{"id":13608,"date":"2016-05-03T00:00:00","date_gmt":"2016-05-03T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=13608"},"modified":"2024-10-07T18:44:44","modified_gmt":"2024-10-08T02:44:44","slug":"ninth-chords-using-three-note-voicings","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/ninth-chords-using-three-note-voicings\/","title":{"rendered":"How To Play Ninth Chords Using Three-Note Voicings"},"content":{"rendered":"

There’s a way to play ninth chords using three-note voicings.<\/p>\n

If you aren’t sure of what three-note voicings are, don’t worry, after this lesson, if someone walks up to you and asks you what three-note voicings are, you’ll not only tell the person what they are, you’ll also be able to put them to work by playing the three-note voicings of ninth chords.<\/p>\n

Just before we get into learning three note voicings (which is our goal in this lesson), let\u2019s talk about voicing.<\/p>\n

“What Is Voicing?” <\/em><\/h2>\n

A chord is a collection of related notes. Although these notes can be played on the keyboard, they can also be considered to be voices<\/em> or voice parts<\/em>.<\/p>\n

Voicing is the consideration of the notes of a chord as voices or voice parts.<\/p><\/blockquote>\n

Chords that can easily be formed on the keyboard are called keyboard style chords<\/em>. But when we go beyond keyboard style chords to delve into arrangements where the tones of a chord are considered as voices [or voice parts], then we’ve started voicing<\/em> chords.<\/p>\n

There are four voice parts – soprano, alto, tenor, and bass. Therefore, distributing the notes of the C major seventh chord<\/a>:<\/p>\n

<\/p>\n

…between these voice parts from the highest to the lowest voice part, we’ll have B:
\n
\n…as the soprano voice, G:
\n
\n…as the alto voice, E:
\n
\n…as the tenor voice, C:
\n
\n…as the bass voice.<\/p>\n

The Skeleton Voicing Technique<\/h3>\n

There are so many voicing techniques that chords can be rearranged with, but we are looking at three-note voicing technique<\/em> in this post, which is a sequel to what we covered previously on the skeleton voicing technique<\/a>.<\/p>\n

Due to the vitality of the third and seventh tones of a chord, they are referred to as the skeleton (aka – “the skeleton in the chordboard<\/a>“.)<\/p>\n

The skeleton of a chord to a large extent, determines its quality. For instance, the third and the seventh of the C major seventh chord:
\n
\n…which are E and B:
\n
\n…respectively, form intervals of a major third and major seventh from the root of the chord. From C to E:
\n
\n…is a major third<\/strong> while from C to B:
\n
\n…is a major seventh<\/strong>. It is the third and seventh tones of the C major seventh chord:<\/p>\n

Major third<\/p>\n

Major seventh<\/p><\/blockquote>\n

…that determines to a large extent, its quality.<\/p>\n

Three Note Voicings – Explained<\/h2>\n

Today, we are exploring three note voicings of three [out of the five] common seventh chord qualities. We’ll be looking at three-note voicings of the major ninth, the minor ninth, and the dominant ninth chords.<\/p>\n

The Missing Extension – The Ninth<\/h3>\n

Beyond the third and the seventh chord tones lies an extension – the ninth.<\/p>\n

The C major ninth chord:
\n
\n…has E – B:
\n
\n…as its skeleton voicing.<\/p>\n

It is not possible to voice<\/em> ninth chords using the skeleton voicing technique because the skeleton voicing technique is basically connected to the third and seventh tones and therefore does not include the ninth tone.<\/p>\n

Voicing a ninth chord with the skeleton voicing technique produces a ninth chord with a missing extension and trust me, that’s no ninth chord at all. \ud83d\ude09<\/p>\n

Adding the extension to the skeleton voicing produces three-note voicings. Let me show you step-by-step, how to voice ninth chords using three notes in subsequent segments.<\/p>\n

Three Note Voicings Of The Major Ninth Chord<\/h2>\n

Let’s explore the formation of three note voicings of the major ninth chord using the C major ninth chord:
\n
\n…as an example.<\/p>\n

The three note voicing of the C major ninth chord consists of the third and seventh tones of the C major scale, which are E and B:
\n
\n…and the ninth tone of the C major scale (which is D):
\n<\/p>\n

Simply put, the skeleton of the C major ninth chord:
\n
\n…plus its ninth tone:
\n
\n…produces the three note voicing of the C major ninth chord:
\n
\nFor your reference, here are the three note voicings of the major ninth chord in all twelve keys…<\/p>\n

