{"id":14461,"date":"2016-09-20T00:00:26","date_gmt":"2016-09-20T08:00:26","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=14461"},"modified":"2024-10-07T17:12:00","modified_gmt":"2024-10-08T01:12:00","slug":"the-lydian-scale","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/the-lydian-scale\/","title":{"rendered":"If You Love The Major Scale, You&#8217;ll Also Love The Lydian Scale"},"content":{"rendered":"<p>Apart from the natural major scale, another major scale every musician should learn is the lydian scale.<\/p>\n<p>The lydian scale is just like the <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">natural major scale<\/a>, and can serve as its substitute in ways more than one, especially in improvisation, chord formation and other musical situations.<\/p>\n<p>There&#8217;s something unique about the lydian scale that jazz musicians have discovered and I&#8217;m going to share them with you in this lesson.<\/p>\n<p>Let&#8217;s get started by flipping through the natural major and lydian scales.<\/p>\n<h2>A Note On Major Scales (Ionian and Lydian)<\/h2>\n<p>Let&#8217;s get started in this lesson by defining the terms <em>major <\/em>and <em>scale<\/em>.<\/p>\n<p>There are so many definitions of a scale out there, however, we&#8217;ll go with a basic definition that everyone can understand.<\/p>\n<blockquote><p>A scale is a regular succession\u00a0(aka &#8211; &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/introduction-melodic-progressions-semitone-wholetone-redefined\">melodic progression<\/a>&#8220;)\u00a0 of notes\u00a0 in ascending or descending order.<\/p><\/blockquote>\n<p>From a practical standpoint, playing all white notes on the keyboard in ascending direction from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or in descending direction from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces a scale.<\/p>\n<p>The term <em>major<\/em> is one of the regular adjectives that is used to qualify a musical idea, be it a scale, interval, chord, or chord progression.<\/p>\n<p>In today&#8217;s lesson, we&#8217;re using the term <em>major<\/em> to qualify a scale. A scale can only be qualified as a <em>major scale<\/em> if the interval between its first and third tones is a major third. For example, in the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the interval between its first and third tones &#8211;\u00a0 which are C and E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;respectively is a major third.<\/p>\n<p>In today&#8217;s lesson, we&#8217;ll be focusing on the following scales:<\/p>\n<ul>\n<li>The ionian scale<\/li>\n<li>The lydian scale<\/li>\n<\/ul>\n<p>&#8230;and they are all major scales.<\/p>\n<h3><em>&#8220;What Is An Ionian Scale?&#8221;<\/em><\/h3>\n<p>The ionian scale is usually considered as the first mode on the keyboard. Check out our previous lesson on <a href=\"https:\/\/www.hearandplay.com\/main\/major-and-minor-modes\">modes<\/a>. The ionian scale can be formed by playing all white notes on the keyboard from C to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nApart from the third (E) and fourth degree (F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,F,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and between the seventh (B) and eighth (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;degrees of the ionian mode which have half steps, the rest of the scale degrees like the first (C) and second (D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;second (D) and third (E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;fourth (F) and fifth (G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;fifth (G) and sixth (A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;sixth (A) and seventh (B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;have whole steps between them.<\/p>\n<p>Here&#8217;s the ionian scale in all twelve keys&#8230;<\/p>\n<p>C ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,C,D,E,F,G,A,B,C,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nDb ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Db,Eb,F,Gb,Ab,Bb,C,Db,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nD ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,D,E,Fs,G,A,B,Cs,D,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nEb ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Eb,F,G,Ab,Bb,C,D,Eb,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nE ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,E,Fs,Gs,A,B,Cs,Ds,E,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nF ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,F,G,A,Bb,C,D,E,F,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nF# ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Fs,Gs,As,B,Cs,Ds,Es,Fs,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nG ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,G,A,B,C,D,E,Fs,G,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nAb ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Ab,Bb,C,Db,Eb,F,G,Ab,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nA ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,A,B,Cs,D,E,Fs,Gs,A,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nBb ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Bb,C,D,Eb,F,G,A,Bb,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nB ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,B,Cs,Ds,E,Fs,Gs,As,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Attention:<\/strong> The ionian scale was used in ancient times when modes were used. Eventually, when the concept of keys (<a href=\"https:\/\/www.hearandplay.com\/main\/the-major-key\">major<\/a> and <a href=\"https:\/\/www.hearandplay.com\/main\/musicians-mean-say-minor-key\">minor<\/a> keys) were introduced, it became the <a href=\"https:\/\/www.hearandplay.com\/main\/these-are-traditional-scales-learn-how-to-play-them\">traditional scale<\/a> of the major key (aka &#8211; &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">natural major scale<\/a>&#8220;.)<\/p>\n<h3><em>&#8220;What Is A Lydian Scale?&#8221;<\/em><\/h3>\n<p>The lydian scale is usually the fourth in the list of modes. It can be formed by playing all white notes on the keyboard from F to F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,F,G,A,B,C,D,E,F,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nThe distance between successive tones of the lydian scale is the whole steps, apart from the fourth (B) and fifth (C) tones:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,B,C,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and between the seventh (E) and eighth (F) degrees:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,F,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where you have half steps.