{"id":11857,"date":"2017-04-08T00:00:00","date_gmt":"2017-04-08T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=11857"},"modified":"2024-10-07T00:57:52","modified_gmt":"2024-10-07T08:57:52","slug":"else-wants-learn-lydian-dominant-scale","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/else-wants-learn-lydian-dominant-scale\/","title":{"rendered":"Who Else Wants To Learn About The Lydian Dominant Scale?"},"content":{"rendered":"<p>You arrived at this page because you want to learn about the lydian dominant scale.<\/p>\n<p>The lydian dominant scale is not a very common musical scale, that&#8217;s why I can easily guess that you&#8217;re not a beginner. However, if you are a beginner who&#8217;s probably trying to get acquainted with the keyboard, <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">click here now<\/a>.<\/p>\n<p>The first time I learned about the lydian dominant scale was so many years ago when I started studying jazz &#8212; as an intermediate level student. Today, I can tell you that it&#8217;s one of the most important dominant scales that every jazz piano player must learn.<\/p>\n<p>But before we go into learning about the lydian dominant scale, let&#8217;s discuss on the musical scale briefly.<\/p>\n<h2>A Short Note On Musical Scales<\/h2>\n<p>According to Jermaine Griggs, <em>&#8220;a scale is formed when a collection of notes is played in a regular succession, in ascending and descending order &#8211; following a fixed intervallic pattern or formula.&#8221;<\/em><\/p>\n<p>Let&#8217;s go ahead and break down this definition of the musical scale.<\/p>\n<h3><em>&#8220;&#8230;A Collection Of Notes&#8230;&#8221;<\/em><\/h3>\n<p>A musical scale is a product of a collection of notes and can be named according to the number of notes in it per <a href=\"https:\/\/www.hearandplay.com\/main\/first-day-chrismas-one-octave\">octave<\/a>.<\/p>\n<blockquote><p>One note scale is <strong>monotonic<\/strong><\/p>\n<p>Two notes scale is <strong>ditonic<\/strong><\/p>\n<p>Three notes scale is <strong>tritonic<\/strong><\/p>\n<p>Four notes scale is <strong>tetratonic<\/strong><\/p>\n<p>Five notes scale is <strong>pentatonic<\/strong><\/p>\n<p>Six notes scale is <strong>hexatonic<\/strong><\/p>\n<p>Seven notes scale is <strong>heptatonic<\/strong><\/p>\n<p>Eight notes scale is <strong>octatonic<\/strong><\/p><\/blockquote>\n<h3><em>&#8220;&#8230;Played In A Regular Succession&#8230;&#8221;<\/em><\/h3>\n<p>The notes of a\u00a0 scale must be played in a regular succession &#8212; as close as possible. For example, playing all the notes on the keyboard from C to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in a regular succession produces a musical scale.<\/p>\n<h3><em>&#8220;&#8230;In Ascending Or Descending Order&#8230;&#8221;<\/em><\/h3>\n<p>A musical scale has two directions &#8211; the ascending and descending direction &#8211; consequently, a scale can be played in ascending and descending direction.<\/p>\n<p>Although the ascending and descending order of most musical scales are the same, there are musical scales that have a descending form that differs from its ascending form.<\/p>\n<h3><em>&#8220;&#8230;Following A Fixed Intervallic Pattern\/Formula&#8230;&#8221;<\/em><\/h3>\n<p>Every scale has its unique intervallic pattern or formula, which is derived from the distance between successive notes in that scale.<\/p>\n<p>In the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the distance between the first and second notes (which are C and D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a <strong>whole step.<\/strong><\/p>\n<p>The distance between the second and third notes (which are D and E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is also a <strong>whole step.<\/strong><\/p>\n<p>The distance between the third and fourth notes (which are E and F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,F,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a <strong>half step.<\/strong><\/p>\n<p><em>&#8220;Let&#8217;s Pause And Take A Look At The Intervallic Pattern&#8230;&#8221;<\/em><\/p>\n<p>The intervallic pattern of the first three notes of the natural major scale can be given thus:<\/p>\n<blockquote><p>Whole step &#8211; Whole step &#8211; Half step<\/p><\/blockquote>\n<p>OR as:<\/p>\n<blockquote><p>W W H<\/p><\/blockquote>\n<p>Using this intervallic patternn\/formula, the natural major scale can be played in any key.<\/p>\n<h2>The Lydian Dominant Scale &#8211; <em>Explained<\/em><\/h2>\n<p>The lydian dominant scale is not difficult to understand. However, you must pay attention to all the details I&#8217;m about to give you.<\/p>\n<blockquote><p>The lydian dominant scale is the <strong>fourth mode<\/strong> of the <em>melodic minor scale<\/em>.<\/p><\/blockquote>\n<h3><em>&#8220;Let&#8217;s Talk About Modes&#8230;&#8221;<\/em><\/h3>\n<p>Modes are derived by starting and ending any given scale on any other note apart from its first tone. The <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">natural major scale<\/a> has its modes, and using the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we can derive its second mode by starting and ending it on its second tone (which is D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nSo, playing the C natural major scale from D to D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,F,G,A,B,C,D&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces its second mode &#8212; known as the <strong>dorian mode<\/strong>.