{"id":13337,"date":"2016-04-13T00:00:00","date_gmt":"2016-04-13T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=13337"},"modified":"2024-10-08T04:20:43","modified_gmt":"2024-10-08T12:20:43","slug":"these-are-traditional-scales-learn-how-to-play-them","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/these-are-traditional-scales-learn-how-to-play-them\/","title":{"rendered":"Learn How to Play Traditional Scales"},"content":{"rendered":"<p>Today, we&#8217;ll be doing a study on traditional scales.<\/p>\n<p>Traditional scales are fundamental in playing music,\u00a0the same way alphabets are important in written or spoken language.<\/p>\n<p>Let&#8217;s get into this study by reviewing scales.<\/p>\n<h2>Review On Scales<\/h2>\n<p>Playing notes in a regular succession can form a scale. According to Jermaine Griggs (2016) <em>&#8220;A scale is a succession of notes [played or heard] in ascending or descending order [that are related by a fixed intervallic formula.]&#8221; <\/em><\/p>\n<p>If we play all the white notes on the keyboard in alphabetical sequence from C to C&#8230;<\/p>\n<p>C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and back to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;this would produce <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">the natural major scale<\/a>.<\/p>\n<p>Here&#8217;s a simpler definition of scales that you can easily memorize:<\/p>\n<blockquote><p>A scale is a ladder of notes in ascending or descending direction.<\/p><\/blockquote>\n<p>The above definition is influenced <em>by\u00a0scala<\/em> (the root word for scale in Latin), which means <em>ladder or staircase<\/em>. Therefore, consider scales the same way you&#8217;ll consider a ladder or staircase, that helps you ascend or descend,\u00a0<strong><em>step-wise<\/em><\/strong> or <strong><em>skip-wise<\/em><\/strong>.<\/p>\n<p><strong>Attention:<\/strong> Not everyone climbs the staircase step by step, all the time right? There are situations when you&#8217;re in a hurry and you just have to skip a step or two. The same thing is obtainable in the musical scale. There are scales that involve step-wise ascents and descents, and there are also scales that involve skip-wise ascents and descents.<\/p>\n<h2>Traditional Scales<\/h2>\n<p>Prior to the use of scales, there were <a href=\"https:\/\/www.hearandplay.com\/main\/modes-of-the-scale\">modes<\/a> &#8211; an ancient scale system that was replaced by major and minor scales. The major and minor scales are structured to be the underlying scales of the <a href=\"https:\/\/www.hearandplay.com\/main\/two-tonalities\">two tonalities<\/a> &#8211; the major key and the minor key.<\/p>\n<p>These scales having been in existence for a long time, gained general acceptance and become <em>traditional<\/em> in music. Traditional scales are scales that have been associated with the process of learning and making music for several centuries.<\/p>\n<p>Here are the traditional scales&#8230;<\/p>\n<blockquote><p><a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">The natural major scale<\/a><\/p>\n<p>The natural minor scale<\/p>\n<p>The harmonic minor scale<\/p>\n<p>The melodic minor scale<\/p><\/blockquote>\n<p>Most of the melodies and melodic patterns heard in European and American music are from these traditional scales [most of the time.] What about chords and harmonic structures? Yeah! These scales are also the backbone of <a href=\"https:\/\/www.hearandplay.com\/main\/note-relationships-melody-harmony\">melodic and harmonic<\/a> materials that are commonly used in classical music, jazz, gospel, etc.<\/p>\n<p>In the 19th century, when African-Americans were emancipated, their music featured West-African rhythms [predominantly], however, the melodic and harmonic elements were derived from these long-established scales. Jazz music is a typical example, which is a product of irregular accents in rhythm (aka -&#8220;syncopation&#8221;) featuring melodies and chords that are improvised. The tonal basis for the improvisation are derived from <strong>traditional scales<\/strong> [and modes.]<\/p>\n<p>Here are a few things you need to note about traditional scales.<\/p>\n<blockquote><p>They are western<\/p>\n<p>They are heptatonic<\/p>\n<p>They are diatonic<\/p><\/blockquote>\n<p>Let&#8217;s quickly highlight these traditional scales.<\/p>\n<h3>The Natural Major Scale<\/h3>\n<p>This is the traditional scale of the major key. If a piece of music is played in the key of C major, it means that the melodic and harmonic source of that piece of music is from the C natural major scale.<\/p>\n<p>The natural major scale that is usually considered the easiest to play on the piano, is the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is simply called the C major scale (the natural is often omitted) because its basically a collection of all white notes on the piano:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C,D,E,F,G,A,B,C,D,E,F,G,A,B&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from C to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\nThe major scale is the source of chords and harmonies. The following chords can be derived from the natural major scale as scale degree chords&#8230;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/major-triad-chord-cheat-sheet\">The major triad<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/minor-triad-chord\">The minor triad<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/diminished-triad\">The diminished triad<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/major-seventh-chord\">The major seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/minor-seventh-chord\">The minor seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/dominant-seventh-chord\">The dominant seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/half-diminished-seventh-chord\">The half-diminished seventh chord<\/a><\/li>\n<li>The major ninth chord<\/li>\n<li>The minor ninth chord<\/li>\n<\/ul>\n<p>If you add eleventh and thirteenth chords, you&#8217;ll have more than the chords listed above. In other posts subsequently, we&#8217;ll be looking at the major scale in terms of scale degree chords.<\/p>\n<h3>The Natural Minor Scale<\/h3>\n<p>The natural minor scale is the traditional scale of the minor key. If a piece of music played in the key of A minor, it means that the melodic and harmonic source of that piece of music is from the A natural minor scale.