{"id":15544,"date":"2016-12-04T00:00:00","date_gmt":"2016-12-04T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=15544"},"modified":"2024-10-07T15:00:00","modified_gmt":"2024-10-07T23:00:00","slug":"every-serious-musician-needs-to-know-semitone","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/every-serious-musician-needs-to-know-semitone\/","title":{"rendered":"What Every Serious Musician Needs To Know About The Semitone"},"content":{"rendered":"<p>Our focus in today&#8217;s lesson is on the semitone.<\/p>\n<p>So many intermediate players would dismiss this lesson because it has to do with the semitone. However, there are important tips about the semitone that a vast majority of musicians don&#8217;t know yet; not because it&#8217;s difficult, but because it&#8217;s too simple.<\/p>\n<p>It&#8217;s good to learn complicated concepts and advanced techniques, however, the importance of learning and being grounded in basic concepts like the semitone cannot be over-emphasized.<\/p>\n<p>In the next 10 minutes or so, you&#8217;ll be learning the proper definition of the semitone, its occurrence, and most importantly, the two semitone types.<\/p>\n<h2>The Semitone &#8211; Explained<\/h2>\n<p>It is important for us to lay the foundation of this study by expounding on the octave. Permit me to do that quickly before we proceed.<\/p>\n<h3>A Short Note On The Octave<\/h3>\n<p>There are eight components in every key, and the octave is the eighth component in a key (be it a major or minor key). In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Check Out The Eight Components&#8230;&#8221;<\/em><\/p>\n<blockquote><p>C is the <strong>tonic<\/strong><\/p>\n<p>D is the <strong>supertonic<\/strong><\/p>\n<p>E is the <strong>mediant<\/strong><\/p>\n<p>F is the <strong>subdominant<\/strong><\/p>\n<p>G is the <strong>dominant<\/strong><\/p>\n<p>A is the <strong>submediant<\/strong><\/p>\n<p>B is the <strong>subtonic<\/strong><\/p>\n<p>C is the <strong>octave<\/strong><\/p><\/blockquote>\n<p>The octave (which is C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the eighth component in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and a duplicate of the first note in the key (aka &#8211; &#8220;tonic&#8221;):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is also C.<\/p>\n<p>The term octave can be used in other subtle ways too. For example, the interval between the tonic (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the octave (C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is an octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\nAlso, all the notes within the compass of a octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Cs,D,Ds,E,F,Fs,G,Gs,A,As,B,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be considered as an octave. Hence, there are twelve musical notes:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Cs,D,Ds,E,F,Fs,G,Gs,A,As,B,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;within an octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\nSeven natural notes:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and five accidental notes:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,Ds,Fs,Gs,As,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><\/p>\n<h3><em>&#8220;What Is A Semitone?&#8221;<\/em><\/h3>\n<p>The semitone is usually defined as the shortest musical distance between two musical notes, and there&#8217;s nothing wrong with that definition. There are no notes between E and F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,F,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;on the piano. Consequently, the musical distance between them is a semitone.<\/p>\n<p><em>&#8220;Here&#8217;s How Music Scholars Define The Semitone&#8230;&#8221;<br \/>\n<\/em><\/p>\n<p>The semitone is a product of the division of the octave into TWELVE EQUAL PARTS. If you do the math, a semitone is one-twelfth of an octave.<\/p>\n<p>Now, the good news here is that you don&#8217;t need slice the octave:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;into twelve equal parts by yourself &#8211; the octave [by default] consists of twelve musical notes with equal distances between them.<\/p>\n<p>The distance from C-C (which is an octave):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;consists of twelve equal parts.<\/p>\n<p><em>&#8220;Check Them Out&#8230;&#8221;<\/em><\/p>\n<p>C to C#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Cs,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>first<\/strong> part.<\/p>\n<p>C# to D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,D,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>second<\/strong> part.<\/p>\n<p>D to D#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Ds,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>third<\/strong> part.<\/p>\n<p>D# to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ds,E,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>fourth<\/strong> part.<\/p>\n<p>E to F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,F,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>fifth<\/strong> part.<\/p>\n<p>F to F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Fs,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>sixth<\/strong> part.<\/p>\n<p>F# to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,G,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>seventh<\/strong> part.<\/p>\n<p>G to G#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Gs,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>eighth<\/strong> part.<\/p>\n<p>G# to A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,A,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>ninth<\/strong> part.<\/p>\n<p>A to A#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,As,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>tenth<\/strong> part.<\/p>\n<p>A# to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,As,B,&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>eleventh<\/strong> part.<\/p>\n<p>B to C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,C&amp;color=0099FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the <strong>twelfth<\/strong> part.<\/p>\n<p>In a nutshell, the semitone remains the shortest distance between two notes on the piano and is also known as the half-step.<\/p>\n<h2>Final Words<\/h2>\n<p>I believe that you&#8217;ve learned something about the semitone from this lesson. If you have any question, kindly post it on the comment section below.<\/p>\n<p>Thanks for your time and see you in another lesson.<\/p>\n<p>Cheers!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In today&#8217;s lesson, we&#8217;ll covering the ins and out of the shortest musical distance &#8211; the semitone.<\/p>\n","protected":false},"author":9,"featured_media":22704,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[350,9],"tags":[17,2362,2361,2360,2359],"class_list":["post-15544","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-etc","category-piano","tag-basic-songs","tag-chromatic-semitone","tag-diatonic-semitone","tag-half-step","tag-semitone","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What Every Serious Musician 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