{"id":15343,"date":"2016-11-11T00:00:00","date_gmt":"2016-11-11T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=15343"},"modified":"2024-10-07T15:14:48","modified_gmt":"2024-10-07T23:14:48","slug":"inversion-of-triads-and-seventh-chords","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/inversion-of-triads-and-seventh-chords\/","title":{"rendered":"The Application Of The Octave Transposition Technique In The Inversion Of Triads And Seventh Chords"},"content":{"rendered":"<p>In today&#8217;s lesson we&#8217;ll be applying the octave transposition technique in the inversion of triads and seventh chords.<\/p>\n<p>The inversion of chords is challenging to the average beginner out there. By my estimation, 73% of beginners find it difficult to learn and master the inversion of chords and this is because of its mental and technical demands.<\/p>\n<p>If you belong to this league of musicians, I have good news for you:<\/p>\n<blockquote><p>There&#8217;s finally a smarter way to master the inversion of chords.<\/p><\/blockquote>\n<p>In the next 15 minutes or so, I&#8217;ll be showing you a smarter approach to the inversion of chords using the octave transposition technique.<\/p>\n<h2>A Review On The Octave Transposition Technique<\/h2>\n<p>The term octave transposition consists of two words &#8211; octave and transposition. Due to the fact that we&#8217;ve already covered the term <em>octave <\/em>in a previous segment, we&#8217;ll just breakdown the term transposition before we continue.<\/p>\n<p>So, what is transposition?<\/p>\n<blockquote><p>Transposition literally means a <em>transfer of the position<\/em> of an idea [be it a note, scale, interval, chord, chord progression, or song].<\/p><\/blockquote>\n<p>The term octave transposition has to do with the transfer of a musical idea from its position to a higher or lower octave and here are common examples of octave transposition&#8230;<\/p>\n<ul>\n<li>The Octave Transposition Of Notes<\/li>\n<li>The Octave Transposition Of Scales<\/li>\n<li>The Octave Transposition Of Chords<\/li>\n<\/ul>\n<p><em>&#8220;Here&#8217;s A Quick Explanation To Each Of Them&#8230;&#8221;<\/em><\/p>\n<h3>The Octave Transposition Of Notes<\/h3>\n<p>The octave transposition of any given note moves it from its position on the keyboard to a higher or lower octave. If the note E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is given, octave transposition can either transfer it from its position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to a higher position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,E,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Or&#8230;&#8221;<\/em><\/p>\n<p>&#8230;from its position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to a lower position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nWhen the given note (which is E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has either been transposed to a lower E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or a higher E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,E,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then octave transposition of the note has been applied.<\/p>\n<h3>The Octave Transposition Of Scales<\/h3>\n<p>A scale can be played on a position higher or lower than given, using the octave transposition concept. Let&#8217;s use the F natural minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as a reference. It is only through octave transposition that the F minor scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,B,C,D,E,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can either be transferred from its position to this position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F,G,A,B,C,D,E,F&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Or&#8230;&#8221;<\/em><\/p>\n<p>&#8230;from its position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,Ab,Bb,C,Db,Eb,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to this position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,Ab,Bb,C,Db,Eb,F,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nHence, when the given scale (just like the F natural minor scale):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,Ab,Bb,C,Db,Eb,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has been transferred from its position to either a lower:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,Ab,Bb,C,Db,Eb,F,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or higher:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F,G,Ab,Bb,C,Db,Eb,F&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;position, then octave transposition of the scale has been applied.<\/p>\n<h3>The Octave Transposition Of Chords<\/h3>\n<p>Chords can also be transferred from one position on the keyboard to another using the octave transposition concept. Given the G major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;it is through octave transposition that it can either be transferred from its position to this position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,B,D,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Or&#8230;&#8221;<\/em><\/p>\n<p>&#8230;from its position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/>&#8230;to this position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,G,B,D&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nIt is the application of the concept of octave transposition that can transfer a given chord (which is the G major triad in this case):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to a lower octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,B,D,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or to a higher octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,G,B,D&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;In A Nutshell&#8230;&#8221;<\/em><\/p>\n<p>The octave transposition technique can also be used to transfer intervals, chord progressions, and songs from one position on the keyboard to another.<\/p>\n<h2><em>&#8220;What Is Chord Inversion?&#8221;<\/em><\/h2>\n<p>Although there are two basic approaches to the inversion of a chord:<\/p>\n<ul>\n<li>The keyboard style<\/li>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/figured-bass-101-choral-style-inversions\">The chorale style<\/a><\/li>\n<\/ul>\n<p>&#8230;we&#8217;ll be focusing on the former &#8211; the keyboard style inversion.<\/p>\n<h3>Inversion Of Triads<\/h3>\n<p>A triad is a chord of three notes. There are four different triad qualities ranging from the <a href=\"https:\/\/hearandplay.cc\/main\/major-triad-chord-cheat-sheet\">major triad<\/a>, to the <a href=\"https:\/\/hearandplay.cc\/main\/minor-triad-chord\">minor triad<\/a>, to the <a href=\"https:\/\/hearandplay.cc\/main\/diminished-triad\">diminished triad<\/a>, and the <a href=\"https:\/\/hearandplay.cc\/main\/augmented-triad\">augmented triad<\/a> that make up the &#8220;fantastic four.&#8221;<\/p>\n<p>When a triad is played exactly the same way it&#8217;s formed, it is said to be in root position. The following triads:<\/p>\n<p>The C major triad<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe F minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe Bb augmented triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,D,Fs,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe D diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,Ab,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are root position triads.<\/p>\n<p>A root position triad consists of a root, third and fifth tone. In the root position triad, the root of the chord is the lowest pitch. Rearranging the order of the notes in a given triad in such a way that the third and fifth chord tones are the lowest pitches produces the inversion of that given chord.