{"id":17203,"date":"2017-09-11T00:00:00","date_gmt":"2017-09-11T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17203"},"modified":"2024-10-05T16:24:24","modified_gmt":"2024-10-06T00:24:24","slug":"power-dominant-seventh-flat-ninth-chord","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/power-dominant-seventh-flat-ninth-chord\/","title":{"rendered":"The Power Of The Dominant Seventh [Flat Ninth] Chord"},"content":{"rendered":"<p>In this lesson, we&#8217;ll be exposing the power of the dominant seventh [flat ninth] chord and how you can take advantage of it.<\/p>\n<p>Although there are so many dominant chord varieties, the dominant seventh [flat ninth] chord has its unique place in jazz and gospel harmony and I&#8217;ll be telling you why this is so in this lesson.<\/p>\n<p>Right before we go into all that, let&#8217;s breakdown the dominant seventh [flat ninth] chord.<\/p>\n<h2>A Quick Breakdown Of The Dominant Seventh [Flat Ninth] Chord<\/h2>\n<p>According to Jermaine Griggs, <em>&#8220;a chord is a collection of three or more related notes (agreeable or not) that may be played or heard together.&#8221;<\/em><\/p>\n<p>Due to the fact that the dominant seventh [flat ninth] chord is basically a dominant seventh chord, let&#8217;s start this breakdown by observing the dominant seventh chord closely.<\/p>\n<h3>A Short Note On The Dominant Seventh Chord<\/h3>\n<p>The term <em>dominant<\/em> is used to describe the fifth tone of the scale. Therefore, all dominant chords are basically chords of the fifth tone of the scale.<\/p>\n<p>The dominant seventh chord is a chord of the fifth tone of the scale, encompassing seven scale tones.<\/p>\n<p>For example, in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the dominant seventh chord can be formed on the fifth tone of the scale (which is G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nStarting from G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;it extends to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;encompassing a seventh interval (G to F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,B,C,D,E,F,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to form the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Suggested reading:<\/strong> <a href=\"https:\/\/www.hearandplay.com\/main\/dominant-seventh-chord\">Dominant Seventh Chords<\/a><\/p>\n<h3>The Dominant Seventh [Flat Ninth] Chord &#8212; <em>Explained<\/em><\/h3>\n<p>There are two aspects of the dominant seventh [flat ninth] chord:<\/p>\n<blockquote><p>The dominant seventh<\/p>\n<p>The flat ninth<\/p><\/blockquote>\n<p>Now that we&#8217;ve covered one aspect of the dominant seventh [flat ninth] chord &#8212; the dominant seventh &#8212; let&#8217;s go ahead and consider the flat ninth.<\/p>\n<p>Beyond the dominant seventh chord is the <strong>ninth<\/strong>. For example, beyond the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the ninth (which is A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,A,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nLowering the ninth by a half step produces the flat ninth. Which entails lowering the A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,A,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half step (to Ab):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Ab,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to produce the G dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,F,Ab,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nThe G dominant seventh [flat ninth] chord is one of the several dominant seventh [flat ninth] chords on the keyboard.<\/p>\n<p><em>&#8220;Check Out The Rest Of Them&#8230;&#8221;<\/em><\/p>\n<p>C dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nDb dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,F,Ab,Cb,D,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nD dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Fs,A,C,Eb,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nEb dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,G,Bb,Db,Fb,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nE dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Gs,B,D,F,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nF dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,Eb,Gb,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nF# dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,As,Cs,E,G,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nAb dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,C,Eb,Gb,A,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nA dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Cs,E,G,Bb,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nBb dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,D,F,Ab,Cb,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nB dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,Ds,Fs,A,C&amp;color=CC6633&amp;size=2\" border=\"0\" \/><\/p>\n<h2>The Power Of The Dominant Seventh [Flat Ninth] Chord<\/h2>\n<p>There are basically two dominant chord types: dominant chords that resolve to major chords and dominant chords that resolve to minor chords.<\/p>\n<p>For example, the C dominant thirteenth [suspended fourth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Bb,D,F,A,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to the F major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,C,E,G,A,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;while the C dominant seventh [sharp nine, sharp five] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Bb,Eb,E,Ab,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to the F minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,Ab,C,Eb,G,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nAlthough in certain situations, advanced players can use dominant chords that are designated to major chords to resolve to minor chords or vice-versa, in standard practice, every dominant chord is designed either to resolve to a major chord or a minor chord.<\/p>\n<h3>The Power Of The Dominant Seventh [Flat Ninth] Chord<\/h3>\n<p>The dominant seventh [flat ninth] chord is one of the rare dominant chord types that resolve to major and minor chords. For example, the G dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,D,F,Ab,B,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can resolve to the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,E,G,B,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the C minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,Eb,G,Bb,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as well.<\/p>\n<p>It&#8217;s also worthy to note that the dominant seventh [flat ninth] chord consists of two mutual tritones. In the C dominant seventh [flat ninth] chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,Bb,Db,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nE to Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Bb,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a tritone (diminished fifth interval), and so is G to Db:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Db,,&amp;color=CC6633&amp;size=2\" border=\"0\" \/><br \/>\nUnlike other dominant chord types with just a tritone, the dominant seventh [flat ninth] chord consists of two tritones that are a minor third apart from each other.<\/p>\n<p><em>&#8220;In A Nutshell&#8230;&#8221;<\/em><\/p>\n<p>The dominant seventh [flat ninth] chord is one of the important dominant chord types due to its degree of activity and tendency to resolve. Additionally,the dominant seventh [flat ninth] chord can resolve to major or minor chords.<\/p>\n<h2>Final Words<\/h2>\n<p>If you&#8217;re already familiar with the sound of the dominant triad and the dominant seventh chord, and you&#8217;re interested in learning other interesting and sophisticated dominant chord types, then you need to learn and master the dominant seventh [flat ninth]\u00a0 chord.<\/p>\n<p>See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Discover the power of the dominant seventh [flat ninth] chord in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22572,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-17203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO 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