{"id":14049,"date":"2016-07-01T00:00:11","date_gmt":"2016-07-01T08:00:11","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=14049"},"modified":"2024-10-07T17:55:05","modified_gmt":"2024-10-08T01:55:05","slug":"four-notes-i-never-knew","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/four-notes-i-never-knew\/","title":{"rendered":"Four Notes I Never Knew They Were On The Piano Until 2008"},"content":{"rendered":"

If you give me the next ten minutes or so, I’ll show you four notes I never knew they were on the piano until 2008.<\/p>\n

I’ve played piano for almost two decades (I started in 1996.) I actually played for twelve years before I discovered these notes; believe it or not, there are several people out there who do not know that these notes are on the piano.<\/p>\n

Submission:<\/strong> Before I discovered these notes on the piano, I used their enharmonic equivalents. <\/strong>The term enharmonic equivalent<\/em> means an alternate spelling for a note on the keyboard. For example,<\/p>\n

C#:
\n
\n…is the enharmonic equivalent of Db:
\n
\nAlright! Let’s get started by taking a look at notes.<\/p>\n

An Overview Of Notes<\/h2>\n

A note is a musical sound of a precise [or definite] pitch.<\/p><\/blockquote>\n

A pitch can be defined as the degree of highness or lowness of a music sound. Scales, intervals, chords, chord-progressions, and songs are products of the organization of definite pitches (aka – “notes”.)<\/p>\n

The octave<\/a> is divided into twelve equal parts<\/a> and each part is known as a half step<\/em> (aka – “semitone<\/a>“) therefore, twelve half steps make one octave. Within the compass of the octave, there are twelve pitch classes<\/a>; seven of them are naturals while five of them are accidentals.<\/p>\n

The naturals are white on the piano and there are seven of them:
\n
\n…in one octave:
\n
\nAccidentals are black on the piano and there are five of them:
\n
\n…in one octave:
\n
\nThe naturals are named using Roman alphabets. Due to the fact that there are seven naturals, seven alphabets are used – A, B, C, D, E, F, and G. The letter names of the accidentals are derived from the pitch modification of natural notes.<\/p>\n

Let’s talk about pitch modification before we proceed.<\/p>\n

“What Is Pitch Modification?”<\/em><\/h3>\n

Pitch modification is the raising or lowering of the pitch of a note using symbols known as pitch modifiers. A pitch modifier is a symbol that raises the pitch of a note and there are five pitch modifiers:<\/p>\n

    \n
  • The sharp<\/li>\n
  • The flat<\/li>\n
  • The natural<\/li>\n
  • The double flat<\/li>\n
  • The double sharp<\/li>\n<\/ul>\n

    “Here’s what they (pitch modifiers) do to pitches…”<\/em><\/p>\n

    The sharp<\/strong> raises a note by a half step<\/span>.<\/p>\n

    The flat<\/strong> lowers the pitch of a note by a half step<\/span>.<\/p>\n

    The natural<\/strong> restores the pitch of a note that is either raised or lowered.<\/p>\n

    The double-sharp<\/strong> raises the pitch of a note by a whole step<\/span>.<\/p>\n

    The double-flat<\/strong> lowers the pitch of a note by a whole step<\/span>.<\/p><\/blockquote>\n

    These pitch modifiers are used to name notes on the keyboard.<\/p>\n

    The Sharp Notes<\/strong><\/p>\n

    For instance, raising the pitch of C:
    \n
    \n…by a half step takes us to the adjacent black note, also known as C#:
    \n
    \nRaising the pitch of D:
    \n
    \n…by a half step raises it to the adjacent black note also known as D#:
    \n
    \nRaising the pitch of F:
    \n
    \n…by a half step raises it to the adjacent black note also known as F#:
    \n
    \nIf we do the same thing for G:
    \n
    \n…and A:
    \n
    \n…we’ll also produce G#:
    \n
    \n…and A#:
    \n
    \n…respectively.<\/p>\n

    The Flat Notes<\/strong><\/p>\n

    Using the flat pitch modifier, lowering D:
    \n
    \n…by a half step produces Db:
    \n
    \nLowering E:
    \n
    \n…by a half step produces Eb:
    \n
    \nLowering G:
    \n
    \n…by a half step produces Gb:
    \n
    \nLowering A:
    \n
    \n…by a half step produces Ab:
    \n
    \nLowering B:
    \n
    \n…by a half step produces Bb:
    \n
    \nPitch modification of notes helped me learn how to name black notes on the keyboard so many years ago, however, my knowledge of pitch modification wasn’t absolute and I can say that because there are four notes I never knew they were on the piano until 2008.<\/p>\n

