{"id":13230,"date":"2016-04-03T00:00:00","date_gmt":"2016-04-03T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=13230"},"modified":"2024-10-08T04:30:55","modified_gmt":"2024-10-08T12:30:55","slug":"active-tones-vs-stable-tones-major-scale","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/active-tones-vs-stable-tones-major-scale\/","title":{"rendered":"Active Tones Vs Stable Tones Of The Major Scale"},"content":{"rendered":"<p>According to music scholars, the tones of the major scale can either be active or stable.<\/p>\n<p>Today, we&#8217;ll be doing an in-depth study on active and stable tones. But before we get into all that, let&#8217;s look at the major scale.<\/p>\n<h2>The Major Scale<\/h2>\n<p>A scale is a succession of notes in ascending or descending order.<\/p>\n<p>The major scale consists of a set of seven notes played in a regular succession starting from any given note known as the <em>tonic<\/em>. The tonic is the technical name associated with the first tone of the major [or minor] scale.<\/p>\n<p>Playing white notes on the keyboard from C to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major major scale.<\/p>\n<p>It is a <em>traditional practice<\/em> for the tonic of the scale to be duplicated and this puts the scale in an octave position (eight notes.) In the case of the C major scale, we&#8217;ll have the scale start on the tonic:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and ends on its octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\nNevertheless, the major scale still remains a scale of seven notes (aka &#8211; &#8220;heptatonic scale&#8221;.)<\/p>\n<p>Here are the names that the various degrees of the scale are associated with&#8230;<\/p>\n<blockquote><p>1st tone &#8211; tonic<\/p>\n<p>2nd tone &#8211; supertonic<\/p>\n<p>3rd tone &#8211; mediant<\/p>\n<p>4th tone &#8211; subdominant<\/p>\n<p>5th tone &#8211; dominant<\/p>\n<p>6th tone &#8211; submediant<\/p>\n<p>7th tone &#8211; leading note<\/p>\n<p>8th tone &#8211; octave<\/p><\/blockquote>\n<p>All the tones of the major scale are important, but the first tone of the major scale (aka &#8211; &#8220;tonic&#8221;) is of the greatest possible importance.<\/p>\n<p>Find out why this is so in the subsequent segment.<\/p>\n<h2>Tonality<\/h2>\n<p>What is commonly called tonality or <em>key<\/em> in music is the relationship of several notes to a central tone which is the tonic.<\/p>\n<p>Tonality is the musical process of making a particular note [which is the tonic of a given scale] the tonal center or key center and creating a relationship between this central tone and other six tones. There are <a href=\"https:\/\/www.hearandplay.com\/main\/two-tonalities\">two tonalities<\/a> &#8211;  the major and the minor tonalities.<\/p>\n<p>In the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the tonic, tonality creates an environment where C (the tonic) can be a tonal center, key center or key. Consequently, other tones of the scale can have their respective scale degree relationship with this key (aka &#8211; &#8220;tonal center).<\/p>\n<p>In a nutshell, the key is simply a <em>tonal environment<\/em> (or simply the environment that tones create) and one of the easiest ways to see all the notes in a key is through its major scale. Here&#8217;s what I mean&#8230;<\/p>\n<p>Using the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;you can see a tonal environment, consisting of seven tones &#8211; C, D, E, F, G, A, and B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and governed by C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the tonic (aka &#8211; &#8220;the key center.) This tonal environment is called the key of C major.<\/p>\n<p>If you&#8217;re familiar with the Eb major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,F,G,Ab,Bb,C,D,Eb&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then you can see another tonal environment, consisting of seven tones &#8211; Eb, F, G, Ab, and Bb, C, and D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,F,G,Ab,Bb,C,D&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and governed by Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the tonic (aka &#8211; &#8220;the key center.) This tonal environment is called the key of Eb major.<\/p>\n<p><strong>&#8220;The same thing is obtainable in minor tonal environments too&#8230;&#8221;<\/strong><\/p>\n<p>The G minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,Bb,C,D,Eb,F,G&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;gives you an idea of a set of seven notes &#8211; G, A, Bb, C, D, Eb, and F that belong to a minor tonal environment where G is the central tone.<\/p>\n<p>This tonal environment is called the key of G minor.<\/p>\n<p>There are twelve major keys and twelve minor keys &#8211; twenty and four keys in all and each tonal environment has its scale. However, we&#8217;ll limit our use of tonality in this lesson to the major key.<\/p>\n<h2>Enhancing Tonality<\/h2>\n<p>The feeling of the tonality is incomplete without what we call the <em>leading note-tonic relationship<\/em>.<\/p>\n<p>The tonic is perceived as the tonal center when there is a pull towards it. This pull towards the tonic is enhanced by the leading note &#8211; the seventh degree of the major scale. The seventh tone of the major scale is called the leading note because of its strong tendency to resolve to the tonic.<\/p>\n<p>The leading note-tonic relationship is melodic and harmonic in conception. Check it out&#8230;<\/p>\n<h3>Melodic Resolution<\/h3>\n<p>In the key of C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the leading note that resolves to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the tonic.<\/p>\n<h3>Harmonic Resolution<\/h3>\n<p>The B half-diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,F,A,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the leading note seventh chord that resolves to the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the tonic triad.<\/p>\n<p>The <em>leading note to tonic resolution<\/em> enhances the feeling of tonality by creating a pull to the tonic.<\/p>\n<p><strong><em>&#8220;Please pay attention to the following melodic details that probably escaped your notice in the harmonic resolution of the leading note [seventh] chord&#8221;<\/em><\/strong><\/p>\n<p>B, D, F, and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,F,A,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are the tones of the leading note chord while C, E, and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are the tones of the tonic chord.<\/p>\n<p>Here&#8217;s the melodic resolution for each of the tones of the leading note chord&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p>B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to C.