{"id":17266,"date":"2017-10-06T00:00:00","date_gmt":"2017-10-06T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17266"},"modified":"2024-10-05T16:16:53","modified_gmt":"2024-10-06T00:16:53","slug":"top-twelve-things-top-players-do-in-their-practice-session","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/top-twelve-things-top-players-do-in-their-practice-session\/","title":{"rendered":"Top Twelve Things Top Players Do In Their Practice Session"},"content":{"rendered":"<p>If you&#8217;re interested in learning what top players do in their practice session, then you&#8217;ve arrived at the right page.<\/p>\n<p>A vast majority of musicians who know the importance of consistent practice do not really know the right activities that should make up their practice session and that&#8217;s why we&#8217;re outlining and discussing top twelve things top players do in their practice session.<\/p>\n<p>Let&#8217;s get started with #12.<\/p>\n<p><strong>Attention:<\/strong> I&#8217;m dedicating this lesson to my favorite student, <em>Timi Dakolo<\/em> &#8212; permit me to say he&#8217;s the\u00a0 best soul singer in my clime and time. Timi, divide your practice session into twelve parts and be sure to incorporate these things into it and you&#8217;ll make monumental progress in a fraction of the possible time.<\/p>\n<h2>#12 &#8211; Traditional Scales<\/h2>\n<p><a href=\"https:\/\/www.hearandplay.com\/main\/these-are-traditional-scales-learn-how-to-play-them\">Traditional scales<\/a> are basically long established scales in European\/American music that are the springboard from other musical ideas like intervals, chords, chord progressions and songs.<\/p>\n<p>There are four traditional scales:<\/p>\n<blockquote><p><a href=\"https:\/\/www.hearandplay.com\/main\/natural-major-scale\">The natural major scale<\/a><\/p>\n<p><a href=\"https:\/\/www.hearandplay.com\/main\/the-natural-minor-scale\">The natural minor scale<\/a><\/p>\n<p><a href=\"https:\/\/www.hearandplay.com\/main\/the-harmonic-minor-scale\">The harmonic minor scale<\/a><\/p>\n<p><a href=\"https:\/\/www.hearandplay.com\/main\/the-melodic-minor-scale\">The melodic minor scale<\/a><\/p><\/blockquote>\n<p>&#8230;and these scales should be practiced in all twelve keys using both hands in similar and contrary motion.<\/p>\n<p>Learning and warming-up the fingers using traditional scale would pay off eventually if done consistently over a period of time.<\/p>\n<h2>#11 &#8211; Modes<\/h2>\n<p>Modes are older than traditional scales, however, they are pretty much like the scales we play today. There are <a href=\"https:\/\/www.hearandplay.com\/main\/an-introductory-lesson-on-the-diatonic-modes\">seven unique modes<\/a> on the piano:<\/p>\n<blockquote><p>Ionian<\/p>\n<p>Dorian<\/p>\n<p>Phrygian<\/p>\n<p>Lydian<\/p>\n<p>Mixolydian<\/p>\n<p>Aeolian<\/p>\n<p>Locrian<\/p><\/blockquote>\n<p>&#8230;and each of them are to be learned, mastered and transposed to other notes on the keyboard.<\/p>\n<p>Modes should be approached just like scales and integrated into the musicians warm-up routine.<\/p>\n<h2>#10 &#8211; Arpeggios<\/h2>\n<p>In Italian, the\u00a0 term <strong>harpeggio<\/strong> means <em>in a harp-like manner. <\/em>The notes of a chord can be played successively in a harp-like manner.<\/p>\n<p>To arpeggiate the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;its notes should be played successively in this manner:<\/p>\n<p>C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,&amp;color=FFFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in ascending and descending direction.<\/p>\n<p>Every serious musician must learn and master how to arpeggiate four triads and five seventh chord types:<\/p>\n<blockquote><p>Major triad<\/p>\n<p>Minor triad<\/p>\n<p>Augmented triad<\/p>\n<p>Diminished triad<\/p>\n<p>Major seventh chord<\/p>\n<p>Minor seventh chord<\/p>\n<p>Dominant seventh chord<\/p>\n<p>Diminished seventh chord<\/p>\n<p>Half-diminished seventh chord<\/p><\/blockquote>\n<p>&#8230;starting from any note on the keyboard.<\/p>\n<h2>#9 &#8211; Intensive Study<\/h2>\n<p>One of the vital things top players do in their practice session is intensive study. Pursuant to that, there&#8217;s need for study aids in literary (book, charts, etc.) and multimedia (audio and video) format that are relevant to one&#8217;s style or skill level.<\/p>\n<p>It is through intensive study that you&#8217;ll learn from the wealth of the experience of other musicians who are ahead of you.<\/p>\n<p>It is recommended that 10-15% of the practice session should be invested in intensive study.<\/p>\n<h2>#8 &#8211; Voicing Techniques<\/h2>\n<p>Voicing is the rearrangement of the notes of a chord and the consideration of chord tones as voices.<\/p>\n<p>The concept of voicing requires techniques that include (but isn&#8217;t limited to) the following:<\/p>\n<blockquote><p>Part-over-root voicing technique<\/p>\n<p>Upper structure voicing technique<\/p>\n<p>Skeleton voicing technique<\/p>\n<p>Quartal voicing technique<\/p>\n<p>Polychord voicing technique<\/p><\/blockquote>\n<p>Part of the practice session should be invested in using these voicing techniques to rearrange seventh and extended chords.<\/p>\n<p>The goal is to take you to the realm of harmonic freedom where you&#8217;ll have so much tools at your disposal to play spicier chords.<\/p>\n<p>Instead of playing the regular C major ninth:<\/p>\n<p>&#8230;several voicing techniques can be used to rearrange the C major ninth chord:<\/p>\n<p>Part-over-root voicing technique:<\/p>\n<p>Upper structure voicing technique:<\/p>\n<p>Skeleton voicing technique:<\/p>\n<p>Polychord voicing technique:<\/p>\n<h2>#7 &#8211; Chord Progressions<\/h2>\n<p>Top players invest time in practicing chord progressions ranging from the major 2-5-1, to the minor 2-5-1, to the 12 bar blues progression and so on.