>\n | \n G Minor<\/p>\n<\/td>\n | \n D<\/p>\n<\/td>\n<\/tr>\n | \n| \n A\u266d<\/span> Major<\/p>\n<\/td>\n | \n A\u266d<\/span> Minor<\/p>\n<\/td>\n | \n E\u266d<\/span><\/p>\n<\/td>\n<\/tr>\n\n| \n A Major<\/p>\n<\/td>\n | \n A Minor<\/p>\n<\/td>\n | \n E<\/p>\n<\/td>\n<\/tr>\n | \n| \n B\u266d<\/span> Major<\/p>\n<\/td>\n | \n B\u266d<\/span> Minor<\/p>\n<\/td>\n | \n F<\/p>\n<\/td>\n<\/tr>\n | \n| \n B Major<\/p>\n<\/td>\n | \n B Minor<\/p>\n<\/td>\n | \n F\u266f<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\nKnowledge of these Parallel states (keys), their cities (scale tones) and capital cities (dominants) is of the greatest importance.<\/p>\n So, what really happens when we’re listening to songs?<\/h2>\nWhen we hear most songs, by ear, we are able to find the Major or minor key and play because our brain feeds us with something like this once we find out that a piece of music is in F.<\/p>\n Country<\/strong> – Octave<\/p>\nState<\/strong> – F<\/p>\nCities<\/strong> – F G A B\u266d<\/span> C D E F<\/p>\nCapital City<\/strong> – C<\/strong><\/p>\nThere are also situations where the data will have more fields:<\/p>\n Country<\/strong> – Octave<\/p>\nState<\/strong> – F Minor (relative to A\u266d<\/span> Major)<\/p>\nCities<\/strong> – F G A\u266d<\/span> B\u266d<\/span> C D\u266d<\/span> E\u266d<\/span> F<\/p>\nCapital City<\/strong> – C<\/strong><\/p>\nInterstate Trip – G Minor<\/p>\n Route – 1-4-5-1<\/strong><\/em><\/p>\nFrom the GPS data, this song is based on a chord progression in F minor. 1-4-5-1 means F to Bb to C and back to F. It’s also clear that weather conditions and timezone will be similar to what we experience in the state of A\u266d<\/span>.<\/p>\nThe Importance of Trips and Tours<\/h2>\nThe more you move around the state (from city to city), the more familiar you get with the state. The 2-5-1 trip will take us to the state through the capital city and the super tonic.<\/p>\n This article should encourage my friends out there who are residents in one state and have preferred to electronically<\/em> travel (transpose button) around the country. It’s time to leave your comfort zone and “physically” go into other states.<\/p>\nThe economy (technical demands) may be different, however, you can always adapt after a while. Remember that in this country (Octave), all the states (Keys) have the same number of cities (scale tones). The difference may be in terms of time zone (key-signature), economy (technical demands) and other factors.<\/p>\n However, as you begin to understand the economic, social and even religious relationships between parallel and relative states, moving from one state to another becomes a lot easier.<\/p>\n I know you cracked up at one point or the other. The descriptions here are to deeply inspire you. They are not to be used formally. Thanks for laughing and learning.<\/p>\n P.S.<\/p>\n What will you offer to have a professional tutor (who can play anything in any key) help you take those familiar chords from your key of residence<\/em> to other keys at your privacy and convenience?<\/p>\n“Song Tutor works around the clock… never charges by the hour… never says ‘time’s up.'”<\/i><\/p>\n | | | | | |