<\/p>\n<p>Here&#8217;s the lydian scale in all twelve keys&#8230;<\/p>\n<p>C lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,C,D,E,Fs,G,A,B,C,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nDb lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Db,Eb,F,G,Ab,Bb,C,Db,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nD lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,D,E,Fs,Gs,A,B,Cs,D,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nEb lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Eb,F,G,A,Bb,C,D,Eb,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nE lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,E,Fs,Gs,As,B,Cs,Ds,E,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nF lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,F,G,A,B,C,D,E,F,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nF# lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Fs,Gs,As,Bs,Cs,Ds,Es,Fs,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nG lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,G,A,B,Cs,D,E,Fs,G,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nAb lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Ab,Bb,C,D,Eb,F,G,Ab,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nA lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,A,B,Cs,Ds,E,Fs,Gs,A,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nBb lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,Bb,C,D,E,F,G,A,Bb,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nB lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,B,Cs,Ds,Es,Fs,Gs,As,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nNow that we&#8217;ve covered the ionian and lydian scales, let&#8217;s go ahead and talk about one of the top reasons why anyone who uses the ionian scale would also love the lydian scale.<\/p>\n<h2>Exposed: The Uniqueness Of The Lydian Scale<\/h2>\n<p>The ionian and lydian scales are all major scales because the interval between their first and third tones is a major third. Here&#8217;s the C ionian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and C lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nBoth scales, have a major third interval between their first and third tones (which are C and E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nSo, for all intents and purposes the ionian and lydian scales are major scales.<\/p>\n<p>The lydian scale differs from the ionian scale for a variety of reasons, however, we&#8217;re focusing on the most important reason:<\/p>\n<blockquote><p>The lydian scale does not have an avoid note<\/p><\/blockquote>\n<h3>The Major Scale Without An Avoid Note<\/h3>\n<p>In the natural major scale, the fourth tone is usually considered an <a href=\"https:\/\/www.hearandplay.com\/main\/avoid-note\">avoid note<\/a> for a variety of reasons that we cannot go into in this lesson. However, let&#8217;s look at one of the top reasons why the fourth tone of the scale is considered an avoid note.<\/p>\n<p>In the formation of extended chords, extensions (like the ninth, eleventh, and thirteenth tones) are added to basic seventh chords.<\/p>\n<p>The C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/>&#8230;consists of the first, third, fifth, and seventh tones of the C natural major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nAdding a ninth (D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nAdding an eleventh (F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/>\u00a0 &#8230;produces the C major eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/>Major eleventh chords are rarely used because of the intolerable dissonance between the third and eleventh tones. In the C major eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the dissonance is a product of the third (E) and eleventh (F) tones:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nIn the formation of extended chords, the eleventh (F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is considered as an avoid note because it clashes with the third tone.<\/p>\n<p><strong><em>&#8220;The Lydian Scale&#8221;<\/em><\/strong><\/p>\n<p>The lydian scale is more than just a major scale because unlike the natural major scale, it doesn&#8217;t have an <a href=\"https:\/\/www.hearandplay.com\/main\/avoid-note\">avoid note<\/a>.<\/p>\n<p><em>&#8220;Let&#8217;s Form Extended Chords Using The Lydian Scale&#8221;<\/em><\/p>\n<p>Using the C lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,B,C&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the C major seventh chord can be formed by playing the first, third, fifth, and seventh tones:<\/p>\n<p>Adding a ninth (D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nAdding an eleventh (F#):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Fs&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the C major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major seventh (sharp eleventh) chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D,Fs&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\nThe C major eleventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;of the natural major scale has an avoid note (F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;that the eleventh chord of the lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,D,Fs&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;does not have. Consequently, the lydian scale is commonly used in the formation of extended major chords.<\/p>\n<h2>Final Words<\/h2>\n<p>Most melodies, intervals, chords, and chord progressions are derived from the ionian scale because it is commonly used as the <a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">natural major scale<\/a>, which is the <a href=\"https:\/\/www.hearandplay.com\/main\/these-are-traditional-scales-learn-how-to-play-them\">traditional scale<\/a> of the <a href=\"https:\/\/www.hearandplay.com\/main\/the-major-key\">major key<\/a>.<\/p>\n<p>But from what you&#8217;ve learned about the lydian scale (another unique major scale), I&#8217;m sure you have another major scale you can derive melodies and chords from. The good thing about the lydian scale is that you don&#8217;t have to worry about the avoid note &#8211; it&#8217;s not there!.<\/p>\n<p>This isn&#8217;t all about the lydian scale, we&#8217;re just getting started. We&#8217;ll continue our discussion on the lydian scale in another post.<\/p>\n<p>See you then!<\/p>\n<p>P.S.<\/p>\n<p>The lydian scale can be formed by raising the fourth tone (aka &#8211; &#8220;avoid note&#8221;) of the natural major scale by a half step. Raising the fourth tone of the A major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,Cs,D,E,Fs,Gs,A,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half step (to D#):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ds,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the A lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,Cs,Ds,E,Fs,Gs,A,&amp;color=FFCC00&amp;size=2\" border=\"0\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re interested in learning another major scale, this introductory lesson on the lydian scale is for you. <\/p>\n","protected":false},"author":9,"featured_media":22771,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[416,9,229],"tags":[17,1048,2231,144,2077,2232],"class_list":["post-14461","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experienced-players","category-piano","category-scales-theory-piano","tag-basic-songs","tag-learning-major-scales","tag-lydian-scale","tag-major-scales","tag-natural-major-scale","tag-other-major-scales","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>If You Love The Major Scale, You&#039;ll Also Love The Lydian Scale - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"If you&#039;re interested in learning another major scale, this introductory lesson on the lydian scale is for 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