{"id":16751,"date":"2017-05-29T00:00:00","date_gmt":"2017-05-29T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=16751"},"modified":"2024-10-05T17:35:32","modified_gmt":"2024-10-06T01:35:32","slug":"a-lesson-on-the-seventh-chord-types-for-the-diminished-triad","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/a-lesson-on-the-seventh-chord-types-for-the-diminished-triad\/","title":{"rendered":"A Lesson On The Seventh Chord Types For The Diminished Triad"},"content":{"rendered":"

I this lesson, you’ll learn about the seventh chord types for the diminished triad.<\/p>\n

Although the diminished triad is one of the four known triads, it is not always emphasized like the major and minor triads, consequently, most beginners are not familiar with the diminished triad.<\/p>\n

Major seventh and minor seventh chords sound harmonically advanced than major and minor triads respectively, and that’s why a vast majority of musicians who have grown past the beginner’s level graduate from triads to seventh chords.<\/p>\n

Before we explore the seventh chord types for the diminished triad, let’s discuss briefly on the diminished triad.<\/p>\n

“What Is A Diminished Triad?”<\/em><\/h2>\n

The diminished triad is the chord of the seventh degree in the major key. For example, in the key of C major:
\n
\n…where the seventh tone is B:
\n
\n…the chord of the seventh tone which consists of B, D, and F:
\n
\n…is the diminished triad.<\/p>\n

The term diminished <\/em>is derived from the interval between the first and fifth tones (B and F):
\n
\n…which is a diminished fifth interval.<\/p>\n

“Check Out All The Diminished Triads On The Keyboard…”<\/em><\/p>\n

C diminished triad:
\n
\nC# diminished triad:
\n
\nD diminished triad:
\n
\n[thrive_lead_lock id=’11374′]
\nD# diminished triad:
\n
\nE diminished triad:
\n
\nF diminished triad:
\n
\nF# diminished triad:
\n
\nG diminished triad:
\n
\nG# diminished triad:
\n
\nA diminished triad:
\n
\nA# diminished triad:
\n
\nB diminished triad:
\n
\n[\/thrive_lead_lock]<\/p>\n

Seventh Chord Types For The Diminished Triad<\/h2>\n

The Diminished Major-Seventh Chord<\/h3>\n

One of the seventh chord types for the diminished triad is the diminished major seventh chord.<\/p>\n

A classic example of the diminished major seventh chord is the D diminished major seventh chord:
\n
\n…which consists of the D diminished triad:
\n
\n…and C#:
\n
\n…which is a seventh chord tone that is a major seventh<\/strong> above the root of the diminished triad (D):
\n
\nIf diminished triads are part of your active chordal vocabulary and you’ll love to play its seventh chord type, feel free to make the diminished major seventh chord an option.<\/p>\n

“Quick Formation Of The Diminished Major Seventh Chord…”<\/em><\/p>\n

The seventh tone that can be added to the diminished triad to form the diminished major seventh chord is a major seventh<\/strong> above the root of the diminished triad.<\/p>\n

In the case of the D diminished major seventh chord:
\n
\n…we added C#:
\n
\n…which is a major seventh above D:
\n
\n…to the D diminished triad:
\n
\n…to form the D diminished major seventh chord.<\/p>\n

So, in the formation of the diminished major seventh chord, the seventh tone of the major scale in the key you’re in, is added to the diminished triad.<\/p>\n

Given the G diminished triad:
\n
\n…the G diminished major seventh chord can be formed by adding the seventh tone of the major scale in the key of G major:
\n
\n…which is F#:
\n
\n…to the G diminished triad:
\n
\nThis produces the G diminished major seventh chord:
\n<\/p>\n

The Half-Diminished Seventh Chord<\/h3>\n

Another seventh chord option for the diminished triad is the half-diminished seventh chord.<\/p>\n

