{"id":16773,"date":"2017-05-26T00:00:00","date_gmt":"2017-05-26T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=16773"},"modified":"2024-10-05T17:35:54","modified_gmt":"2024-10-06T01:35:54","slug":"unique-approaches-to-playing-chord-5","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/unique-approaches-to-playing-chord-5\/","title":{"rendered":"Here Are 10 Unique Approaches To Playing The Fifth Chord Of The Scale"},"content":{"rendered":"

In this lesson, we’ll be learning 10 approaches to playing chord 5 in any given key.<\/p>\n

One of the reasons why we’re dedicating this lesson to the chord of the fifth degree (aka – “chord 5”) is because it’s the strongest option when it comes to a chord progression to chord 1 (aka – “the tonic chord<\/a>“.) In other words, chord 1 is usually preceded by chord 5.<\/p>\n

It is guaranteed that mastering these unique approaches will upgrade you to a level where you’ll never run out of what to play over the fifth tone.<\/p>\n

Let’s dwell a bit on the chord of the fifth degree before we proceed.<\/p>\n

A Short Note On The Chord Of The Fifth Degree<\/h2>\n

There are eight degrees in every key – be it a major or minor key. Every degree has its unique technical name:<\/p>\n

The tonic is the first degree<\/p>\n

The supertonic is the second degree<\/p>\n

The mediant is the third degree<\/p>\n

The subdominant is the fourth degree<\/p>\n

The dominant is the fifth degree<\/strong><\/p>\n

The submediant is the sixth degree<\/p>\n

The subtonic is the seventh degree<\/p>\n

The octave is the eighth degree<\/p><\/blockquote>\n

The technical name of the fifth degree is the dominant. Consequently, the chord of the fifth degree are described as dominant chords.<\/p>\n

In the key of C major:
\n
\n…where G is the dominant:
\n
\n…the G major triad:
\n
\n…G dominant seventh chord:
\n
\n
\n…and the G dominant ninth chord:
\n
\n…are examples of chords of the fifth degree (aka – “dominant chords”.)<\/p>\n

The Importance Of Dominant Chords<\/h3>\n

After the chord of the first degree (aka – “the tonic chord”), dominant chords are the next in importance. 95% of the time, the tonic chord is preceded by the dominant chord, especially at the end of a song.<\/p>\n

In the key of C major:
\n
\n…the C major triad (the tonic chord):
\n
\n…is usually preceded by the G major triad (the dominant chord):
\n
\nIn a nutshell, the movement from chord 5 to chord 1 is the strongest progression in music.<\/p>\n

10 Unique Approaches To Playing Chord 5<\/h2>\n

You’ll learn 10 unique approaches to playing the chord of the fifth degree (aka – “the dominant chord”) and each approach uses right hand chords you’re familiar with.<\/p>\n

Endeavor to focus on the relationship between the left hand notes and right hand chord, so that you can easily transpose the chords to other keys.<\/p>\n

Attention:<\/strong> All examples are in the key of C major.<\/p>\n

Approach #1 – Using The Major Triad<\/h3>\n

The A major triad:
\n
\n…can be played over the G minor seventh interval (G-F):
\n
\n…to produce the G dominant thirteenth (sharp eleven) chord:
\n
\nUsing other inversions of the A major triad (like the first inversion:
\n
\n…and second inversion):
\n
\n…over the G minor seventh interval:
\n
\n…produces other variants of the G dominant thirteenth (sharp eleven) chord.<\/p>\n

Approach #2 – Using The Minor Triad<\/h3>\n

The G# minor triad (in second inversion):
\n
\n…can be played over the G minor seventh interval (G-F):
\n
\n…to produce the G dominant seventh (flat nine, sharp five) chord:
\n<\/p>\n

Approach #3 -Using The Minor Sixth Chord<\/h3>\n

The D minor sixth chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant ninth chord:
\n
\nUsing other inversions of the D minor sixth chord (like the first inversion:
\n
\n…and third inversion):
\n
\n…over the G bass note:
\n
\n…produces other variants of the G dominant ninth chord.<\/p>\n

Approach #4 – Using The Major Seventh Chord<\/h3>\n

The F major seventh chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant thirteenth (suspended fourth) chord:
\n
\nFeel free to use the second inversion of the F major seventh chord:
\n
\n…over the G bass note:
\n
\n…to produce another variant of the G dominant thirteenth (suspended fourth) chord.<\/p>\n

Approach #5 – Using The Major Seventh [Flat Five] Chord<\/h3>\n

The F major seventh [flat five] chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant thirteenth (add nine) chord:
\n<\/p>\n

Approach #6 – Using The Major Seventh [Sharp Five] Chord<\/h3>\n

The F major seventh [sharp five] chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant thirteenth (sharp eleven) chord:
\n<\/p>\n

Approach #7 – Using The Diminished Seventh Chord<\/h3>\n

The F diminished seventh chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant seventh (flat nine) chord:
\n<\/p>\n

Approach #8 – Using The Half-Diminished Seventh Chord<\/h3>\n

The F half-diminished seventh chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant seventh (flat nine, sharp five) chord:
\n<\/p>\n

Approach #9 – Using The Diminished Major Seventh Chord<\/h3>\n

The F diminished major-seventh chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant thirteenth (flat nine) chord:
\n<\/p>\n

Approach #10 – Using The Minor-Major Seventh Chord<\/h3>\n

The F minor-major seventh chord:
\n
\n…can be played over the G bass note:
\n
\n…to produce the G dominant thirteenth (flat nine) chord:
\n<\/p>\n

Final Words<\/h2>\n

Now that you’ve learned these unique approaches to the dominant chord, it is recommended that you work towards transposing them to other keys.<\/p>\n

See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"

Find out unique approaches to playing chord 5 in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22611,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9],"tags":[17],"class_list":["post-16773","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-basic-songs","post-wrapper","thrv_wrapper"],"yoast_head":"\nHere Are 10 Unique Approaches To Playing The Fifth Chord Of The Scale - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Find out unique approaches to playing chord 5 in this lesson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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