{"id":15404,"date":"2016-11-22T00:00:00","date_gmt":"2016-11-22T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=15404"},"modified":"2024-10-07T15:07:32","modified_gmt":"2024-10-07T23:07:32","slug":"top-players-apply-the-2-5-1-chord-progression-in-the-major-key","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/top-players-apply-the-2-5-1-chord-progression-in-the-major-key\/","title":{"rendered":"Here&#8217;s How The Top Players Apply The 2-5-1 Chord Progression In The Major Key"},"content":{"rendered":"<p>In today&#8217;s lesson, we&#8217;ll be looking at the diverse applications of the major 2-5-1 chord progression in the major key.<\/p>\n<p>It&#8217;s no longer news that the 2-5 1 chord progression is one of the most important chord progressions in prominent popular music styles like gospel and jazz.<\/p>\n<p>Although a vast majority of musicians are conversant with this progression, only the top players (and a privileged few) have maximized its use in the major key, and that&#8217;s what inspired me to put this post together.<\/p>\n<p>At the end of this lesson, you&#8217;ll have an <em>out-the-box <\/em>perspective to the 2-5-1 chord progression that will have a revolutionary effect on your playing.<\/p>\n<h2>A Short Note On The Major Key<\/h2>\n<p>The major key is one of the two known musical keys &#8211; the other one being the minor key.<\/p>\n<p>A key is the product of a relationship between eight tones whose goal is to establish one tone as the key center. The easiest key to think about on the keyboard is the key of C major, which is formed by the relationship between all the white notes on the keyboard from C to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;geared towards establishing the first tone (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the key center.<\/p>\n<p>In previous lessons, we <a href=\"https:\/\/hearandplay.cc\/main\/misconception-of-a-note-and-a-key\">resolved the misconceptions of the terms note and key<\/a>, and also learned <a href=\"https:\/\/hearandplay.cc\/main\/eight-components-in-a-key-every-musician-should-know\">the eight components of a key<\/a>, which are:<\/p>\n<ul>\n<li>Tonic<\/li>\n<li>Supertonic<\/li>\n<li>Mediant<\/li>\n<li>Subdominant<\/li>\n<li>Dominant<\/li>\n<li>Submediant<\/li>\n<li>Subtonic<\/li>\n<li>Octave<\/li>\n<\/ul>\n<p>&#8230;and their respective functions. You will do well to check them out.<\/p>\n<p>The establishment of C (which is a note):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as a key center by the unique relationship of eight different tones produces the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nEvery other major key on the keyboard has these eight components.<\/p>\n<p><em>&#8220;Check Them Out&#8230;&#8221;<\/em><\/p>\n<p>C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nDb major<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,Eb,F,Gb,Ab,Bb,C,Db&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nD major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,Fs,G,A,B,Cs,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nEb major<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,F,G,Ab,Bb,C,D,Eb&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nE major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Fs,Gs,A,B,Cs,Ds,E&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nF major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,Bb,C,D,E,F&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nGb major<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,Ab,Bb,Cb,Db,Eb,F,Gb&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nG major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,B,C,D,E,Fs,G&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nAb major<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,Bb,C,Db,Eb,F,G,Ab,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nA major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,B,Cs,D,E,Fs,Gs,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nBb major<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,C,D,Eb,F,G,A,Bb,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nB major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,Cs,Ds,E,Fs,Gs,As,B,&amp;color=009966&amp;size=2\" border=\"0\" \/><\/p>\n<h2>A Review On The Major 2-5-1 Chord Progression<\/h2>\n<p>There are eight scale degrees in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>C is the first<\/p>\n<p>D is the second<\/p>\n<p>E is the third<\/p>\n<p>F is the fourth<\/p>\n<p>G is the fifth<\/p>\n<p>A is the sixth<\/p>\n<p>B is the seventh<\/p>\n<p>C is the eighth<\/p><\/blockquote>\n<p><em>&#8220;Every Degree Of The Scale Has Its Unique Chord&#8230;&#8221;<\/em><\/p>\n<p><strong>Chord 1<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the C major triad, <strong>chord 2<\/strong>:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the D minor triad, etc.<\/p>\n<p>The movement of chords from one degree of the scale to another produces a chord progression.<\/p>\n<h3><em>&#8220;What Is A Major 2-5-1 Chord Progression?