{"id":1280,"date":"2011-02-12T08:51:37","date_gmt":"2011-02-12T16:51:37","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=1280"},"modified":"2024-12-25T16:25:52","modified_gmt":"2024-12-26T00:25:52","slug":"borrowed-chords","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/borrowed-chords\/","title":{"rendered":"Who Else Wants To Learn What Borrowed Chords Are?"},"content":{"rendered":"

Today, let’s talk about borrowed chords.<\/p>\n

They are chords literally borrowed from what we call the “parallel” minor or major key.<\/p>\n

Let’s not mix up “parallel” with “relative.”<\/p>\n

If we were in the key of C, as we’ve learned in other lessons<\/a>, A, the 6th degree of C, is the relative minor of C. Likewise, C is the relative major of A. That’s not what we’re talking about here.<\/p>\n

Parallel keys have the same tonic note… or home base. That means, the starting note of their scales are the same.<\/p>\n

So the parallel minor of C major is — you guessed it — C minor!<\/p>\n

The parallel minor of A major is — yup, A minor!<\/p>\n

So parallel keys have the same first note and understanding this allows you to start using borrowed chords almost immediately.<\/p>\n

Borrowed Chords Explained<\/h1>\n

<\/p>\n

To really understand borrowed chords, let’s compare the diatonic chords<\/a> of C major to C minor:<\/p>\n

C major or C major 7
\n<\/p>\n

<\/p>\n

D minor or D minor 7
\n<\/p>\n

<\/p>\n

E minor or E minor 7
\n<\/p>\n

<\/p>\n

F major or F major 7
\n<\/p>\n

<\/p>\n

G major or G7
\n<\/p>\n

<\/p>\n

A minor or A minor 7
\n<\/p>\n

<\/p>\n

B diminished or B half-diminished 7
\n<\/p>\n

<\/p>\n

Vs. C minor:<\/strong><\/p>\n

C minor or C minor 7
\n<\/p>\n

<\/p>\n

D diminished or D half-diminished7
\n<\/p>\n

<\/p>\n

Eb major or Eb major 7
\n<\/p>\n

<\/p>\n

F minor or F minor 7
\n<\/p>\n

<\/p>\n

G minor or G minor 7
\n<\/p>\n

<\/p>\n

Ab major or Ab major 7
\n<\/p>\n

<\/p>\n

Bb major or Bb7
\n<\/p>\n

<\/p>\n

Borrowed Chords – Continued<\/h2>\n

So when you employ borrowed chords, you simply take chords from the parallel minor and play them in your major key. Or vise versa… if the song was in C minor, you could take chords from C major. <\/p>\n

<\/p>\n

Some common borrowed chords in C major:<\/h3>\n

<\/strong><\/p>\n

1) On the 2nd tone of the scale, instead of playing your normal D minor (or 2-minor), you could play D half-diminished 7. Sounds great leading to a 5-chord.<\/p>\n

2) Instead of going to the 5-chord to end a song or half-cadence<\/a>, you can go to Bb major (the “b7”). Sounds great and you hear it in a lot of contemporary music.<\/p>\n

3) If you want to change the mood of your song, change your 4-chord — which is normally F major — to an F minor.<\/p>\n

4) Use Ab major (the b6) to come down to your 5-chord (Gdom7)<\/p>\n

5) Even though this chord isn’t technically in C natural minor (it’s in C harmonic minor<\/a>), use Bdim7 (B+D+F+Ab) on the 7th degree. It’s a great leading tone back home to any C chord.<\/p>\n

6) Use Eb major (b3 tone) in certain spots… like to lead to the 4-chord… or to lead to the b6 (Ab), which can come down to the 5-chord (G), which leads back home to C. See how these things are chained together?<\/p>\n

Well, that’s all I have for today. It’s Saturday at about 6am so everyone’s sleep. I thought I’d add another content lesson but don’t get used to Saturdays… this is an anomaly! \ud83d\ude42<\/p>\n

These borrowed chords should give you a lot to work on.<\/p>\n","protected":false},"excerpt":{"rendered":"

Today, let’s talk about borrowed chords.<\/p>\n

They are chords literally borrowed from what we call the “parallel” minor or major key.<\/p>\n

Let’s not mix up “parallel” with “relative.”<\/p>\n

If we were in the key of C, as we’ve learned in other lessons, A, the 6th degree of C, is the relative minor of C. Likewise, C is the relative major of A. That’s not what we’re talking about here.<\/p>\n

Parallel keys have the same tonic note… or home base. That means…<\/p>\n","protected":false},"author":1,"featured_media":23144,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9,229],"tags":[1553,1340,1344,1438,1554],"class_list":["post-1280","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","category-scales-theory-piano","tag-borrow-chords","tag-borrowed-chords","tag-borrowing-chords","tag-chord-substitutions","tag-substitute-chords","post-wrapper","thrv_wrapper"],"yoast_head":"\nBorrowed Chords - The secret behind them<\/title>\n<meta name=\"description\" content=\"How to use borrowed chords, where to get borrowed chords, when to use them... all revealed in this lesson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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