<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\nD:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><\/p>\n<p>F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\nA:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><\/p>\n<p>Here&#8217;s a narrower perspective to it&#8230;<\/p>\n<blockquote><p>The 7th tone resolves upwards to the 1st tone<\/p>\n<p>The 2nd tone resolves downwards to the 1st tone<\/p>\n<p>The 4th tone resolves downwards to the 3rd tone<\/p>\n<p>The 6th tone resolves downwards to the 5th tone<\/p><\/blockquote>\n<p>In a nutshell, it is only the leading note that resolves upwards. Other tones of the leading note chord resolve upwards.<\/p>\n<h2>Stable Tones vs Active Tones<\/h2>\n<p>The notes of the scale can be categorized into stable and active tones.<\/p>\n<p><strong>Stable tones<\/strong> are the notes of the tonic triad (aka &#8211; &#8220;chord 1&#8221;.) They are said to be stable because when they are played in a key environment, they have a feeling of repose in the key they are played in.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the stable tones are C, E, and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which are the first, third, and fifth tones in the C major scale.<\/p>\n<p><strong>Active tones<\/strong> are the notes of the leading note seventh chord (aka &#8211; &#8220;chord 7&#8221;.) These tones are also known as <em>tendency tones <\/em>because they have the tendency to resolve to stable tones when they are played in a key environment.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the active tones are B, D, F, and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,F,A,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and these are the seventh, second, fourth, and sixth tones in the key of C.<\/p>\n<p>Let&#8217;s go through the C major scale step by step&#8230;<\/p>\n<p>The first tone &#8211; C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a <strong>stable<\/strong> tone, followed by D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an <strong>active<\/strong> tone, followed by E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a <strong>stable<\/strong> tone, followed by F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an <strong>active<\/strong> tone, followed by G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a <strong>stable<\/strong> tone, followed by A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an <strong>active<\/strong> tone, followed by B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an <strong>active<\/strong> tone, and back to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a <strong>stable<\/strong> tone.<\/p>\n<h2>Final Words<\/h2>\n<p>The stability or activity of a music note can really be felt in music composition. Composers of all ages have taken advantage of this to write memorable melodies.<\/p>\n<p>Let&#8217;s break down the first line of the tune <em>Mary had a Little Lamb<\/em>&#8230;<\/p>\n<p><strong>Ma<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;here we have the third tone of the scale &#8211; <strong>stable tone<\/strong>.<\/p>\n<p>&#8230;-<strong>ry<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we&#8217;re following up the previous stable tone with the second tone of the scale &#8211; an <strong>active tone<\/strong>.<\/p>\n<p>&#8230;<strong>had<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\nNow, another <strong>stable tone<\/strong> again after the active tone used previously.<\/p>\n<p>&#8230;<strong>a<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then back to another <strong>active tone<\/strong> again after the stable tone previously.<\/p>\n<p>&#8230;<strong>li<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then another <strong>stable tone<\/strong> again after the active tone used previously.<\/p>\n<p>&#8230;<strong>-ttle<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the same <strong>stable tone<\/strong>.<\/p>\n<p>&#8230;<strong>lamb<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=CC9933&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the same <strong>stable tone<\/strong>.<\/p>\n<p>Here&#8217;s a tabular representation of the first line of that tune&#8230;<\/p>\n<table border=\"1\" cellpadding=\"0\" cellspacing=\"0\" width=\"764\">\n<tbody>\n<tr>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><b>Lyrics<\/b><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">Ma<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">ry<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">had<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">a<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">li-<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">ttle<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">lamb<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><b>Tone<\/b><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">E<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">D<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">C<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">D<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">E<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">E<\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\">E<\/p>\n<\/td>\n<\/tr>\n<tr>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><b>Activity<\/b><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #0000ff;\">Stable<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #ff0000;\">Active<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #0000ff;\">Stable<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #ff0000;\">Active<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #0000ff;\">Stable<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #0000ff;\">Stable<\/span><\/p>\n<\/td>\n<td valign=\"top\" width=\"53\">\n<p align=\"center\"><span style=\"color: #0000ff;\">Stable<\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p>Did you see the relationship between stable and active tones in that tune? We&#8217;ll certainly learn more about activity and stability in another post.<\/p>\n<p>Until then!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The notes of the major scale are categorized into active tones and stable tones. Learn the &#8216;what&#8217; and &#8216;why&#8217; of active and stable tones in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22888,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,9],"tags":[2058,17,2060,2062,2059,2061],"class_list":["post-13230","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-piano","tag-active-tones","tag-basic-songs","tag-chord-1","tag-leading-note-chord","tag-stable-tones","tag-tonic-chord","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Active Tones Vs Stable Tones Of The Major Scale - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"The notes of the major scale are categorized into active tones and stable tones. 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