{"id":16599,"date":"2017-04-24T00:00:00","date_gmt":"2017-04-24T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=16599"},"modified":"2024-10-07T00:56:31","modified_gmt":"2024-10-07T08:56:31","slug":"answer-to-the-question-how-do-i-apply-the-tritone-part-1","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/answer-to-the-question-how-do-i-apply-the-tritone-part-1\/","title":{"rendered":"Answer To The Question &#8220;How Do I Apply The Tritone?&#8221; (Part 1)"},"content":{"rendered":"<p>So you&#8217;re interested in learning how to apply the tritone?<\/p>\n<p>The <em>tritone <\/em>is one of the popular topics that a vast majority of musicians always want to learn something about &#8212; especially jazz and gospel musicians &#8212; and this is because of a variety of reasons that we can&#8217;t go into at the moment because of time constraint.<\/p>\n<p>Although most advanced players apply the tritone in ways more than one, we&#8217;ll be showing the relationship between the application of the tritone and the formation of the dominant seventh chord.<\/p>\n<p>Let&#8217;s get started by defining the tritone.<\/p>\n<h2>The Tritone &#8211; <em>Defined<\/em><\/h2>\n<p>A tritone is a distance of three whole steps from a given note. The term <em>tritone<\/em> can simply be broken down into two other terms:<\/p>\n<blockquote><p><strong>Tri<\/strong> meaning three<\/p>\n<p><strong>Tone<\/strong> meaning whole step<\/p><\/blockquote>\n<p>The tritone can be formed on C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by ascending or descending by three whole steps.<\/p>\n<p>A whole step from C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nThe second whole step from D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the third whole step from E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nAltogether, from C to F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a tritone and can be played together or separately.<\/p>\n<p><em>&#8220;Check Out All The Tritones On The Keyboard&#8230;&#8221;<\/em><\/p>\n<p>C and F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nDb and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,G,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nD and G#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Gs,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nEb and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,A,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nE and A#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,As,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nF and B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,B,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nGb and C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nG and C#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Cs,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nAb and D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,D,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nA and D#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Ds,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nBb and E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,E,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nCb and F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cb,F,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nNow that we&#8217;ve defined the tritone and your mind is refreshed, let&#8217;s look at its relationship with the dominant seventh chord.<\/p>\n<p>Learn more about the tritone by <a href=\"https:\/\/www.hearandplay.com\/main\/devil-music-tritones-vs-augmented-4ths-diminished-5ths\">clicking here<\/a>.<\/p>\n<h2>The Relationship Between The Tritone And The Dominant Seventh Chord<\/h2>\n<p>The dominant seventh chord is the <strong>seventh chord<\/strong> of the fifth degree of the scale. For example, in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the fifth degree is G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the dominant seventh chord can be formed when G, B, D, and F (which are tones in the key of C major):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are played or heard together.<\/p>\n<h3>A Closer Look At The Dominant Seventh Chord<\/h3>\n<p>The dominant seventh chord consists of a root, third, fifth, and seventh tone. In the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;its third and seventh tone (which are B and F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,F,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;form tritone when played or heard.<\/p>\n<p>According to music scholars, the dominant seventh chord derives its harsh sonority from the tritone formed between its third and seventh tones (aka &#8211; &#8220;<a href=\"https:\/\/www.hearandplay.com\/main\/exposed-skeleton-dominant-seventh-chord\">skeleton<\/a>&#8220;.)<\/p>\n<p>So, a closer look at the dominant seventh chord reveals a tritone formed between the third and seventh tones. Consequently, all dominant seventh chords can be broken down into a tritone.<\/p>\n<p><em>&#8220;Check It Out&#8230;&#8221;<\/em><\/p>\n<p>The C dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be broken down into this tritone &#8211; E and Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Bb,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nThe Ab dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,C,Eb,Gb,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be broken down into this tritone &#8211; C and Gb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,Gb,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nThe same thing is obtainable in every dominant seventh chord.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This lesson is for anyone who is interested in learning how to apply the tritone.<\/p>\n","protected":false},"author":9,"featured_media":22630,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9],"tags":[2300,2505,17,194,124],"class_list":["post-16599","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-application-of-the-tritone","tag-apply-the-tritone","tag-basic-songs","tag-dominant-seventh-chords","tag-tritone","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Answer To The Question &quot;How Do I Apply The Tritone?&quot; 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