{"id":14306,"date":"2016-09-27T00:00:52","date_gmt":"2016-09-27T08:00:52","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=14306"},"modified":"2024-10-07T17:08:04","modified_gmt":"2024-10-08T01:08:04","slug":"chromatic-harmony-of-the-blues-scale","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/chromatic-harmony-of-the-blues-scale\/","title":{"rendered":"An Introduction To The Chromatic Harmony Of The Blues Scale"},"content":{"rendered":"<p>If you&#8217;re interested in learning about the chromatic harmony of the blues scale, then this lesson is for you!.<\/p>\n<p>While listening to blues music, one thing you can&#8217;t deny is that <em>bluesy <\/em>feeling that hits you either from its dramatic melody or its chromatic harmony. Although the harmony of the blues is chromatic, it sounds good in other styles, especially gospel and jazz.<\/p>\n<p>You&#8217;ll be learning about the chromatic harmony of the blues, but before we proceed, let&#8217;s talk about blues music.<\/p>\n<h2>A Short Note On Blues Music<\/h2>\n<p>The cultural origin of <em>blues music<\/em> is from Afro-Americans who lived in the southern part of the United States of America.<\/p>\n<p>Although nobody can tell you when blues music started precisely, it was used in the 19th century as a medium of expression. The slow and dramatic nature of the blues made it effective in the expression of <em>melancholy<\/em>.<\/p>\n<p>One of the distinct features of blues music is its 12-bar form, which has several variations and extended forms like the 16-bar blues, 24 bar blues etc.<\/p>\n<p>Blues music can be vocal, instrumental or both, featuring instruments like the banjo, guitar, piano, etc., and has influenced a variety of other popular music styles especially gospel and jazz.<\/p>\n<p><strong>Suggested Reading:<\/strong> <a href=\"https:\/\/www.hearandplay.com\/main\/remembering-oscar-peterson-jazz-blues-form-bass-lines-riffs-cross-licks\">Jazz Blues Form, Bass-Lines, Licks, And Crossover Licks<\/a>.<\/p>\n<p>Before we proceed into the chromatic harmony of the blues, let&#8217;s expound on the blue note and scales.<\/p>\n<h3>The Blue Notes<\/h3>\n<p>Blues music in it&#8217;s cradle age was practiced by musicians of African descent, who incorporated notes from the African scale system. These notes sound slightly out-of-tune compared with the notes (aka &#8211; &#8220;pitches&#8221;) on instruments like the piano and guitar and were called blue notes because of the feelings they convey.<\/p>\n<p>Although blue notes cannot be played with European instruments, there are notes on the piano that are closer to its pitch. Notes like:<\/p>\n<ul>\n<li>the b3<\/li>\n<li>the b5<\/li>\n<li>the b7<\/li>\n<\/ul>\n<p>&#8230;in any major key are the closest to the blue notes, consequently, they are considered as blue notes.<\/p>\n<p>In the key of C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the blue notes are Eb, Gb, and Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Gb,Bb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which are the b3, b5, and the b7 tones respectively.<\/p>\n<p><strong>Suggested Reading:<\/strong> <a href=\"https:\/\/www.hearandplay.com\/main\/determine-blue-notes-in-any-key\">One Of The Simplest Methods To Determine Blue Notes In Any Key<\/a>.<\/p>\n<h3>The Blues Scale<\/h3>\n<p>Another unique feature of the blues is its scale. Here&#8217;s a typical blues scale in the key of C:<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,F,Gb,G,Bb,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><\/p>\n<p>In addition to the blue notes:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Gb,Bb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which are the b3, b5, and the b7 tones of the major scale, the blues scale contains the 1st, 4th, and 5th:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,G,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;tones of the major scale.<\/p>\n<p>Although the blues scale is used in the major key, it fits in perfectly into the minor key. The distance (aka &#8211; &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/six-characteristic-features-of-intervals\">interval<\/a>&#8220;) between the first and third tone of the minor pentatonic blues scale is a minor third.<\/p>\n<p>Using the C minor pentatonic scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,F,G,Bb,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as an example, you can see that the interval between the first and the third tone (C and Eb respectively):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;of a minor pentatonic scale is a minor third interval.<\/p>\n<p>Besides that, the blues scale and the minor pentatonic scale are closely related. The difference between the C blues scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,F,Gb,G,Bb,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the C minor pentatonic scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,F,G,Bb,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the Gb note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nNotwithstanding the relationship between the minor pentatonic blues scale and the minor key, it (the blues scale) is used in the major key. The mixture of <a href=\"https:\/\/www.hearandplay.com\/main\/two-tonalities\">tonalities<\/a> (major and minor) results in an unpleasant relationship between notes (dissonance.)<\/p>\n<h2>The Traditional Harmony Of Blues Music<\/h2>\n<p>In traditional blues music, <a href=\"https:\/\/www.hearandplay.com\/main\/third-day-christmas-three-primary-chords\">primary chords<\/a> are basically used (that&#8217;s the chord of the first, fourth and fifth degrees).