{"id":128,"date":"2008-08-08T10:58:52","date_gmt":"2008-08-08T17:58:52","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/index.php\/forget-the-right-hand-focus-on-the-left\/"},"modified":"2024-12-25T23:30:30","modified_gmt":"2024-12-26T07:30:30","slug":"forget-the-right-hand-focus-on-the-left","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/forget-the-right-hand-focus-on-the-left\/","title":{"rendered":"Forget the right hand! Focus on the left&#8230;"},"content":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/jonpowellyoutube.jpg\" class=\"videopic\" alt=\"jon powell gk600 youtube\" \/>I get tons of e-mails everyday and from experience, I find that one of the hardest things for musicians to do is play chords on both hands.<\/p>\n<p>It takes a lot of getting used to, especially when you&#8217;re used to playing chords on the right and single bass notes (or power chords like the &#8220;1&#8221; and &#8220;5&#8221; notes) on the left.<\/p>\n<p>Don&#8217;t get me wrong&#8230; this is fine if you&#8217;re a solo musician and have to hold down the chords and bass.<\/p>\n<p>But as you get more experienced and start getting invited to play in bands, you&#8217;ll have to say goodbye to the left hand bass technique, or the bass player WILL HATE YOU. And your chords won&#8217;t sound as full as the musician using two hands to play them.<\/p>\n<p>So as I was going through our <a rel=\"nofollow\" href=\"http:\/\/www.youtube.com\/hearandplay\">youtube videos<\/a> (we have hundreds of them there, <a rel=\"nofollow\" href=\"http:\/\/www.youtube.com\/hearandplay\">check it out<\/a>), I came across a pretty good demonstration of a two-hand groove by our very own Jonathan Powell from the <a rel=\"nofollow\" href=\"https:\/\/www.hearandplay.com\/gkurban.html\">GospelKeys Urban Pro 600 course<\/a>.<\/p>\n<p>He goes over this chord progression in depth in the dvd but what I wanted to do was include the notes of the groove and explain a little more of what&#8217;s going on for those who don&#8217;t have the course.<\/p>\n<p>Stick with me&#8230; you&#8217;ll get a lot out of this&#8230;<\/p>\n<p>If you want to check out the video first, be my guest. If not, click on this video after reading what I have to say:<\/p>\n<p><center><br \/>\n<iframe loading=\"lazy\" width=\"480\" height=\"360\" src=\"http:\/\/www.youtube.com\/embed\/tMzhzXXzHlk\" frameborder=\"0\" allowfullscreen><\/iframe><\/center><\/p>\n<p>So here&#8217;s what&#8217;s going on&#8230;<\/p>\n<p>Jon is in the key of Ab major and he&#8217;s playing a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">2-6 groove<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>. This is very common in urban and contemporary music. This happens to be a part of a contemporary gospel theme but the truth is that you&#8217;ll find this is in R&amp;B, soul, and other genres.<\/p>\n<p>(For my beginners, it&#8217;s called a &#8220;2-6&#8221; groove because the bass is moving from Bb to F&#8230; which are the &#8220;2nd&#8221; and &#8220;6th&#8221; tones of the Ab scale, respectively. You won&#8217;t find Jon doing this because he&#8217;s not playing the bass. He has a bass player on the side so don&#8217;t get confused).<\/p>\n<p>Ok, so the groove is starting on Bb and then moving to F. But it doesn&#8217;t stay that simple for long as you&#8217;ll find Jon introducing other changes to get you from Bb to F that I&#8217;ll cover in a minute (like using the 3 to get to 6&#8230; thus a &#8220;2-3-6&#8221; <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">progression<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> or using the 7 to get to the 3 and the 3 to get to the 6&#8230; thus a &#8220;2-7-3-6&#8221; progression). Don&#8217;t worry, I <em>gotch<\/em> you!<\/p>\n<p>But let me cover what you don&#8217;t get to see in the video (because it&#8217;s actually already occurred and this clip starts in the middle).