{"id":14083,"date":"2016-08-24T00:00:00","date_gmt":"2016-08-24T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=14083"},"modified":"2024-10-07T17:31:04","modified_gmt":"2024-10-08T01:31:04","slug":"what-seventh-chords-are","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/what-seventh-chords-are\/","title":{"rendered":"Who Else Wants To Know What Seventh Chords Are?"},"content":{"rendered":"<p>In today&#8217;s lesson, we&#8217;ll be learning about seventh chords.<\/p>\n<p>Seventh chords are important in music because although they are bigger than <a href=\"https:\/\/www.hearandplay.com\/main\/what-are-triads\">triads<\/a>, they are not extended chords (with bigger <a href=\"https:\/\/www.hearandplay.com\/main\/how-music-scholars-classify-chords\">widths<\/a>) that are considered to be harmonically advanced. They are just in between the world of triads and extended chords.<\/p>\n<p>We&#8217;ll also deal with the voicing of seventh chords, but before we get into all that, let&#8217;s take some time to do a review on chords.<\/p>\n<h2>The Definition Of A Chord<\/h2>\n<p>There are so many definitions of a chord out there, which may vary from the simplest to the most complex. However, here is a simple definition of a chord:<\/p>\n<blockquote><p>A chord is a collection of three or more related notes (agreeable or not) that can be played (or heard) together or separately.<\/p><\/blockquote>\n<p>This definition highlights all the essential keywords in the definition of a chord, let&#8217;s go ahead and expound on them.<\/p>\n<p>Let&#8217;s start by taking a look at the part that says, <em>&#8216;three or more.&#8217; <\/em>It takes three or more notes to form a chord. A chord of three notes is called a <em>triad<\/em> while a chord of four notes is usually a seventh chord (we&#8217;ll talk more about this later.)<\/p>\n<p>The next keyword in the definition of a chord is <em>relationship<\/em>. A chord is a collection of related notes. Inasmuch as three notes can form a chord, the combination of any three notes on the keyboard cannot form a chord, unless there&#8217;s a relationship between them.<\/p>\n<p>There are two types of relationship that can exist between the notes of a chord:<\/p>\n<ul>\n<li>#1 &#8211; Scale relationship<\/li>\n<li>#2 &#8211; Intervallic relationship<\/li>\n<\/ul>\n<p><strong>Scale Relationship. <\/strong>The notes of a chord must be related by a given scale. For example, the notes of the C major triad which are C, E, and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are related by the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nA closer look at the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;would show you that the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;consists of the first (C), third (E), and fifth\u00a0(G) tones:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;of the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Intervallic Relationship. <\/strong>The notes of a chord must have an intervallic relationship. This simply means that there must be a fixed distance between the notes of any given chord.<\/p>\n<p>Following traditional principles of chord formation, the interval between chord tones is usually third intervals &#8211; major and minor thirds. This explains why the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;consists of C, E, and G.<\/p>\n<p>From C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a third.<\/p>\n<p>From C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is another third.<\/p>\n<p>There is another keyword in the definition of a chord that says, <em>agreeable or not<\/em> and its means that when a chord is played, the outcome of the combination of [its three or more] notes can either sound pleasant or unpleasant.<\/p>\n<p>Music scholars use the word <em>concord <\/em> and <em>discord<\/em> to describe chords that are pleasant and unpleasant respectively.<\/p>\n<p>There&#8217;s another keyword there that says, <em>played or heard together or separately. <\/em>The notes of a chord is usually played (or heard) together because the root of the word <em>chord<\/em> comes from the old English word <em>&#8216;accord&#8217;<\/em> which means <em>together. <\/em><\/p>\n<p>However the notes of a chord can be broken up especially when broken chords or arpeggios are played.<\/p>\n<p>With the review we&#8217;ve done so far, I believe we can now go into our subject in today&#8217;s lesson &#8211; seventh chords.<\/p>\n<h2><em>&#8220;What Is A Seventh Chord?&#8221;<\/em><\/h2>\n<p>There are two words in the term <em>seventh chord<\/em>.<\/p>\n<p>The word <em>seventh<\/em> is used to quantify any idea in music (be it an interval or a chord) that encompasses seven degrees of a scale, while the word chord according to what we covered in the first segment is a collection of three or more related notes.<\/p>\n<p>Altogether, a seventh chord is a chord that encompasses seven degrees of the scale. For example, using an intervallic relationship in thirds (aka &#8211; &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/tertian-chords-and-the-secret-relationship-between-almost-every-chord\">tertian harmony<\/a>&#8220;), we can stack the notes of the C major scale:<\/p>\n<p>&#8230;in thirds, and here&#8217;s how it works&#8230;<\/p>\n<p>A third from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nA third from C-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nAnother third from C-E-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nAltogether, C-E-G-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a chord.