<\/p>\n<p>The natural minor scale that is usually considered the easiest to play on the piano, is the A natural minor scale which is simply called the A minor scale (the natural is often omitted) due the collection of all white notes on the piano:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C,D,E,F,G,A,B,C,D,E,F,G,A,B&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from A to A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,C,D,E,F,G,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><\/p>\n<p>The natural minor scale has<a href=\"https:\/\/www.hearandplay.com\/main\/shortcomings-of-the-natural-minor-scale-and-origin-of-the-harmonic-minor-scale\"> its shortcomings<\/a> in what music scholars call <em>the leading note feel<\/em>. <a href=\"https:\/\/www.hearandplay.com\/main\/shortcomings-of-the-natural-minor-scale-and-origin-of-the-harmonic-minor-scale\">Click here<\/a> to find out how the shortcomings of the natural minor scale led to the introduction of its chromatic variant called the harmonic minor scale.<\/p>\n<h3>The Harmonic Minor Scale<\/h3>\n<p>The harmonic minor scale is a variant of the natural minor scale, formed by raising the seventh tone of the natural minor scale by a half step. Raising the seventh tone of the A natural minor scale (G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half step, produces the A harmonic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,C,D,E,F,Gs,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><\/p>\n<p>The harmonic minor scale has the<em> leading note feel<\/em> that the natural minor scale doesn&#8217;t and because of that, it is often used in most harmonic situations.<\/p>\n<h3>The Melodic Minor Scale<\/h3>\n<p>Raising the seventh tone of the harmonic minor scale by a half step creates a <em>gapped<\/em> scale.<\/p>\n<p>In the A harmonic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,C,D,E,F,Gs,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;between the sixth and seventh tone of the scale (F and G#):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Gs,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a distance of three half-steps (aka &#8211; &#8220;sesquitone&#8221;.) Traditional scales are basically known to have the whole step and half step as the distance between adjacent scale tones.<\/p>\n<p>In between the sixth and seventh tones of the harmonic minor scale is a gap that was melodically challenging for music composers several centuries ago. There was only one way to get rid of that gap, and that&#8217;s by raising the sixth degree of the harmonic minor scale by a half step.<\/p>\n<p>Raising the sixth tone of the A harmonic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,C,D,E,F,Gs,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces a new variant of the natural minor scale that is known to music scholars as the melodic minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,C,D,E,F,Gs,A,&amp;color=99FFCC&amp;size=2\" border=\"0\" \/><br \/>\nUltimately, you can form the melodic minor scale by raising the sixth and seventh tones of the natural minor scale by a half step.<\/p>\n<h2>Benefits Of Traditional Scales<\/h2>\n<p>The knowledge of traditional scales is of the greatest possible importance. Like I said earlier, most of the melodies and harmonies we play most of the time are derived from these traditional scales.<\/p>\n<p>Before we end today&#8217;s post, let&#8217;s consider some of the benefits of traditional scales.<\/p>\n<h3>In Technique<\/h3>\n<p>For so many centuries, traditional scales have served as <em>technique builders<\/em>. Even in today&#8217;s\u00a0modern era, musicians still rely on traditional scales as a source of technical exercise or daily warm-up.<\/p>\n<p>Considering that most melodies, tunes, licks, runs, etc., are scale-based, every serious musician should warm-up daily using traditional scales on one or both hands and in all twelve keys. This has been an integral part of my routine daily for several years now and it&#8217;s paid off over the years.<\/p>\n<h3>In Ear-Training<\/h3>\n<p>Scales when played over time can help in ear-training. These traditional scales are basically the sources of most of the chords and melodies [whether composed or improvised] that you hear all the time.<\/p>\n<p>Playing these traditional scales everyday exposes you to them in such a way that you can easily hear them when they are used. Therefore, if you&#8217;re still having challenges with note recognition, I recommend you play traditional scales daily.<\/p>\n<h3>In Composition \/ Improvisation<\/h3>\n<p>As a musician, if you decide to venture into composition, which is one of the <a href=\"https:\/\/www.hearandplay.com\/main\/career-music\">careers in music<\/a>, your knowledge of traditional scales can help you write either on the major or minor key.<\/p>\n<p>Alternatively, if you decide to venture into improvisation, traditional scales and their modes are reliable sources for melodic patterns, licks, sequences, etc.<\/p>\n<h2>Final Words<\/h2>\n<p>With all that&#8217;s been said, who wouldn&#8217;t want to learn traditional scales?<\/p>\n<p>In subsequent posts, we&#8217;ll be exploring these traditional scales, from the natural major, to the natural minor, to the harmonic and melodic variants of the natural minor scale.<\/p>\n<p>All the best!<\/p>\n<p>&nbsp;<\/p>\n<p>P.S.<\/p>\n<p>We&#8217;re introducing a workbook on scales. It will cover everything from its definition, to its formation, classification, application etc. If you opt into our mailing list, you&#8217;ll be the first to be notified![thrive_2step id=&#8217;11346&#8242;]<span style=\"text-decoration: underline; color: #0000ff;\">Yes! Add me to the early bird notification list.<\/span>[\/thrive_2step]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this lesson, we&#8217;re exposing you to long-established scales in music that every serious musician should learn. <\/p>\n","protected":false},"author":9,"featured_media":22878,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9,686],"tags":[17,493,498,2077,496,199,2078],"class_list":["post-13337","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","category-scales-guitar","tag-basic-songs","tag-harmonic-minor-scale","tag-melodic-minor-scale","tag-natural-major-scale","tag-natural-minor-scale","tag-scales","tag-traditional-scales","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Learn How to Play Traditional Scales 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