    Four Notes I Never They Were On The Piano Until 2008<\/h2>\n

    There are notes that have pitch modifiers attached to their letter name. Here are three examples of such notes…<\/p>\n

    C#:
    \n
    \n…Ab:
    \n
    \n…Bb:
    \n
    \nAttention:<\/strong> Take note that these letter names that have a pitch modifier attached to them are black notes. Consequently, it’s possible to generalize that sharp and flat notes are black notes and I was a victim of such generalization.<\/p>\n

    In the last segment, we learned how black notes are named using pitch modification.<\/p>\n

    Notwithstanding that black notes are referred to as “<\/em>sharps and flats”<\/em>, there are also white notes on the piano that also have pitch modifiers attached to their names, and I knew nothing about these notes until 2008.<\/p>\n

    Submission:<\/strong> I regret not being able to share with you on the circumstances that led to my discovery of these notes.<\/p>\n

    #1 – E sharp<\/h3>\n

    Raising the pitch of E:
    \n
    \n…by a half step takes you to its adjacent note known as E# (which is a white note.)<\/p>\n

    Therefore, taking E:
    \n
    \n…up by a half step produces E#:
    \n
    \nE#:
    \n
    \n…is one common letter name that a vast majority of musicians know little or nothing about because it’s enharmonically equivalent to F:
    \n
    \nThe term enharmonic equivalence<\/em> has to do with the relationship between notes that differ in spelling, but share the same pitch on the piano. E# and F is an example of enharmonic equivalence.<\/p>\n

    #2 – F Flat<\/h3>\n

    Fb is another note that I never knew was on the keyboard until 2008.<\/p>\n

    Lowering the pitch of F:
    \n
    \n…by a half step produces Fb:
    \n
    \n…which occupies the same position with E:
    \n
    \n…on the keyboard.<\/p>\n

    Although Fb:
    \n
    \n…and E:
    \n
    \n…are enharmonically equivalent or related, nothing about the former was known to me until 2008.<\/p>\n

    #3 – B Sharp<\/h3>\n

    The pitch modification of B:
    \n
    \n…using the sharp symbol (#), raises its pitch by a half step to B# (which is not a black note this time.)<\/p>\n

    Therefore, raising B:
    \n
    \n…up by a half step produces B#:
    \n
    \nThe enharmonic equivalence between B#:
    \n
    \n…and C:
    \n
    \n…was one of the amazing discoveries that shocked me because I never believed that C (which is everyone’s landmark note on the piano) is enharmonically related to any other note.<\/p>\n

    #4 – C Flat<\/h3>\n

    Lowering the pitch of C:
    \n
    \n…by a half step produces Cb:
    \n
    \n…which (is not a black note, but) occupies the same position with B:
    \n
    \n…on the keyboard.<\/p>\n

    Final Words<\/h2>\n

    The four notes we just learned are very important and should be taken serious because they are indispensable when it comes to the proper spelling of scales.<\/p>\n

    “Here are two of such spelling situations…”<\/em><\/p>\n

    Spelling Situation #1<\/strong><\/p>\n

    The third tone of the C# major scale:
    \n
    \n…is E#:
    \n
    \n…and not F:
    \n
    \nSpelling Situation #2<\/strong><\/p>\n

    The fourth tone of the Gb major scale:
    \n
    \n…is Cb:
    \n
    \n…and not B:
    \n
    \nThank you for the time you’ve invested in reading this blog, we’ll stop here for now and continue in another lesson.<\/p>\n

    All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"

    In today’s lesson, I’ll be showing you four notes that a vast majority of musicians know little or nothing about. <\/p>\n","protected":false},"author":9,"featured_media":22819,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,416,9],"tags":[2148,17,2149,2146,2147,257,256],"class_list":["post-14049","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-experienced-players","category-piano","tag-b","tag-basic-songs","tag-cb","tag-e","tag-fb","tag-flats","tag-sharps","post-wrapper","thrv_wrapper"],"yoast_head":"\nFour Notes I Never Knew They Were On The Piano Until 2008 - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"In today's lesson, I'll be showing you four notes that a vast majority of musicians know little or nothing about.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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