<\/p>\n<p>Due to the fact that this chord encompasses seven degrees of the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from C to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;it is called the C major <strong>seventh<\/strong> chord. Like I said earlier, seventh chords are basically chords that encompass seven tones of any given scale.<\/p>\n<p>Unlike <a href=\"https:\/\/www.hearandplay.com\/main\/what-are-triads\">triads<\/a> where we have the fantastic four &#8211; the <a href=\"https:\/\/www.hearandplay.com\/main\/major-triad-chord-cheat-sheet\">major<\/a>, the <a href=\"https:\/\/www.hearandplay.com\/main\/minor-triad-chord\">minor<\/a>, the diminished and <a href=\"https:\/\/www.hearandplay.com\/main\/augmented-triad\">augmented<\/a> triads, there are several qualities of seventh chords and we&#8217;ll be looking at them in the next segment.<\/p>\n<h2>Five Common Qualities Of Seventh Chords<\/h2>\n<p>Now there are several qualities of seventh chords, however five are commonly used. Check them out&#8230;<\/p>\n<ul>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/major-seventh-chord\">Major seventh<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/minor-seventh-chord\">Minor seventh<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/dominant-seventh-chord\">Dominant seventh<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/half-diminished-seventh-chord\">Half-diminished seventh<\/a><\/li>\n<li><a href=\"https:\/\/www.hearandplay.com\/main\/diminished-seventh-chord\">Diminished seventh<\/a><\/li>\n<\/ul>\n<p>The chord qualities listed above are five out of the several and mastering five of them will give you 60 chords in all twelve keys. (12 keys x 5 chord qualities = 60 seventh chords.)<\/p>\n<p><em>&#8220;Let&#8217;s take a look at these chord qualities&#8230;&#8221;<\/em><\/p>\n<h3>The Major Seventh Chord<\/h3>\n<p>The major seventh chord is formed by the scale relationship of the major scale in intervals of thirds, and here&#8217;s how it works&#8230;<\/p>\n<p>Using any given major scale (like the C major scale):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and stacking notes in thirds from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the major seventh chord:<\/p>\n<p>&#8220;Here are major seventh chords in all twelve keys&#8230;&#8221;<\/p>\n<p>C major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nDb major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,F,Ab,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nD major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Fs,A,Cs&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nEb major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,G,Bb,D&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nE major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Gs,B,Ds&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nF major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nGb major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,Bb,Db,F&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nG major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,Fs&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nAb major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,C,Eb,G&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nA major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Cs,E,Gs&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nBb major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,D,F,A&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nB major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,Ds,Fs,As&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><\/p>\n<h3>The Minor Seventh Chord<\/h3>\n<p>The minor seventh chord is a product of the scale relationship between the notes of the minor scale in interval of thirds.<\/p>\n<p>Using the C minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,Eb,F,G,Ab,Bb,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;here&#8217;s how the C minor seventh chord is produced&#8230;<\/p>\n<p>A third from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;another third is G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a third from G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nSo put together, C Eb G Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,G,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the C minor seventh chord.