{"id":1362,"date":"2011-02-23T10:32:19","date_gmt":"2011-02-23T18:32:19","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=1362"},"modified":"2024-12-25T16:12:42","modified_gmt":"2024-12-26T00:12:42","slug":"my-favorite-chord-inversion-revealed","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/my-favorite-chord-inversion-revealed\/","title":{"rendered":"My Favorite Chord Inversion Revealed"},"content":{"rendered":"<p>When it comes to <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">chord voicings<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> and inversions, you have many options to explore.<\/p>\n<p>And as your chords gets bigger, the possibilities only expand!<\/p>\n<p>Remember my simple definition of an inversion&#8230;<\/p>\n<p><em>It&#8217;s simply a different way to order the notes in a chord. More specifically, every note gets its turn on the bottom.<\/em><\/p>\n<p>If you remember that, you&#8217;ll never go wrong.<\/p>\n<p>When the root note is on the bottom, we call that root position.<\/p>\n<p>For example: C major<\/p>\n<p>&#8220;C&#8221; is the root note so if it&#8217;s on the bottom, the chord is said to be in root position.<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,E,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>In the same chord, &#8220;E&#8221; is the third (if you don&#8217;t understand intervals, <a href=\"https:\/\/www.hearandplay.com\/main\/how-to-correctly-identify-intervals-part-1\">click here<\/a>). When the third is on the bottom, we call that FIRST INVERSION.<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,G,C&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>&#8220;G&#8221; is the fifth of the chord and when it&#8217;s on the bottom, we call this SECOND INVERSION.<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,C,E&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>If you know your numbers and understand your <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">major chords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> as &#8220;1 + 3 + 5,&#8221; then determining inversions will be simple.<\/p>\n<p>If the 1 is on bottom, root position. If the 3 is on bottom, first inversion. If the 5 is on bottom, second inversion. BAM!<\/p>\n<p>As your chords get bigger, though, we introduce more inversions.<\/p>\n<p>So for a C major 7, the first three still apply but we add another:<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,E,G,B&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>C on bottom = root position<br \/>\nE on bottom = first inversion<br \/>\nG on bottom = second inversion<\/p>\n<p>New one&#8230;<\/p>\n<p>If B is on bottom, the chord is in &#8220;THIRD INVERSION.&#8221;<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,C,E,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>And this is my favorite inversion! I love the sound of the seventh on bottom.<\/p>\n<p>Granted, you&#8217;ll want to take the C from the right hand and put it in your bass. It sounds much better.<\/p>\n<p>C major 7<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,B,E,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>I also prefer this inversion for major 9 chords. Even though we&#8217;ve added another note (which introduces the term, &#8220;4th inversion&#8221; &#8212; if the 9th were the lowest note), I still prefer the 7th on bottom of right-hand chord:<\/p>\n<p>C major 9<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,B,D,E,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>I love this inversion for minor 7 and minor 9 chords as well:<\/p>\n<p>C minor 7:<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,Bb,Eb,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>C minor 9:<br \/>\n<img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,Bb,D,Eb,G&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>Note: The clustered sound between &#8220;D&#8221; and &#8220;Eb&#8221; in this minor 9 chord gives it the sound you want whereas in <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">major 7 chords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script>, we got rid of the sound created by the &#8220;B&#8221; and &#8220;C&#8221; in our first example above by putting C in our left hand bass. You&#8217;ll develop these preferences all the time. You may do things in minor chords that you don&#8217;t do in major chords, vise versa. As I always say, your ear is the final judge.<\/p>\n<p>Just for fun, to make any of these chords 4th inversion, what would you do?<\/p>\n<p>Answer, put the 9th degree on the bottom. In the example above, the 9th degree is D.<\/p>\n<p>(C is 1, D is 2, E is 3, F is 4, G is 5, A is 6, B is 7, C is 8, D is 9&#8230; SHORTCUT: Same letter as the second tone of scale).<\/p>\n<p>C minor 9 (right hand in 4th inversion):<\/p>\n<p><img src='https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,D,Eb,G,Bb&#038;color=&#038;size=2' border=0 \/><\/p>\n<p>There&#8217;s a lot to think about here. <\/p>\n<p>Enjoy and see ya next time &#8211;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/gk202pianopic4.jpg\" class='videopic'>When it comes to chord voicings and inversions, you have many options to explore. And as your chords gets bigger, the possibilities only expand!<\/p>\n<p>Remember my simple definition of an inversion: It&#8217;s simply a different way to order the notes in a chord. More specifically, every note gets its turn on the&#8230;<\/p>\n","protected":false},"author":1,"featured_media":23134,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[17,1568,1299,1570,1569,892],"class_list":["post-1362","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","tag-basic-songs","tag-chord-inversion","tag-chord-inversions","tag-how-to-invert-chords","tag-invert-chords","tag-third-inversion","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>My Favorite Chord Inversion Revealed - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/my-favorite-chord-inversion-revealed\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"My Favorite Chord Inversion Revealed - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"When it comes to chord voicings and inversions, you have many options to explore. 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