<\/p>\n<p><em>&#8220;Let&#8217;s Breakdown Chord Inversion Using The C Major Triad As A Reference&#8230;&#8221;<\/em><\/p>\n<h4>First Inversion<\/h4>\n<p>Rearranging the root position of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in such a way that E is the lowest note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the first inversion of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h4>Second Inversion<\/h4>\n<p>Rearranging the root position of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in such a way that G is the lowest note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the second inversion of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nLet&#8217;s quickly talk about the inversion of seventh chords before we proceed.<\/p>\n<h3>Inversion Of Seventh Chords<\/h3>\n<p>A seventh chord is a chord that encompasses seven tones of a given scale.<\/p>\n<p>Although there are various seventh chord qualities, these five qualities are commonly used:<\/p>\n<ul>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/major-seventh-chord\">The major seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/minor-seventh-chord\">The minor seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/dominant-seventh-chord\">The dominant seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/half-diminished-seventh-chord\">The half-diminished seventh chord<\/a><\/li>\n<li><a href=\"https:\/\/hearandplay.cc\/main\/diminished-seventh-chord\">The diminished seventh chord<\/a><\/li>\n<\/ul>\n<p>A seventh chord played exactly the same way it&#8217;s formed, is said to be in root position. The following seventh chords:<\/p>\n<p>The Bb major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,D,F,A,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe Eb minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Gb,Bb,Db,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe F dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,Eb,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe C half-diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Eb,Gb,Bb,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe D diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,Ab,Cb,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are root position seventh chords.<\/p>\n<p>A root position seventh chord consists of a root, third, fifth and seventh tone. In a root position seventh chord, the root of the chord is the lowest pitch. Rearranging the order of the notes in a given seventh chord in such a way that the third, fifth and seventh chord tones are the lowest pitches, produces the inversion of that given seventh chord.<\/p>\n<p><em>&#8220;Let&#8217;s Breakdown Chord Inversion Using The G Dominant Seventh Chord As A Reference&#8230;&#8221;<\/em><\/p>\n<h4>First Inversion<\/h4>\n<p>Rearranging the root position of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in such a way that B is the lowest note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the first inversion of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F,G,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h4>Second Inversion<\/h4>\n<p>Rearranging the root position of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in such a way that D is the lowest note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the second inversion of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,G,B,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h4>Third Inversion<\/h4>\n<p>Rearranging the root position of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in such a way that F is the lowest note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the third inversion of the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,B,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Chord Inversion Using The Octave Transposition Technique<\/h2>\n<p>The octave transposition technique is an important tool that can make the inversion of chords the easiest thing in the world for you to do.<\/p>\n<p>Given a triad or seventh chord you can invert it by applying the octave transposition technique, and I&#8217;ll be showing you step-by-step, how this is done.<\/p>\n<h3>Inversion of Triads<\/h3>\n<p>The root position of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the lowest chord tone. The octave transposition of this C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to its higher octave (which is C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>first inversion<\/strong> of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe <strong>first inversion<\/strong> of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the lowest chord tone. The octave transposition of this E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to its higher octave (which is E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,E,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>second inversion<\/strong> of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h3>Inversion of Seventh Chords<\/h3>\n<p>The root position of the D minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,C,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the lowest chord tone. The octave transposition of this D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to its higher octave (which is D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>first inversion<\/strong> of the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe <strong>first inversion<\/strong> of the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,D,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the lowest chord tone. The octave transposition of this F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to its higher octave (which is F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>second inversion<\/strong> of the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,D,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\nThe <strong>second inversion<\/strong> of the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,D,F,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the lowest chord tone. The octave transposition of this A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to its higher octave (which is A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,A,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the <strong>third inversion<\/strong> of the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,D,F,A,&amp;color=FFFF00&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>The inversion of triads and seventh chords has never been this easy with the octave transposition technique.<\/p>\n<p>Right now, it&#8217;s incumbent on you to apply the octave transposition technique to the inversion of various qualities of triads and seventh chords.<\/p>\n<p>Thank you for your time!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re interested in learning a smarter way to master the inversion of triads and seventh chords, this lesson is for you.<\/p>\n","protected":false},"author":9,"featured_media":22725,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,25,350,9,1739],"tags":[2336,17,2335,2334,2333,2259,2260],"class_list":["post-15343","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-chords-progressions","category-music-etc","category-piano","category-piano-exercises","tag-application-of-the-octave-transposition-technique","tag-basic-songs","tag-inversion-of-chords","tag-inversion-of-seventh-chords","tag-inversion-of-triads","tag-octave-transposition","tag-octave-transposition-technique","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 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