<\/p>\n<p>Here&#8217;s what Jon is playing on Bb:<\/p>\n<blockquote><p>Left hand: Ab C Db F<br \/>\nRight hand: Ab C Eb  (but he&#8217;s using his pointer finger to play Bb slightly early to create a &#8220;grace note sliding&#8221; effect).<br \/>\nChord name: Bb minor 11<\/p>\n<p>Here&#8217;s what he&#8217;s doing on F:<\/p>\n<p>Left hand: Eb G Ab C<br \/>\nRight hand: Eb G Bb  (using &#8220;F&#8221; to create the &#8220;grace note sliding&#8221; effect).<br \/>\nChord name: F minor 11<\/p><\/blockquote>\n<p>So these are the two chords you hear in the beginning of their groove. This is the foundation.<\/p>\n<p>What can you gather from this?<\/p>\n<p>Any time you want to play a two hand voicing for a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">minor chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> and make it sound real good, you can use this voicing. Notice that the Bb and F chords use the same exact type of voicing. So if you learn all of these, you&#8217;ll have your minor chords taken care of. <\/p>\n<p><em>To learn em&#8217; all, just move up your notes a half step and write that chord down. Move your bass up as well even though you&#8217;re not playing the bass. Whatever bass note you&#8217;re at will be the title (or keynote) of the chord. Do this to all keys until you get back to your starting point. Then practice playing them. <\/em><\/p>\n<p>Now, let&#8217;s move further.<\/p>\n<p>He introduces a chord on the &#8220;3&#8221;&#8230; or in this case &#8220;C.&#8221;<\/p>\n<p>(Bass player would be playing C)<\/p>\n<blockquote><p>Left hand: E Ab Bb Eb<br \/>\nRight hand: Ab C Eb  (using the same &#8220;grace note slide&#8221; effect with &#8220;Bb&#8221;)<\/p><\/blockquote>\n<p>You&#8217;d put this chord in between the Bb and F chord.<\/p>\n<p>So altogether, it looks like this:<\/p>\n<blockquote><p>Left hand: Ab C Db F<br \/>\nRight hand: Ab C Eb  (but he&#8217;s using his pointer finger to play Bb slightly early to create a &#8220;grace note sliding&#8221; effect).<br \/>\nInvisible Bass: Bb<\/p>\n<p>Left hand: E Ab Bb Eb<br \/>\nRight hand: Ab C Eb  (using the same &#8220;grace note slide&#8221; effect with &#8220;Bb)<br \/>\nInvisible Bass: C<\/p>\n<p>Left hand: Eb G Ab C<br \/>\nRight hand: Eb G Bb  (using &#8220;F&#8221; to create the &#8220;grace note sliding&#8221; effect).<br \/>\nInvisible Bass: F\n<\/p><\/blockquote>\n<p>This is called a &#8220;2-3-6&#8221; progression because the root bass is going from Bb (which is the 2nd tone in the Ab scale) to C (the 3rd tone) to F (the 6th tone).<\/p>\n<p>But it gets even better than that&#8230;<\/p>\n<p>He wants to lead to the &#8220;3&#8221; with a chord so he uses the &#8220;7&#8221; chord in the scale. In this case, that&#8217;s a &#8220;G&#8221; bass.<\/p>\n<blockquote><p>Left hand: F B<br \/>\nRight hand: F Bb Db<\/p><\/blockquote>\n<p>But he does change the &#8220;3&#8221; chord from before to this:<\/p>\n<blockquote><p>Left hand: E Bb<br \/>\nRight hand: Eb Ab C   (using the same &#8220;grace note slide&#8221; effect with &#8220;Bb)<\/p><\/blockquote>\n<p>If you think about it, it&#8217;s pretty much the same chord that you used above on &#8220;C&#8221; but it&#8217;s just smaller. Instead of the big &#8216;E Ab Bb Eb&#8217; chord on the left, it&#8217;s just &#8216;E Bb&#8217; (which is a tritone&#8230; another lesson). And the right hand is still an Ab <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">major chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>, just in second inversion (Eb Ab C instead of Ab C Eb).<\/p>\n<p>So altogether, this progression looks like this:<\/p>\n<blockquote><p>Left hand: Ab C Db F<br \/>\nRight hand: Ab C Eb  (but he&#8217;s using his pointer finger to play Bb slightly early to create a &#8220;grace note sliding&#8221; effect).