{"id":15476,"date":"2016-11-24T00:00:00","date_gmt":"2016-11-24T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=15476"},"modified":"2024-10-07T15:05:13","modified_gmt":"2024-10-07T23:05:13","slug":"who-else-wants-to-understand-the-harmonic-implication-of-the-tritone","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/who-else-wants-to-understand-the-harmonic-implication-of-the-tritone\/","title":{"rendered":"Who Else Wants To Understand The Harmonic Implication Of The Tritone?"},"content":{"rendered":"<p>In today&#8217;s lesson, I&#8217;ll be sharing with you on the harmonic implication of the tritone.<\/p>\n<p>The tritone is one of the most important intervals in music, not just because of its harsh nature, but because of its harmonic implication, which is our focus in this lesson.<\/p>\n<blockquote><p>When the purpose of a thing is not known, abuse is inevitable.<\/p><\/blockquote>\n<p>The tritone is usually abused in terms of its application and that&#8217;s usually by the vast majority of musicians who are yet to understand its harmonic implication.<\/p>\n<p>From my keen observation, 87% of musicians in the church circle do not really know the consequence of playing the tritone. If you belong to that league of musicians, then this lesson is for you.<\/p>\n<p>I guarantee you that after this lesson, you&#8217;ll have a complete grasp of the tritone.<\/p>\n<h2>A Thorough Exposition On The Tritone<\/h2>\n<p>The term <em>tritone<\/em> should not be new to you, especially if you&#8217;re a gospel musician. However, for the sake of those who would probably be coming across the word for the first time, let&#8217;s get started by doing an exposition on the tritone.<\/p>\n<h3>Definition Of The Tritone<\/h3>\n<blockquote><p>The tritone is a product of the division of an octave into two equal parts.<\/p><\/blockquote>\n<p>The octave (C-C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;consists of twelve half steps:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Cs,D,Ds,E,F,Fs,G,Gs,A,As,B,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nConsequently, it can be divided into two parts &#8211; with each part consisting of six half steps each:<\/p>\n<p>C to F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Cs,D,Ds,E,F,Fs,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nGb to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,G,Gs,A,As,B,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe term <em>tritone<\/em> literally means three tones (aka &#8211; &#8220;whole steps&#8221;) and this is because there are three whole steps within the compass of a tritone. In the tritone C-F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;there are three whole steps:<\/p>\n<p>C-D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nD-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and E-F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Fs,&amp;color=669999&amp;size=2\" border=\"0\" \/><\/p>\n<h3>Earliest Occurrence Of The Tritone<\/h3>\n<p>The earliest tritone that was discovered is F-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the only tritone between two white notes. The inversion of F-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces B-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,F&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an inverted tritone which consists exclusively of white notes.<\/p>\n<p>The tritone was attributed to the devil, hence, it was named <em>the devil in music <\/em>by a generation of musicians who were mainly church men.<\/p>\n<h3>Intervallic Description Of The Tritone<\/h3>\n<p>The tritone can be considered as an interval because it is a product of the relationship between two notes. The earliest tritone to be discovered (which is F-B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is an augmented fourth interval and this is because it is larger than every other diatonic fourth like C-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;D-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;E-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;etc.<\/p>\n<p>The inversion of the tritone (an augmented fourth interval), produces an inverted tritone (which is a diminished fifth interval.) The inversion of F-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;an augmented fourth interval, produces B-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,F&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a diminished fifth interval.<\/p>\n<p><em>&#8220;In A Nutshell&#8230;&#8221;<\/em><\/p>\n<p>There are two intervals that are synonymous with the tritone:<\/p>\n<p>The augmented fourth interval<\/p>\n<p>The diminished fifth interval<\/p>\n<p>The tritone C-F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is an augmented fourth interval, while the tritone C-Gb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Gb,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a diminished fifth interval.<\/p>\n<p>It&#8217;s important to note that C-F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and C-Gb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Gb,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are the possible products of the division of the C octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;into two equal parts.<\/p>\n<h3>Intervallic Property Of The Tritone<\/h3>\n<h2>The Consequence Of Playing The Tritone<\/h2>\n<h2>The Harmonic Implication Of All Twelve Tritones<\/h2>\n<h2>Final Words<\/h2>\n","protected":false},"excerpt":{"rendered":"<p>Take your knowledge of &#8220;the devil in music&#8221; to the next level by learning the harmonic implication of the tritone in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22712,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,416,350,9],"tags":[662,17,2185,2254,2358,2304,124],"class_list":["post-15476","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-experienced-players","category-music-etc","category-piano","tag-augmented-fourth","tag-basic-songs","tag-diminished-fifth-interval","tag-diminished-fifths","tag-harmonic-implication-of-the-tritone","tag-inverted-tritone","tag-tritone","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ 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