{"id":12355,"date":"2017-01-06T00:00:00","date_gmt":"2017-01-06T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=12355"},"modified":"2024-10-07T01:44:39","modified_gmt":"2024-10-07T09:44:39","slug":"introduction-to-the-school-of-phatness","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/introduction-to-the-school-of-phatness\/","title":{"rendered":"PHATness 101: Introduction To The School of PHATness"},"content":{"rendered":"<p>Welcome to the school of phatness!<\/p>\n<p>If you&#8217;re an intermediate piano player who has gone beyond triads to master seventh and extended chords and is interested in learning how to play bigger and full-sounding chords, this lesson is for you.<\/p>\n<p>Irrespective of style or level, the basic role of a pianist in a band is to provide accompaniment to melodies. That&#8217;s why every serious pianist must sophisticate his chordal vocabulary not only with chords, but with subtle ways to play them.<\/p>\n<p>In today&#8217;s lesson, you&#8217;ll be learning tons of chords, but before we proceed, it is important for us to briefly discuss the concept of phatness.<\/p>\n<h2><em>&#8220;What Is PHATness?&#8221;<\/em><\/h2>\n<p>The term <em>phat <\/em>means different things to different people. Although the origin of this word is not known yet, it&#8217;s commonly used among musicians in the church circle.<\/p>\n<p>Within the premises of this lesson, the word phat is an acronym for <strong>P<\/strong>retty <strong>H<\/strong>ot <strong>A<\/strong>nd <strong>T<\/strong>itanic and is used to describe some advanced chords and chord voicings.<\/p>\n<p>Here are some frequently asked questions:<\/p>\n<blockquote><p>Can a chord be <strong>p<\/strong>retty?<\/p>\n<p>Can a chord be <strong>h<\/strong>ot?<\/p>\n<p>Can a chord be <strong>t<\/strong>itanic?<\/p><\/blockquote>\n<p>Believe it or not, all chords are pretty, what makes a chord hot is its application, and yes! a chord can be described as being titanic when it encompasses or consists of compound intervals like ninths, elevenths and thirteenths.<\/p>\n<p>When a chord is said to be pretty, hot, and titanic, or PHAT in one word, that&#8217;s just another way of saying that the chord has advanced harmonic features, which can be seen in its <a href=\"https:\/\/www.hearandplay.com\/main\/how-music-scholars-classify-chords\">width<\/a>, <a href=\"https:\/\/www.hearandplay.com\/main\/finally-cracked-concept-chord-voicing\">voicing<\/a>, and so on.<\/p>\n<p>In the next segment, we&#8217;ll be learning some PHAT scale degree chords in the key of C major.<\/p>\n<h2>Phat Scale Degree Chords In The Key Of C Major<\/h2>\n<h3>The Preliminaries<\/h3>\n<p>Every key (whether major or minor) has eight degrees. Due to the fact that these eight degrees can be seen on traditional scale of that key, they are commonly referred to as scale degrees.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>C is the first degree<\/p>\n<p>D is the second degree<\/p>\n<p>E is the third degree<\/p>\n<p>F is the fourth degree<\/p>\n<p>G is the fifth degree<\/p>\n<p>A is the sixth degree<\/p>\n<p>B is the seventh degree<\/p>\n<p>C is the eighth degree<\/p><\/blockquote>\n<p>The chords that are formed on the various degrees of the scale are generally referred to as <strong>scale degree chords<\/strong>.<\/p>\n<h3>PHAT Scale Degree Chords For The First Degree<\/h3>\n<p>C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the first scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The First Degree Of The Scale&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The C major thirteenth chord<\/p>\n<p>The C 6\/9<\/p><\/blockquote>\n<p><strong>Phat Chord #1 &#8211; The C Major Thirteenth Chord<\/strong><\/p>\n<p>The C major thirteenth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,D,G,B,D&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\nThe phat voicing above is a product of the <em>fourth voicing concept <\/em>and <em>rootless voicing concept<\/em>. The former explains why the interval between E and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;A and D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,D,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;D and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,G,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are fourth intervals.<\/p>\n<p>The latter explains why the root of the chord (which is C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is missing.<\/p>\n<p><strong>Phat Chord #2 &#8211; The C 6\/9<\/strong><\/p>\n<p>The phat voicing of the C 6\/9 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,D,G,C,E&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a product of the <em>fourth voicing concept <\/em>and <em>rootless voicing concept<\/em>. The former explains why the interval between E and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;A and D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,D,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;D and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,D,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are fourth intervals.<\/p>\n<p>The latter explains why the root of the chord (which is C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is missing.<\/p>\n<h3>PHAT Scale Degree Chords For The Second Degree<\/h3>\n<p>D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the second scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The Second Scale Degree&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The D minor ninth<\/p>\n<p>The D minor eleventh<\/p><\/blockquote>\n<p><strong>Phat Chord #3 &#8211; The D Minor Ninth Chord<br \/>\n<\/strong><\/p>\n<p>The D minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,C,E,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\nPlaying the first inversion of the A minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over D minor tenth interval (on the bass):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the phat voicing above.