{"id":16744,"date":"2017-05-22T00:00:00","date_gmt":"2017-05-22T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=16744"},"modified":"2024-10-05T17:36:37","modified_gmt":"2024-10-06T01:36:37","slug":"here-are-fanciful-variations-of-the-7-3-6-chord-progression-for-intermediate-players","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/here-are-fanciful-variations-of-the-7-3-6-chord-progression-for-intermediate-players\/","title":{"rendered":"Here Are Fanciful Variations Of The 7-3-6 Chord Progression For Intermediate Players"},"content":{"rendered":"

In today’s lesson, you’ll be learning fanciful variations of the 7-3-6 chord progression.<\/p>\n

Attention:<\/strong> This lesson is written with the intermediate level piano player in mind. However, pre-advanced players can also find the chord progressions helpful.<\/p>\n

Before we go into the fanciful progressions, let’s talk about the 7-3-6 chord progression<\/p>\n

A Short Note On The 7-3-6 Chord Progression<\/h2>\n

There are\u00a0 two key types in tonal music – the major key and the minor key.<\/p>\n

Every key has eight degrees. In the key of C major:
\n<\/p>\n

C is the first degree<\/p>\n

D is the second degree<\/p>\n

E is the third degree<\/p>\n

F is the fourth degree<\/p>\n

G is the fifth degree<\/p>\n

A is the sixth degree<\/p>\n

B is the seventh degree<\/p>\n

C is the eight degree<\/p><\/blockquote>\n

The movement of chords from one degree of the scale to another produces a chord progression. So, a 7-3-6 chord progression is basically a chord progression from the seventh tone to the third tone, then to the sixth tone.<\/p>\n

In the key of C major:
\n
\n…this implies a root progression from B (the seventh tone):
\n
\n…to E (the third tone):
\n
\n…then to A (the sixth tone):
\n
\n“Check Out The 7-3-6 Chord Progression In The Key Of C Major…”<\/em><\/p>\n

Chord 7:
\n
\n…the B half-diminished seventh chord.<\/p>\n

Chord 3:
\n
\n…the E dominant seventh (flat nine) chord:<\/p>\n

Chord 6:
\n
\n…the A minor ninth chord.<\/p>\n

Fanciful Variations Of The 7-3-6 Chord Progression<\/h2>\n

It’s important for every serious pianist to know the basic 7-3-6 chord progression. Beyond the basic 7-3-6 chord progression, there are fanciful variations that are commonly applied in jazz and gospel music and I’ll be sharing them with you.<\/p>\n

In this segment, you’ll learn a variety of extended chords, rootless chords, altered chords, etc., that can give you a spicier 7-3-6 chord progression.<\/p>\n

Attention<\/strong>: All examples are in the key of C major.<\/p>\n

Variation #1<\/h3>\n

Over B:
\n
\n…which is the seventh tone, is the rootless voicing of the B dominant thirteenth (sharp eleven) chord:
\n
\nOver E:
\n
\n…which is the third tone, is the rootless voicing of the E dominant seventh (sharp nine, sharp five) chord:
\n
\nOver A:
\n
\n…which is the sixth tone, is the rootless voicing of the A minor eleventh chord:
\n<\/p>\n

Variation #2<\/h3>\n

Over B:
\n
\n…which is the seventh tone, is the B minor eleventh chord:
\n
\nOver E:
\n
\n…which is the third tone, is the E dominant seventh (sharp nine, sharp five) chord:
\n
\nOver A:
\n
\n…which is the third tone, is the A minor eleventh chord:
\n<\/p>\n

<\/h3>\n

[thrive_lead_lock id=’11374′]<\/p>\n

Variation #3<\/h3>\n

Over B:
\n
\n…which is the seventh tone, is the B dominant seventh (flat nine) chord:
\n
\nOver E:
\n
\n…which is the third tone, is the E dominant seventh (flat nine) chord:
\n
\nOver A:
\n
\n…which is the sixth tone, is the A minor eleventh chord:
\n<\/p>\n

Variation #4<\/h3>\n

Over B:
\n
\n…which is the seventh tone, is the B dominant seventh (sharp nine, sharp five) chord:
\n
\nOver E:
\n
\n…which is the third tone, is the E dominant seventh (sharp nine, sharp five) chord:
\n
\nOver A:
\n
\n…which is the sixth tone, is the A minor eleventh chord:
\n<\/p>\n

5.
\nOver B:
\n
\n…which is the seventh tone, is the B dominant thirteenth (flat nine) chord:
\n
\nOver E:
\n
\n…which is the third tone, is the E dominant seventh (flat nine) chord:
\n
\nOver A:
\n
\n…which is the sixth tone, is the A dominant thirteenth (suspended fourth) chord:
\n
\n[\/thrive_lead_lock]<\/p>\n

Final Words<\/h2>\n

Congratulations! I’m doubly sure you’ve sophisticated your chordal arsenal. I recommend the transposition of these 7-3-6 chord progressions to other keys on the keyboard.<\/p>\n

See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"

Sophisticate your chordal arsenal with these variations of the 7-3-6- chord progression.<\/p>\n","protected":false},"author":9,"featured_media":22613,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[416,350,9],"tags":[1975,1976],"class_list":["post-16744","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experienced-players","category-music-etc","category-piano","tag-7-3-6-chord-progression","tag-minor-2-5-1-chord-progression","post-wrapper","thrv_wrapper"],"yoast_head":"\nHere Are Fanciful Variations Of The 7-3-6 Chord Progression For Intermediate Players - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Sophisticate your chordal arsenal with these variations of the 7-3-6- chord progression.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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