<\/p>\n<p>Practicing chord progressions in all twelve keys may be demanding; however, it&#8217;s of the greatest possible importance because songs are based on chord progressions.<\/p>\n<blockquote><p>A vast majority of gospel songs can be broken down into 2-5-1 chord progressions.<\/p>\n<p>Tons of Blues songs are based on the 12 bar blues form.<\/p><\/blockquote>\n<p>That said, your practice session is incomplete without chord progressions.<\/p>\n<h2>#6 &#8211; Research<\/h2>\n<p>While studying in a practice session, it&#8217;s always common for one to stumble into unfamiliar or not-so-familiar terms. For example, in the definition of a scale below:<\/p>\n<blockquote><p><em>A scale [which literally means ladder or staircase] is a melodic progression of notes in ascending or descending order based on a fixed intervallic formula<\/em><\/p><\/blockquote>\n<p>&#8230;there are keywords you may need to research on like melodic progression, intervallic formula, and so on.<\/p>\n<p>The goal of the research is to equip you with more knowledge that would help you understand the definition of a scale.<\/p>\n<p>Most of the time, research leads to further research. For example, a research on melodic progressions may branch off into another research and it keeps opening you up to several related concepts and at the end of the day, you&#8217;re thoroughly informed and transformed &#8212; ignorance damaged beyond repair.<\/p>\n<h2>#5 &#8211; Song Breakdown<\/h2>\n<p>You can spice up your practice session by learning songs.<\/p>\n<p>As an expert, I recommend that you start out with easy songs and progress into songs that are challenging, then you can also end with easy songs as well.<\/p>\n<p>The goal of a song breakdown is NOT just for you to be able to play the song &#8212; No!<\/p>\n<p>While breaking down a song, be analytical and deductive. You should be able to apply the melodic patterns, harmonic structures, and fanciful endings in other songs after a proper song breakdown.<\/p>\n<h2>#4 &#8211; Rehearsal<\/h2>\n<p>In this section of your practice session, the goal is to practice with preparation in mind and repetition is the key.<\/p>\n<p>You can decide to focus on songs you&#8217;ve learned previously that you&#8217;re\u00a0 yet to master and repeat them till you&#8217;re a couple of steps ahead of the way you used to sound.<\/p>\n<p>One of the virtues every musician must imbibe while rehearsing is patience, and then excellence. While rehearsing, don&#8217;t be in a haste to move over to the next item on your list.<\/p>\n<p>Invest quality time on each item, with an unbroken focus and be sure to be consistent &#8212; that&#8217;s all &#8212; it might not pay off immediately but it sure will in due time.<\/p>\n<h2>#3 &#8211; Harmonization Techniques<\/h2>\n<p>One of the top musical functions of the piano apart from accompaniment is harmonization.<\/p>\n<p>There are so many ways to harmonize (and maybe reharmonize) melodies which may include (but is not limited to):<\/p>\n<blockquote><p>The use of primary chords<\/p>\n<p>The use of neighboring chord couples<\/p>\n<p>The use of the block chords<\/p>\n<p>The use of parallelism<\/p><\/blockquote>\n<p>&#8230;and every serious musician must be able to use these harmonization techniques in all twelve keys.<\/p>\n<p>So, it&#8217;s important for a section of the practice session to be dedicated to learning and mastering diverse of harmonization techniques.<\/p>\n<h2>#2 &#8211; Active Listening<\/h2>\n<p>Within the premises of music, listening can either be active or passive.<\/p>\n<p>In passive listening, the listener enjoys the ambience of the music and feels the rhythm\/pulse\/groove, and enjoys the melodies, and resonates with the harmony.<\/p>\n<p>In\u00a0 active listening, it&#8217;s a lot different because listening is done with the intent to analyze and breakdown.<\/p>\n<p>It&#8217;s through active listening that you can determine the estimated tempo of a song, figure out the key signature and time signature, analyze the contour of the melody, the texture of the harmony, the intonation of the instruments used and so on..<\/p>\n<p>Active listening can help you a great deal, especially in song breakdown. Don&#8217;t sweep it under the carpet!<\/p>\n<h2>#1 &#8211; Technical Exercises\/Practices<\/h2>\n<p>Don&#8217;t end your practice session without practicing.<\/p>\n<p>Every musical instrument has its degree of mechanical difficulty and the piano is no exception.<\/p>\n<p>To improve your dexterity, there are choice exercises and studies (aka &#8211; &#8220;etudes&#8221;) that would help you improve considerably in speed, precision, fleetness, balance, independence, strength and so on.<\/p>\n<p>This segment is usually missing in the practice session of a cross section of musicians in the contemporary world and that&#8217;s why we have so many keyboard players who are overcome by the mechanical difficulty of the piano.<\/p>\n<p>If you want to stand out and belong to the league of musicians who are skillful, then you must integrate technical exercises into your practice session.<\/p>\n<h2>Final Words<\/h2>\n<p>There&#8217;s no further need for words. Take my word for it: these elements will improve your quality of practice and\u00a0take you to the next level.<\/p>\n<p>See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>These 12 elements will spice up your practice session and take your playing to the next level.<\/p>\n","protected":false},"author":9,"featured_media":22561,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-17266","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Top Twelve Things Top Players Do In Their Practice Session - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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