<br \/>\nInvisible Bass: Bb<\/p>\n<p>Left hand: E Bb<br \/>\nRight hand: Eb Ab C   (using the same &#8220;grace note slide&#8221; effect with &#8220;Bb)<br \/>\nInvisible Bass: G<\/p>\n<p>Left hand: F B<br \/>\nRight hand: F Bb Db<br \/>\nInvisible Bass: C<\/p>\n<p>Left hand: Eb G Ab C<br \/>\nRight hand: Eb G Bb  (using &#8220;F&#8221; to create the &#8220;grace note sliding&#8221; effect).<br \/>\nInvisible Bass: F\n<\/p><\/blockquote>\n<p>At the end of the day, you have 3+ ways to play this same progression. You can keep it simple with just the &#8220;2&#8221; and &#8220;6&#8221; chord. You can add the big &#8220;3&#8221; chord in between them. Or you can add the &#8220;7-3&#8221; pair between the &#8220;2&#8221; and &#8220;6.&#8221;<\/p>\n<p>Of course Jon does other fancy things on the video that I can&#8217;t get into right now because of time but this lesson will get you started jammin&#8217; with this groove!<\/p>\n<p>I would really like to hear from you all on this one. Did you enjoy this progression? Are you having problems playing it? Are you getting that little &#8220;grace note sliding&#8221; trick? Let me know!<\/p>\n<p>I can even get Jon on here to do another demonstration or something if you let me know what you want to learn! \ud83d\ude42<\/p>\n<p>Until next time!<\/p>\n<p>P.S. &#8211; Here are some other video clips in the urban series&#8230;<\/p>\n<p><iframe loading=\"lazy\" width=\"600\" height=\"335\" src=\"http:\/\/www.youtube.com\/embed\/videoseries?list=PL9D222AC11BA045AB&amp;hl=en_US\" frameborder=\"0\" allowfullscreen><\/iframe><\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/jonpowellyoutube.jpg\" class=\"videopic\" alt=\"jon powell gk600 youtube\" \/>I get tons of e-mails everyday and from experience, I find that one of the hardest things for musicians to do is play chords on both hands.<\/p>\n<p>It takes a lot of getting used to, especially when you&#8217;re used to playing chords on the right and single bass notes (or power chords like the &#8220;1&#8221; and &#8220;5&#8221; notes on the left).<\/p>\n<p>Don&#8217;t get me wrong&#8230; this is fine if you&#8217;re a solo musician and have to hold down the chords and bass.<\/p>\n","protected":false},"author":1,"featured_media":23350,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[314],"tags":[308,39,312,311,310,101,309,306,307,110,182],"class_list":["post-128","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-urban-styles","tag-full-chords","tag-gospel","tag-gospelkeys-urban","tag-gospelkeys-urban-pro-600","tag-jonathan-powell","tag-rb","tag-soul","tag-two-hand-chords","tag-two-handed-chords","tag-urban","tag-voicings","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Forget the right hand! 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Don&#039;t get me wrong... this is fine if you&#039;re a solo musician and have to hold down the chords and bass.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/hearplaymain.wpenginepowered.com\/forget-the-right-hand-focus-on-the-left\/\" \/>\n<meta property=\"og:site_name\" content=\"Hear and Play Music Learning Center\" \/>\n<meta property=\"article:published_time\" content=\"2008-08-08T17:58:52+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-12-26T07:30:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/hearplaymain.wpenginepowered.com\/wp-content\/uploads\/2008\/08\/forget-the-right-hand-focus-on-the-left\u2026.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"667\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Hear &amp; Play Team\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Hear &amp; Play Team\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/hearplaymain.wpenginepowered.com\\\/forget-the-right-hand-focus-on-the-left\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/hearplaymain.wpenginepowered.com\\\/forget-the-right-hand-focus-on-the-left\\\/\"},\"author\":{\"name\":\"Hear &amp; Play Team\",\"@id\":\"https:\\\/\\\/hearplaymain.wpenginepowered.com\\\/#\\\/schema\\\/person\\\/015c3466df42eda752ff31f5b6906951\"},\"headline\":\"Forget the right hand! 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