&#8221;<\/em><\/h3>\n<p>The movement of chords from the <strong>second<\/strong> to the <strong>fifth,<\/strong> then to the <strong>first<\/strong> degree of the scale <span style=\"text-decoration: underline;\">in the major key<\/span> produces the major 2-5-1 chord progression.<\/p>\n<p><em>&#8220;In The Key Of C Major&#8230;&#8221;<\/em><\/p>\n<p>The <strong>second<\/strong> scale degree chord (aka &#8211; &#8220;chord 2&#8221;) is the D minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,D,F,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nThe <strong>fifth<\/strong> scale degree chord (aka &#8211; &#8220;chord 5&#8221;) is the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,G,B,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nThe <strong>first<\/strong> scale degree chord (aka &#8211; &#8220;chord 1&#8221;) is the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,E,G,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nIn a nutshell, a chord progression from chord 2 to chord 5, and then to chord 1 in the major key produces the major 2-5-1 chord progression. This can be played with triad, sevenths, or extended chords at the player&#8217;s discretion.<\/p>\n<p><em>&#8220;The Major 2-5-1 Chord Progression Using Triads&#8230;&#8221;<\/em><\/p>\n<p>A chord movement from the D minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,A,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the G major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,G,B,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then to the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,G,C,E&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces a major 2-5-1 chord progression in the key of C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;The Major 2-5-1 Chord Progression Using Seventh Chords&#8230;&#8221;<\/em><\/p>\n<p>A chord movement from the E minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,E,G,B,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the A dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,E,G,A,Cs&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then to the D major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,D,Fs,A,Cs&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces a major 2-5-1 chord progression in the key of D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,Fs,G,A,B,Cs,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;The Major 2-5-1 Chord Progression Using Ninth Chords&#8230;&#8221;<\/em><\/p>\n<p>A major 2-5-1 chord progression in the key of Ab:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,Bb,C,Db,Eb,F,G,Ab,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;progresses from the Bb minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,Ab,C,Db,F&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to the Eb dominant ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Eb,,G,Bb,Db,F&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;then to the Ab major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,G,Bb,C,Eb&amp;color=009966&amp;size=2\" border=\"0\" \/><\/p>\n<h2>The Application Of The Major 2-5-1 Chord Progression In The Major Key<\/h2>\n<p>Before getting into the application of the major 2-5-1 chord progression in the major key, it is important for us to glance through scale degree seventh chords in the major key.<\/p>\n<h3>A Quick Review On Scale Degree Seventh Chords In The Major Key<\/h3>\n<p>Using the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as a reference, here are the scale degree chords of the major key:<\/p>\n<p>Chord 1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the C major seventh chord.<\/p>\n<p>Chord 2:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the D minor seventh chord.<\/p>\n<p>Chord 3:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the E minor seventh chord.<\/p>\n<p>Chord 4:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the F major seventh chord.<\/p>\n<p>Chord 5:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the G dominant seventh chord.<\/p>\n<p>Chord 6:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the A minor seventh chord.<\/p>\n<p>Chord 7:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the B diminished seventh chord.<\/p>\n<p>Two out of the seven scale degree chords we highlighted are major seventh chords and they can be found specifically on the first and fourth degrees of the scale.<\/p>\n<p><em>&#8220;Here They Are&#8230;&#8221;<\/em><\/p>\n<p>The C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;of the first degree.<\/p>\n<p>The F major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;of the fourth degree.<\/p>\n<p>Due to the fact that the seventh chords of the first and fourth degrees in the major key have a major quality, they are appropriate destinations for the major 2-5-1 chord progression.<\/p>\n<p>Consequently, there are two ways to apply the major 2-5-1 chord progression in the major key:<\/p>\n<ul>\n<li>Major 2-5-1 chord progression to the first degree<\/li>\n<li>Major 2-5-1 chord progression to the fourth degree<\/li>\n<\/ul>\n<p>Let&#8217;s check them out quickly as we round up.