{"id":13643,"date":"2016-05-13T00:00:00","date_gmt":"2016-05-13T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=13643"},"modified":"2024-10-07T18:39:10","modified_gmt":"2024-10-08T02:39:10","slug":"here-are-harmonic-devices-for-your-left-hand","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/here-are-harmonic-devices-for-your-left-hand\/","title":{"rendered":"Harmonic Devices: Here Are Three Things To Do With Your Left Hand"},"content":{"rendered":"<p>We&#8217;ll be focusing on what to do with the left hand in today&#8217;s post.<\/p>\n<p>One of the challenges up and coming piano players face is what to do with the left hand. The list of ideas for the left hand is inexhaustible, ranging from the use of notes&#8230;<\/p>\n<p>C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;for the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the use of intervals&#8230;<\/p>\n<p>C major seventh interval:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;for the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and sometimes, chords too can be played on the left hand. But in today&#8217;s post, we&#8217;re focusing on three <em>harmonic devices<\/em> that can help transform your left hand.<\/p>\n<p>Without further ado, let&#8217;s get started with an overview of harmonic devices.<\/p>\n<h2>An Overview Of Harmonic Devices<\/h2>\n<p>In music, harmony is the relationship between notes that are played or heard at the same time. Intervals and chords are said to be harmonic because at least two notes are played\/heard at the same time.<\/p>\n<p>Considering that harmony serves as an accompaniment to melody &#8211; which is simply the tune of a song, harmonic devices are intervallic and chordal elements that provide accompaniment to melodies.<\/p>\n<p>In this lesson we&#8217;re focusing on the harmonic devices for the left-hand that can accompany right hand chords and melodies. Out of the several harmonic devices out there, you&#8217;ll be learning theses three:<\/p>\n<ul>\n<li>Tenths and sevenths<\/li>\n<li>The Open Triad<\/li>\n<li>Filled-In Tenths<\/li>\n<\/ul>\n<p>These harmonic devices are commonly used in gospel and jazz styles, however, they can be applied to a variety of styles. Take a look at tenths and sevenths.<\/p>\n<h2>Tenths And Sevenths<\/h2>\n<p>The third and seventh tones of a chord are known as its skeleton. The skeleton of a chord is related to the concept of <em>tenths and sevenths<\/em>.<\/p>\n<p>Give me a minute to explain this!<\/p>\n<p>It is possible to outline a chord just by playing its third and\/or seventh tones.<\/p>\n<p>C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or C-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can outline the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;notwithstanding that other chord tones are omitted.<\/p>\n<p>C-Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or C-Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Bb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can outline the C minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,G,Bb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nC-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in the case of the C major seventh chord, or C-Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in the case of the C minor seventh chord can be played as tenths&#8230;<\/p>\n<p>C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or C-Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,Eb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which are extended intervals. This is done by expanding the third [a simple interval] into a tenth [a compound interval.] Consequently, C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;becomes C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;while C-Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;becomes C-Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,Eb,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from simple to compound intervals respectively.<\/p>\n<p>The concept behind <em>tenths and sevenths<\/em> has to do with changing the skeleton of a chord, which consists of its third and seventh tones, into tenth and seventh. Instead of a third, we&#8217;re basically using a tenth.<\/p>\n<p>Now, you can use either a seventh or a tenth to outline a chord. Here&#8217;s how it works&#8230;<\/p>\n<p>C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a major tenth and C-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,B,,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a major seventh, can be used as left hand harmonic devices for the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nD-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor tenth and D-C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,C,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor seventh, can be used as left hand harmonic devices for the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,C,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nE-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,G,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor tenth and E-D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,D,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor seventh, can be used as left hand harmonic devices for the E minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,D,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nF-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,A,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a major tenth and F-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,E,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a major seventh, can be used as left hand harmonic devices for the F major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nG-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a major tenth and G-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor seventh, can be used as left hand harmonic devices for the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nA-C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,,C,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor tenth and A-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,G,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor seventh, can be used as left hand harmonic devices for the A minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E,G,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nB-D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,D,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor tenth and B-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,A,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a minor seventh, can be used as left hand harmonic devices for the B half-diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F,A,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nTo know more about <a href=\"https:\/\/www.hearandplay.com\/main\/tenths-and-sevenths\">tenths and sevenths<\/a> you need to check out my post on tenths and sevenths and also expect a post on the diatonic perspective to tenths and sevenths in a subsequent post.<\/p>\n<p>To take your left hand to another level is the open triad. Check it out!<\/p>\n<h2>The Open Triad<\/h2>\n<p>A triad is chord of three notes and there are four classes of triads&#8230;<\/p>\n<ul>\n<li>Major triads<\/li>\n<li>Minor triads<\/li>\n<li>Augmented triads<\/li>\n<li>Diminished triads<\/li>\n<\/ul>\n<p>&#8230;.known to HearandPlay.com&#8217;s students as the fantastic four. However, most of the time, the open triad is used as a left hand harmonic device for the major and minor triad.<\/p>\n<h3><em>&#8220;What&#8217;s An Open Triad?&#8221;<\/em><\/h3>\n<blockquote><p>The octave transposition of the middle note of a triad produces an open triad.