<\/p>\n<p>Here are the minor seventh chord in all twelve keys for your reference&#8230;<\/p>\n<p>C minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,G,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nC#minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,E,Gs,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nD minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nEb minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Gb,Bb,Db&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nE minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,D&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nF minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Ab,C,Eb&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nF# minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,A,Cs,E&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nG minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Bb,D,F&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nG# minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,B,Ds,Fs&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nA minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E,F&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nBb minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,Db,F,Ab&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\nB minor seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,Fs,A&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><\/p>\n<h2>A Short Note On The Voicing Of Seventh Chords<\/h2>\n<p>Voicing is the consideration of notes as voices or voice parts. If you&#8217;ve been in church for sometime, then it&#8217;s likely that you must have heard of the following voice parts:<\/p>\n<ul>\n<li>Soprano<\/li>\n<li>Alto<\/li>\n<li>Tenor<\/li>\n<li>Bass<\/li>\n<\/ul>\n<p>&#8230;.which are the four voices in choral music.<\/p>\n<p>The consideration of the tones of the seventh chord as voices is called <strong>voicing<\/strong>. In the voicing of seventh chords, usually the four notes (aka &#8211; &#8220;voices&#8221;) are distributed between the four voice parts.<\/p>\n<p>For example in the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the bass,<\/p>\n<p>&#8230;E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the tenor,<\/p>\n<p>&#8230;G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the alto,<\/p>\n<p>&#8230;and B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the soprano.<\/p>\n<p><strong>Attention: <\/strong>Seventh chords are more advanced than triads. Although they can be inverted, voicing them makes them sound a lot better.<\/p>\n<p>There are various voicing technique of seventh chords and we&#8217;ve covered quite a number of them in the past, ranging from the A &amp; B voicing technique, to the part-over-root voicing technique, to the rootless voicing technique and so on.<\/p>\n<p><em>&#8220;Check them out&#8230;&#8221;<\/em><\/p>\n<h3><strong>The A &amp; B Voicing Of The C Major Seventh Chord<\/strong><\/h3>\n<p>In the A voicing:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the third tone (E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is played before the seventh tone (B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;while in the B voicing:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the seventh tone (B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is played before the third tone (E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,E&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><\/p>\n<h3><strong>The Part-Over-Root Voicing Of The C Minor Seventh Chord<\/strong><\/h3>\n<p>In the part-over-root voicing technique, the root of the chord is isolated from the rest of the chord. In the C minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,G,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;isolating the root (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;from the rest of the chord tones produces an Eb major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,G,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;on the bass, the part-over-voicing of the C minor seventh chord:<\/p>\n<h3><strong>The Rootless Voicing Of The C Dominant Seventh Chord<\/strong><\/h3>\n<p>In the rootless voicing technique, the seventh chord is played with its root omitted. Omitting the root of the C dominant seventh chord (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the E diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the rootless voicing of the C dominant seventh chord.<\/p>\n<h3><strong>The Drop-2 Voicing Of The C Major Seventh Chord<\/strong><\/h3>\n<p>In the drop-2 voicing technique, the second voice in the chord is played an octave lower. In the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where first, second, third, and fourth voices are B, G, E, and C respectively, playing the second voice (G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=FF66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an octave lower produces the drop-2 voicing of the C major seventh chord.<\/p>\n<h2>Final Words<\/h2>\n<p>Seventh chords are used in a variety of music styles in classical and pop music, Seventh chords are important in music, and I&#8217;m glad that we&#8217;ve covered five of these seventh chord qualities in this lesson. Feel free to check out this lesson on what 60 percent of five common seventh chord qualities have in common.<\/p>\n<p>Until I come your way again&#8230;I wish you all the best and thanks for investing your time in this blog.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you want to know the definition, classes, and voicing of seventh chords, this lesson is for you.<\/p>\n","protected":false},"author":9,"featured_media":22792,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,25,9],"tags":[791,17,1897,1611,272,240,192],"class_list":["post-14083","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-chords-progressions","category-piano","tag-augmented-seventh","tag-basic-songs","tag-diminished-seventh","tag-half-diminished","tag-major-seventh","tag-minor-seventh","tag-seventh-chords","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- 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