<\/p>\n<h3>Major 2-5-1 Chord Progression To The First Tone<\/h3>\n<p>This is the regular application of the major 2-5-1 chord progression. The first tone in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nConsequently we&#8217;re playing a D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;minor chord, a G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;dominant chord, and a C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;major chord. At the musician&#8217;s discretion, triads, sevenths or extended chords can be used like we did in the previous segment.<\/p>\n<h3>Major 2-5-1 Chord Progression To The Fourth Tone<\/h3>\n<p>Before anyone can apply the major 2-5-1 chord progression on the fourth tone, it&#8217;s important for the person to temporarily <span style=\"text-decoration: underline;\">think in the key of the fourth degree<\/span>.<\/p>\n<p><em>&#8220;What Does It Mean To Think In The Key Of The Fourth Degree?&#8221;<\/em><\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,D,E,F,G,A,B,C,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the fourth degree is F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nThinking in the key of the fourth degree literally means considering the major 2-5-1 chord progression in the key of F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,A,Bb,C,D,E,F,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nHere&#8217;s a basic major 2-5-1 chord progression in the key of F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,A,Bb,C,D,E,F,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nChord 2 is the G minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,Bb,D,G&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nChord 5 is the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,C,E,G&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\nChord 1 is the F major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,,C,F,A&amp;color=009966&amp;size=2\" border=\"0\" \/><\/p>\n<p>Music scholars call the progression above a borrowed chord progression because it&#8217;s derived from another [related] key.<\/p>\n<p><em>Check Out Some Major 2-5-1 Chord Progressions To The Fourth Tone&#8230;&#8221;<\/em><\/p>\n<h4>Example #1<\/h4>\n<p>Chord 2:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,D,F,Bb,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the G minor seventh chord.<\/p>\n<p>Chord 5:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,G,E,Bb,D&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the C dominant ninth chord.<\/p>\n<p>Chord 1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,C,E,G,A,C&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the F major ninth chord.<\/p>\n<h4>Example #2<\/h4>\n<p>Chord 2:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,Bb,D,F,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the G minor ninth chord.<\/p>\n<p>Chord 5:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,Bb,D,E,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the C dom13[add9] chord.<\/p>\n<p>Chord 1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,C,E,G,A,&amp;color=009966&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the F major ninth chord.<\/p>\n<p>You can have more chord progressions to the fourth degree by transposing any major 2-5-1 chord progression to the key of F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,A,Bb,C,D,E,F,&amp;color=009966&amp;size=2\" border=\"0\" \/><\/p>\n<p><strong>Attention:<\/strong> Irrespective of the key you&#8217;re in, always remember to <span style=\"text-decoration: underline;\">think in the key of the fourth degree<\/span>.<\/p>\n<h2>Final Words<\/h2>\n<p>The major 2-5-1 chord progression should not be limited to being a cyclical chord progression to the chord of the first degree of the scale (aka &#8211; &#8220;the tonic chord&#8221;).<\/p>\n<p>I&#8217;m glad you&#8217;ve seen another application of the major 2-5-1 chord progression. I recommend that you transpose any major 2-5-1 chord progression learned, to the fourth degree of the scale.<\/p>\n<p>I&#8217;ll see you in the next lesson where we&#8217;ll also explore the diverse applications of the minor 2-5-1 chord progression.<\/p>\n<p>All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In this 2-5-1 chord progression lesson, we&#8217;re literally taking you out of the box and showing you what the top players are doing.<\/p>\n","protected":false},"author":9,"featured_media":22714,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9],"tags":[33,14,17,2097],"class_list":["post-15404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-2-5-1-chord-progression","tag-2-5-1-chord-progressions","tag-basic-songs","tag-major-2-5-1-chord-progression","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Here&#039;s How The Top Players Apply The 2-5-1 Chord Progression In The Major Key - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"In this 2-5-1 chord progression lesson, we&#039;re literally taking you out of the box and showing 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