C major ninth:
\n
\nDb major ninth:
\n
\nD major ninth:
\n
\nEb major ninth:
\n
\nE major ninth:
\n
\nF major ninth:
\n
\nGb major ninth:
\n
\nG major ninth:
\n
\nAb major ninth:
\n
\nA major ninth:
\n
\nBb major ninth:
\n
\nB major ninth:
\n<\/p>\n

Three Note Voicing Of The Minor Ninth Chord<\/h2>\n

In this segment, we’ll be forming three note voicings of the minor ninth chord using the A minor ninth chord:
\n
\n…as an example.<\/p>\n

The three note voicing of the A minor ninth chord consists of the third and seventh tones of the A minor scale, which are C and G:
\n
\n…and the ninth tone of the A minor scale (which is B):
\n
\nSimply put, the skeleton of the A minor ninth chord:
\n
\n…plus its ninth tone:
\n
\n…produces the three note voicing of the A minor ninth chord:
\n
\nFor your reference, here are the three note voicings of the minor ninth chord in all twelve keys…<\/p>\n

C minor ninth:
\n
\nC# minor ninth:
\n
\nD minor ninth:
\n
\nEb minor ninth:
\n
\nE minor ninth:
\n
\nF minor ninth:
\n
\nF# minor ninth:
\n
\nG minor ninth:
\n
\nG# minor ninth:
\n
\nA minor ninth:
\n
\nBb minor ninth:
\n
\nB minor ninth:
\n<\/p>\n

Three Note Voicing Of The Dominant Ninth Chord<\/h2>\n

Let’s explore the formation of three note voicings of the major ninth chord using the G dominant ninth chord:
\n
\n…as an example.<\/p>\n

The three note voicing of the G dominant ninth chord consists of the third and seventh tones of the G mixolydian scale, which are B and F:
\n
\n…and the ninth tone of the G mixolydian scale (which is A):
\n
\nSimply put, the skeleton of the G dominant ninth chord:
\n
\n…plus its ninth tone:
\n
\n…produces the three note voicing of the G dominant ninth chord:
\n
\nFor your reference, here are the three note voicings of the dominant ninth chord in all twelve keys…<\/p>\n

C dominant ninth:
\n
\nC# dominant ninth:
\n
\nD dominant ninth:
\n
\nEb dominant ninth:
\n
\nE dominant ninth:
\n
\nF dominant ninth:
\n
\nF# dominant ninth:
\n
\nG dominant ninth:
\n
\nA dominant ninth:
\n
\nA dominant ninth:
\n
\nBb dominant ninth:
\n
\nB dominant ninth:
\n<\/p>\n

Final Words<\/h2>\n

These three-note voicings of ninth chords can be heard in a variety of music genres – especially jazz and gospel music and this makes them important.<\/p>\n

In subsequent posts, we’ll be putting these three-note voicings to work. One of the variety of ways we can apply three note voicings, is to the 2-5-1 chord progression.<\/p>\n

The 2-5-1 chord progression in the key of C major is between the D minor ninth, G dominant thirteenth and C major ninth chords. Here’s how we can use three-note voicings to play the 2-5-1 chord progression…<\/p>\n

Chord 2 is the three note voicing of the D minor ninth chord:
\n<\/p>\n

Chord 5 is the three note voicing of the G dominant thirteenth chord:
\n<\/p>\n

…arranged in B voicing<\/a>.<\/p>\n

Chord 1 is the three note voicing of the C major ninth chord:
\n<\/p>\n

Did you noticed the use of the three note voicing of the dominant thirteenth chord <\/em>as chord five? We’ll explore all that and more in subsequent posts on three note voicings. Until then make the most of your three note voicings.<\/p>\n

All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"

In this lesson you’ll be learning how to play ninth chords using three note voicings.<\/p>\n","protected":false},"author":9,"featured_media":22861,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,9],"tags":[17,233,615,617,1081,2094],"class_list":["post-13608","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-piano","tag-basic-songs","tag-dom-ninth-chord","tag-major-ninth-chords","tag-minor-ninth-chords","tag-ninth-chords","tag-three-note-voicings","post-wrapper","thrv_wrapper"],"yoast_head":"\nHow To Play Ninth Chords Using Three-Note Voicings - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"In this lesson you'll be learning how to play ninth chords using three note voicings.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" 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