<\/p>\n<p>In the key of C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we have C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the first, fourth, and fifth degrees, consequently, the C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and G major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;triads are used to harmonize in blues music. <a href=\"https:\/\/www.hearandplay.com\/main\/dominant-chord-fifth-degree\">Dominant chords<\/a> of the first, fourth, and fifth degrees are not left out. For example, the C dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the F dominant chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,Eb&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the G dominant chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are used in blues music to make the harmony richer and bluesier.<\/p>\n<p>In a nutshell, blues harmony consists of triads and dominant seventh chords of the first, fourth and fifth degrees. However, we&#8217;re going beyond the traditional harmony of the blues scale in this lesson. Read on!<\/p>\n<h2>The Chromatic Harmony Of The Blues Scale<\/h2>\n<p>The chromatic harmony of the blues scale can be understood as a collection of dominant chords, formed on every scale tone of the blues scale. Using the C pentatonic blues scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,F,Gb,G,Bb,C,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as a reference, here are the <a href=\"https:\/\/www.hearandplay.com\/main\/dominant-seventh-chord\">dominant seventh chords<\/a> of the blues in the key of C <a href=\"https:\/\/www.hearandplay.com\/main\/the-major-key\">major<\/a>:<\/p>\n<ul>\n<li>Cdom7<\/li>\n<li>Ebdom7<\/li>\n<li>Fdom7<\/li>\n<li>Gbdom7<\/li>\n<li>Gdom7<\/li>\n<li>Bbdom7<\/li>\n<li>Cdom7<\/li>\n<\/ul>\n<p><em>&#8220;Check Them Out&#8230;&#8221;<\/em><\/p>\n<p>On the first tone of the blues scale is the Cdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nOn the second tone of the blues scale is the Ebdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,G,Bb,Db,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nOn the third tone of the blues scale is the Fdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,Eb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nOn the fourth tone of the blues scale is the Gbdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,Bb,Db,Fb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nOn the fifth tone of the blues scale is the Gdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nOn the sixth tone of the blues scale is the Bbdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,D,F,Ab,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and back to the first tone of the blues scale with the Cdom7 chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,Bb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nPutting all these chords together should give you a perspective to the chromatic harmony of the blues.<\/p>\n<p>In addition to the dominant chords of the first, fourth, and fifth degrees, are the dominant chords of the b3rd, b5th, and b7th tones.<\/p>\n<h2>Harmonization Of The Blues Scale<\/h2>\n<p>The blues scale can be harmonized using the dominant seventh chords we learned in the last segment. To harmonize the blues scale, play the first inversion of the dominant seventh chords.<\/p>\n<p>For example, the first inversion of the C dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,C,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nThe first inversion of the Eb dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Bb,Db,Eb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes Eb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Eb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nThe first inversion of the F dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,Eb,F,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nThe first inversion of the Gb dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,Db,Fb,Gb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes Gb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Gb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nThe first inversion of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F,G,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,G,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\nThe first inversion of the Bb dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,F,Ab,Bb,&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes Bb:<br \/>\nThe first inversion of the C dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,E,G,Bb,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;harmonizes C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,,C&amp;color=9999CC&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Do your best to practice the chromatic harmony of the blues scale in all twelve keys. Thanks for the time you invested in reading this blog and see you in another lesson.<\/p>\n<p>Until then!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re interested in learning about the chromatic harmony of the blues scale, then this lesson is for you.<\/p>\n","protected":false},"author":9,"featured_media":22762,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[374,25,416,9,229],"tags":[17,2131,1161,641],"class_list":["post-14306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-blues-music","category-chords-progressions","category-experienced-players","category-piano","category-scales-theory-piano","tag-basic-songs","tag-blue-notes","tag-blues-chord-progressions","tag-blues-scale","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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