<\/p><\/blockquote>\n<p>This is the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;its first inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and its second inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nThe octave transposition of the middle note of the triad [whether in root position or inverted] to a higher or lower octave produces an open triad.<\/p>\n<p><em>&#8220;Here&#8217;s how it works&#8230;&#8221;<\/em><\/p>\n<p>Using the C major triad in root position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,E,G,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a C major [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,G,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nAlso, using the C major triad in first inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,G,C,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a C major [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,C,G,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nFinally, using the C major triad in second inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,C,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a C major [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,E,C&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Attention:<\/strong> It&#8217;s not so easy to play the open triad of the second inversion of the C major chord because it spans an eleventh from from G to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,A,B,C,D,E,F,G,A,B,C&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;eleven degrees of the C major scale.<\/p>\n<p><em>&#8220;Here are the open triads of the D minor triad&#8230;&#8221;<\/em><\/p>\n<p>Using the D minor triad in root position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,F,A,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a D minor triad [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,A,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nAlso, using the D minor triad in first inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,A,D,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a D minor [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,D,A,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nFinally, using the D minor triad in second inversion:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,D,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you play the middle note (D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave higher, this produces a D minor [open] triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,F,D&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nAlright! I recommend that you go ahead and learn the open triad for major and minor triads and their respective inversions.<\/p>\n<p>We&#8217;re nearly done for today. But before we end this lesson, let&#8217;s look at the final left hand harmonic device on my list &#8211; the <em>filled-in tenths<\/em>.<\/p>\n<h2>Filled-In Tenths<\/h2>\n<p>We already covered <em>tenths<\/em> in an earlier segment on tenths and sevenths. The concept of the filled-in tenth is to add another note to the tenth, that would precisely outline the quality of a chord.<\/p>\n<p>Check this out&#8230;<\/p>\n<p>G-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a major tenth.<\/p>\n<p>This major tenth if used as a left hand accompaniment, could imply a G major seventh or G dominant seventh chord. This is because the major and dominant seventh chords have the same quality of tenth &#8211; the major tenth.<\/p>\n<p>One of the ways to distinguish between the major and dominant seventh chords is to fill-in the tenth with another note. The note that fills in the tenth and precisely narrows down the quality of a chord is the seventh tone.<\/p>\n<p>Filling-in G-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with an F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nwhich differs from the G major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,Fs,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is formed by filling-in G-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with an F# tone:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nIn a nutshell, a filled in tenth consists of the third and seventh of a chord, which for all intents and purposes is the skeleton of the chord.<\/p>\n<p>Kindly check out the filled-in tenths for the scale degree chords in the key of C major.<\/p>\n<p>Chord 1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,B,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the C major seventh chord.<\/p>\n<p>Chord 2:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,C,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the D minor seventh chord.<\/p>\n<p>Chord 3:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,D,G,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the E minor seventh chord.<\/p>\n<p>Chord 4:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,E,A,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the F major seventh chord.<\/p>\n<p>Chord 5:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,B,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the G dominant seventh chord.<\/p>\n<p>Chord 6:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,G,C&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the A minor seventh chord.<\/p>\n<p>Chord 7:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,A,D&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the B half-diminished seventh chord.<\/p>\n<h2>Final Words<\/h2>\n<p>At this point, someone is probably asking, <em>&#8220;So, how I apply these<\/em> devices?&#8221;<\/p>\n<p>Well, I&#8217;ll be presenting the application of these harmonic devices in another post. But before then, check out what you can do with your left-hand over Bishop Marvin Sapp&#8217;s <em>Never would have made it.<\/em><\/p>\n<p>Are you ready? Alright!<\/p>\n<p>Never would have:<br \/>\nChord 6:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,B,,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;filled-in tenth of the A minor seventh chord.<br \/>\n&#8230;made it:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,A,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;[1st passing chord]:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,D,Gs,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;[2nd passing chord]:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,G,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nNever would have:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,C,Fs,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;made it:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;without:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,Bb,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;you:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,E,&amp;color=99FFFF&amp;size=2\" border=\"0\" \/><br \/>\nOh my goodness! Did you see how much more we&#8217;re doing with the left hand? Well, that&#8217;s the idea.<\/p>\n<p>See you in another post.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In today&#8217;s post, we&#8217;ll be exploring three harmonic devices that would transform your left hand.<\/p>\n","protected":false},"author":9,"featured_media":22855,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,9],"tags":[17,842,2101,195,2080,2102],"class_list":["post-13643","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-piano","tag-basic-songs","tag-left-hand","tag-open-triad","tag-sevenths","tag-tenths","tag-tenths-and-sevenths","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Harmonic Devices: Here Are Three Things To Do With Your Left Hand - Hear and Play Music Learning 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