<\/p>\n<p><strong>Phat Chord #4 &#8211; The D Minor Eleventh Chord<br \/>\n<\/strong><\/p>\n<p>The phat voicing of the D minor eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,A,E,F,C,G,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;above consists of fifth intervals and encompasses almost three octaves.<\/p>\n<h3>PHAT Scale Degree Chords For The Third Degree<\/h3>\n<p>E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the third scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The Third Scale Degree&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The E &#8220;so what&#8221; chord<\/p>\n<p>The E minor eleventh<\/p><\/blockquote>\n<p><strong>Phat Chord #5 &#8211; The E &#8220;so what&#8221; Chord<br \/>\n<\/strong><\/p>\n<p>The E &#8220;so what&#8221; chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,D,G,B,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\nis basically an E minor eleventh chord. The name so what is associated with the voicing formula used in rearranging the notes of the chord.<\/p>\n<p><strong>Phat Chord #6 &#8211; The E Minor Eleventh Chord<br \/>\n<\/strong><\/p>\n<p>The phat voicing of the E minor eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,B,Fs,G,D,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;above consists of fifth intervals and encompasses almost three octaves.<\/p>\n<h3>PHAT Scale Degree Chords For The Fourth Degree<\/h3>\n<p>F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the fourth scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The Fourth Degree Of The Scale&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The F major ninth chord<\/p>\n<p>The F major thirteenth chord<\/p><\/blockquote>\n<p><strong>Phat Chord #7 &#8211; The F Major Ninth Chord<\/strong><\/p>\n<p>The F major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,C,E,G,A,C&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\nIn the phat voicing above, adjacent notes are used in chord formation, and the this produced a\u00a0<em>clustered voicing.<\/em> F-G-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and G-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,G,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are clusters.<\/p>\n<p><strong>Phat Chord #8 &#8211; The F Major Thirteenth Chord<br \/>\n<\/strong><\/p>\n<p>The phat voicing of the F major thirteenth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,A,D,G,C&amp;color=CC6666&amp;size=2\" border=\"0\" \/><\/p>\n<h3>PHAT Scale Degree Chords For The Fifth Degree<\/h3>\n<p>G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the fifth scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The Fifth Degree Of The Scale&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The G dominant thirteenth chord<\/p>\n<p>The G dominant thirteenth [sharp eleventh] chord<\/p><\/blockquote>\n<p><strong>Phat Chord #9 &#8211; The G Dominant Thirteenth Chord<\/strong><\/p>\n<p>The G dominant thirteenth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,E,A,D,G&amp;color=CC6666&amp;size=2\" border=\"0\" \/><\/p>\n<p><strong>Phat Chord #10 &#8211; The G Dominant Thirteenth [Sharp Eleventh] Chord<br \/>\n<\/strong><\/p>\n<p>The phat voicing of the G dominant thirteenth [sharp eleventh] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,E,A,Cs,E&amp;color=CC6666&amp;size=2\" border=\"0\" \/><\/p>\n<h3>PHAT Scale Degree Chords For The Sixth Degree<\/h3>\n<p>A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the sixth scale degree.<\/p>\n<p><em>&#8220;Here Are Some PHAT Scale Degree Chords For The Sixth Scale Degree&#8230;&#8221;<\/em><\/p>\n<blockquote><p>The A minor eleventh<\/p>\n<p>The A minor thirteenth<\/p><\/blockquote>\n<p><strong>Phat Chord #11 &#8211; The D Minor Ninth Chord<br \/>\n<\/strong><\/p>\n<p>The A minor eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,C,E,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\nPlaying the first inversion of the C sus2 triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,A,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over the E sus4 triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the phat voicing above.<\/p>\n<p><strong>Phat Chord #12 &#8211; The A Minor Thirteenth Chord<br \/>\n<\/strong><\/p>\n<p>The phat voicing of the A minor thirteenth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,A,E,F,C,G,&amp;color=CC6666&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Congratulations! You just learned 12 PHAT chords, and that&#8217;s pretty much a dozen.<\/p>\n<p>Now that we&#8217;re done with the formation of these scale-degree chords in the key of C major, it is incumbent on you to practice it in other major keys.<\/p>\n<p>We&#8217;re just getting started with the school of PHATness and there&#8217;s a lot more to learn about passing chords and most especially the application of these chords. We&#8217;ll cover all that in subsequent lessons.<\/p>\n<p>See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re interested in learning how top players flip boring chords into bigger chord structures, then this lesson is for you.<\/p>\n","protected":false},"author":9,"featured_media":22667,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9],"tags":[2425,1786,2424],"class_list":["post-12355","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-phat-chord-voicings","tag-phat-chords","tag-phatness","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>PHATness 101: Introduction To The School of PHATness - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Welcome to the school of phatness. 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