{"id":14597,"date":"2017-01-12T00:00:00","date_gmt":"2017-01-12T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=14597"},"modified":"2024-10-07T01:43:37","modified_gmt":"2024-10-07T09:43:37","slug":"left-hand-piano-accompaniment-styles-alberti-bass","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/left-hand-piano-accompaniment-styles-alberti-bass\/","title":{"rendered":"Left Hand Piano Accompaniment Styles: The Alberti Bass"},"content":{"rendered":"

One of the left hand accompaniment style that is commonly used among classical musicians is the alberti bass.<\/p>\n

The basic role of a pianist especially in a band situation, is to provide accompaniment to melodies produced either by the voice or an instrument. However, there are situations where the pianist has to play both the melody and accompaniment.<\/p>\n

In such situations, the pianist plays the melody on the right hand, and provides an accompaniment to it using his left hand. A vast majority of pianists know how to\u00a0 create accompaniment using both hands. However, in situations where the right hand is dedicated to melodies, the left hand should be able to cope with the accompaniment.<\/p>\n

Although there are a variety of left hand accompaniment styles, we’re focusing on the alberti bass in this lesson. If you invest the next 20 minutes or so in this lesson, you’ll get a proper introduction on the alberti bass.<\/p>\n

An Introduction On The Alberti Bass<\/em><\/h2>\n

The alberti bass is one of the left hand piano accompaniments that every serious pianist should learn. It was used extensively about 300 years ago and was named after Domenico Alberti – one of the the musicians who used it extensively.<\/p>\n

In the alberti bass accompaniment, the notes of a chord are arpeggiated (played one after the other) in this manner:<\/p>\n

Lowest<\/p>\n

Highest<\/p>\n

Middle<\/p>\n

Highest<\/p><\/blockquote>\n

…and this creates an interesting rhythmic pattern that can be used to accompany melodies on the piano.<\/p>\n

The C major triad:
\n
\n…can be used to play an alberti bass thus:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS1.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]<\/p>\n

A Short Note On Accompaniment<\/h2>\n

The term accompaniment is used to describe a melodic or harmonic element that is used to support a musical part. For example, when a melody is given, like the melody of “When The Saints Go Marching In” <\/em>given below:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS16.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Melody – When The Saints Go Marching In”]<\/p>\n

An accompaniment is basically another element (whether vocal, instrumental, or both) that is added to support the melody. The accompaniment of melodies in any key (whether major or minor) is usually done using the primary triads of that key.<\/p>\n

Primary triads of the major key are triads of the first, fourth, and fifth degrees. For example, in the key of C major:
\n
\n…where the first, fourth, and fifth degrees of the scale are C, F, and G:
\n
\n…the primary triads are the C major:
\n
\n…F major:
\n
\n…and G major:
\n
\n…triads. Using the above-mentioned triads, melodies can be accompanied in the key of C major:<\/p>\n

Left hand Accompaniment Using The Alberti Bass<\/h2>\n

Primary Chords<\/h3>\n

The primary chords in the key of C are:<\/p>\n

The C major triad:
\n
\nThe F major triad:
\n
\nThe G major triad:
\n
\n…and they can be arpeggiated<\/em> to produce the alberti bass thus:<\/p>\n

The C major triad:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS1.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]
\nThe F major triad:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS2.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The F major triad”]
\nThe G major triad:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS3.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The G major triad”]<\/p>\n

Voice Leading Considerations<\/h2>\n

Beyond creating a rhythmic accompaniment, one of the things that should be considered while creating an alberti bass accompaniment is the smoothness in chord progression.<\/p>\n

For example, moving from the C major triad:
\n
\n…to the F major triad:
\n
\n…doesn’t sound smooth.<\/p>\n

Pursuant to voice-leading principles, the inversion of the primary triads are used. For example, the movement from the first inversion of the C major triad:
\n
\n…to the root position of the F major triad:
\n
\n…sounds smoother than the movement from the root position of the C major triad:
\n
\n…to the root position of the F major triad:
\n
\nTherefore, I’ll be showing you how to play the alberti bass from these three positions:<\/p>\n

The root position of the tonic triad<\/p>\n

The first inversion of the tonic triad<\/p>\n

The second inversion of the tonic triad<\/p><\/blockquote>\n

From The Root Position Of The Tonic Triad<\/h3>\n

Chord 1:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS4.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]
\n…in root position.<\/p>\n

Chord 4:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS5.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The F major triad”]
\n…in second inversion.<\/p>\n

Chord 5:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS6.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The G major triad”]
\n…in first inversion.<\/p>\n

Putting it together:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS7.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Putting It Together”]<\/p>\n

From The First Inversion Of The Tonic Triad<\/h3>\n

Chord 1:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS8.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]
\n…in first inversion.<\/p>\n

Chord 4:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS9.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The F major triad”]
\n…in root position.<\/p>\n

Chord 5:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS10.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The G major triad”]
\n…in second inversion.<\/p>\n

Putting it together:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS11.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Putting It Together”]<\/p>\n

From The Second Inversion Of The Tonic Triad<\/h3>\n

Chord 1:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS12.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]
\n…in second inversion.<\/p>\n

Chord 4:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS13.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The F major triad”]
\n…in first inversion.<\/p>\n

Chord 5:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS14.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]
\n…in root position.<\/p>\n

Putting it together:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS15.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”The C major triad”]<\/p>\n

Application Of The Alberti Bass<\/h2>\n

The alberti bass can be used to accompany songs on the piano, and I’ll be giving you two examples in this lesson:<\/p>\n

When The Saints Go Marching In<\/p>\n

Pass Me Not O Gentle Savior<\/p><\/blockquote>\n

When The Saints Go Marching In<\/h3>\n

Melody<\/strong>:
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS16.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Melody – When The Saints Go Marching In”]
\nAlberti<\/strong> bass:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS17.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Alberti Bass – When The Saints Go Marching In”]<\/p>\n

Altogether:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS18.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Putting It together – When The Saints Go Marching In”]<\/p>\n

Pass Me Not O Gentle Savior<\/h3>\n

Melody:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS19.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Melody – Pass Me Not O Gentle Savior”]
\nAlberti bass:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS20.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Alberti Bass – Pass Me Not O Gentle Savior”]<\/p>\n

Altogether:<\/strong>
\n[wp_colorbox_media url=”http:\/\/tools.hearandplay.com\/songtutorkeystest7\/SongTutor.html?midifile=ALBERTIBASS21.mid” type=”iframe” hyperlink=”https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2015\/12\/Screenshot-2015-12-22-22.04.15.png” title=”Putting It Together – Pass Me Not O Gentle Savior”]
\nAlbertiBass21<\/p>\n

Final Words<\/h2>\n

The alberti bass is one of my favorite left hand accompaniments. Although is found predominantly in classical music and dates back to the classical period in music, it can be learned and applied by musicians who play by the ear as well.<\/p>\n

We’ll continue our discussion on the alberti bass in another lesson, where we’ll explore some advanced dimensions to the alberti bass.<\/p>\n

See you then!<\/p>\n","protected":false},"excerpt":{"rendered":"

The alberti bass is one of the most important piano accompaniments for the left hand, and we’re exploring it in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22662,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[416,350,9,47],"tags":[2416,842,2417],"class_list":["post-14597","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experienced-players","category-music-etc","category-piano","category-playing-by-ear","tag-alberti-bass","tag-left-hand","tag-piano-accompaniment","post-wrapper","thrv_wrapper"],"yoast_head":"\nLeft Hand Piano Accompaniment Styles: The Alberti Bass - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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