A classic example of the half-diminished seventh chord is the D half-diminished seventh chord:
\n
\n…which consists of the D diminished triad:
\n
\n…and C:
\n
\n…which is a seventh chord tone that is a minor seventh (aka – “flat seven”) above the root of the diminished triad (D):
\n
\n“Quick Formation Of The Half-Diminished Seventh Chord…”<\/em><\/p>\n

The seventh tone that can be added to the diminished triad to form the half-diminished seventh chord is a minor seventh<\/strong> above the root of the diminished triad.<\/p>\n

In the case of the D half-diminished seventh chord:
\n
\n…we added C:
\n
\n…which is a major seventh above D:
\n
\n…to the D diminished triad:
\n
\n…to form the D half-diminished seventh chord:
\n
\nSo, in the formation of the half-diminished seventh chord, the “flat seventh” tone of the major scale in the key you’re in, is added to the diminished triad.<\/p>\n

Given the G diminished triad:
\n
\n…the G half-diminished seventh chord can be formed by adding the “flat seventh” tone of the major scale in the key of G major:
\n
\n…which is F:
\n
\n…to the G diminished triad:
\n
\nThis produces the G half-diminished seventh chord:<\/p>\n

The Diminished Seventh Chord<\/h3>\n

The final seventh chord option for the diminished triad on our list for today is the diminished seventh chord.<\/p>\n

An example of the diminished seventh chord is the D diminished seventh chord:
\n
\n…which consists of the D diminished triad:
\n
\n…and Cb:
\n
\n…which is a seventh chord tone that is a diminished seventh (aka – “double-flat seven”) above the root of the diminished triad (D):
\n
\n“Quick Formation Of The Half-Diminished Seventh Chord…”<\/em><\/p>\n

The seventh tone that can be added to the diminished triad to form the diminished seventh chord is a diminished seventh<\/strong> above the root of the diminished triad.<\/p>\n

In the case of the D diminished seventh chord:
\n
\n…we added Cb:
\n
\n…which is a diminished seventh above D:
\n
\n…to the D diminished triad:
\n
\n…to form the D diminished seventh chord:
\n<\/p>\n

So, in the formation of the diminished seventh chord, the “double-flat seventh” tone of the major scale in the key you’re in, is added to the diminished triad.<\/p>\n

Attention:<\/strong> The double-flat seventh tone of the major scale is derived by lowering the seventh tone of the major scale twice.<\/p>\n

Given the G diminished triad:
\n
\n…the G diminished seventh chord can be formed by adding the “double-flat seventh” tone of the major scale in the key of G major:
\n
\n…which is Fb:
\n
\n…to the G diminished triad:
\n
\nThis produces the G half-diminished seventh chord:
\n
\n“Wait A Minute! Here’s How We Derived The Double-Flat Seventh Tone…”<\/em><\/p>\n

The seventh tone in the key of G major:
\n
\n…is F#:
\n
\nLowering the seventh tone (which is F#) twice, produces the double-flat seventh note. Lowering F#:
\n
\n…by the first half-step (takes us to F):
\n
\n…then by the second half-step (to Fb):
\n
\nSo, the double-flat seventh tone in the key of G is Fb.<\/p>\n

Final Words<\/h2>\n

Instead of the diminished triad, there are three seventh chord types that can be used and we’ve covered them in this lesson.<\/p>\n

We’ll not stop at that! In a subsequent lesson, we’ll explore the resolution and application of these diminished seventh chord types.<\/p>\n

See you then!<\/p>\n","protected":false},"excerpt":{"rendered":"

Learn about the obtainable seventh chord types for the diminished triad in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22610,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9],"tags":[17,2296,298,1968,649],"class_list":["post-16751","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","tag-basic-songs","tag-diminished-major-seventh-chord","tag-diminished-seventh-chord","tag-diminished-triad","tag-half-diminished-seventh-chord","post-wrapper","thrv_wrapper"],"yoast_head":"\nA Lesson On The Seventh Chord Types For The Diminished Triad - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Learn about the obtainable seventh chord types for the diminished triad in this lesson.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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