<\/p>\n<p>Starting and ending on the third tone (which is E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>phrygian mode<\/strong>.<\/p>\n<p>Starting and ending on the fourth tone (which is F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>lydian mode<\/strong>.<\/p>\n<p>Starting and ending on the fifth tone (which is G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>mixolydian mode<\/strong>.<\/p>\n<p>Starting and ending on the sixth tone (which is A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>aeolian mode<\/strong>.<\/p>\n<p>Starting and ending on the seventh tone (which is B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>locrian mode<\/strong>.<\/p>\n<h3><em>&#8220;Now, Back To The Lydian Dominant Scale&#8230;&#8221;<\/em><\/h3>\n<p>Like I said earlier, the lydian dominant scale is the fourth mode of the <a href=\"https:\/\/www.hearandplay.com\/main\/the-melodic-minor-scale\">melodic minor scale<\/a>. Therefore, using any known melodic minor scale, the lydian dominant scale can be derived.<\/p>\n<p>Using the C melodic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,Eb,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we derive the lydian dominant scale (which is the fourth mode of the melodic minor scale) by starting and ending on the fourth scale tone (which is F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nSo, playing the C melodic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,Eb,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from F to F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,F&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the F lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,B,C,D,Eb,F&amp;color=3399FF&amp;size=2\" border=\"0\" \/><\/p>\n<h2>How To Form The Lydian Dominant Scale<\/h2>\n<p>The lydian dominant scale can be formed using the <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">natural major scale<\/a> by:<\/p>\n<ol>\n<li>Raising its fourth tone<\/li>\n<li>Lowering its seventh tone<\/li>\n<\/ol>\n<p>Using the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the C lydian dominant scale can be formed by raising the fourth tone (which is F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half step (to F#):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to produce the C lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,B,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;But That&#8217;s Not All&#8230;&#8221;<\/em><\/p>\n<p>Then, lowering the seventh tone of the C lydian scale formed (which is B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half step (to Bb):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,Bb,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nFollowing this procedure, anyone can form the lydian dominant scale using a known natural major scale.<\/p>\n<p><em>&#8220;Here&#8217;s A Reference To All The Lydian Dominant Scales On The Keyboard&#8221;<\/em><\/p>\n<p>The C lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,Bb,C&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe Db lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,Eb,F,G,Ab,Bb,Cb,Db&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe D lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,Fs,Gs,A,B,C,D&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe Eb lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,F,G,A,Bb,C,Db,Eb&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Fs,Gs,As,B,Cs,D,E&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe F lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,B,C,D,Eb,F&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe Gb lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,Ab,Bb,C,Db,Eb,Fb,Gb&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe G lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,B,Cs,D,E,F,G&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe Ab lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,Bb,C,D,Eb,F,Gb,Ab&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe A lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,B,Cs,Ds,E,Fs,G,A&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe Bb lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,C,D,E,F,G,Ab,Bb,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><br \/>\nThe B lydian dominant scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,Cs,Ds,Es,Fs,Gs,A,B,&amp;color=3399FF&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Now that you&#8217;ve learned the lydian dominant scale, we&#8217;ll end this lesson so that you&#8217;ll go straight into learning and memorizing how to play it in all twelve keys on the keyboard.<\/p>\n<p>In a subsequent lesson, we&#8217;ll go into the application of the lydian dominant scale in chord formation and improvisation.<\/p>\n<p>See you then!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This lesson would give you a basic introduction to the lydian dominant scale.<\/p>\n","protected":false},"author":9,"featured_media":22635,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[416,22,9,229],"tags":[17,2498,2497,2496,498,1300],"class_list":["post-11857","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experienced-players","category-jazz-music","category-piano","category-scales-theory-piano","tag-basic-songs","tag-fourth-mode-of-the-melodic-minor-scale","tag-lydian-dominant","tag-lydian-dominant-scale","tag-melodic-minor-scale","tag-modes","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This 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