{"id":17410,"date":"2017-11-09T00:00:00","date_gmt":"2017-11-09T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17410"},"modified":"2024-10-05T16:10:07","modified_gmt":"2024-10-06T00:10:07","slug":"week-2-the-ab-voicing-technique","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/week-2-the-ab-voicing-technique\/","title":{"rendered":"Week 2: The A&B Voicing Technique"},"content":{"rendered":"

If you’re interested in learning about the A&B voicing technique, then you’re on the right page.<\/p>\n

This is the second week in our voicing techniques <\/em>program and I’m excited to share another secret that most top players rearrange their chords with in this lesson.<\/p>\n

Let’s get started with a detailed breakdown of the concept of the A&B voicing technique.<\/p>\n

The A & B Voicing Technique – Explained<\/em><\/h2>\n

In the A & B voicing technique, chords are rearranged in reference to their third and seventh tones.<\/p>\n

When the third tone is played before the seventh tone, the chord is said to be in its A voicing, while in voicings where the seventh tone is played before the seventh tone, the chord is said to be in its B voicing.<\/p>\n

The A & B voicing technique can be represented using voicing numbers. <\/em>The A voicing is represented as 3-7 while the B voicing is represented as 7-3.<\/p>\n

In addition to the 3-7 voicing of a chord, the ninth tone is added to make it a 3-7-9 voicing, while the fifth or thirteenth chord tones can be added to the 7-3 voicing to make it a 7-3-5 or 7-3-13.<\/p>\n

For example, the D major ninth chord:
\n
\n…can be voiced using the A voicing technique (3-7-9 voicing). Playing the third, seventh, and ninth tones of the D major ninth chord (which are F#, C#, and E):
\n
\n…produces the A voicing of the D major ninth chord:
\n
\nUsing the following voicing numbers, most chords can be rearranged:<\/p>\n

3-7<\/p>\n

3-7-9<\/p>\n

7-3<\/p>\n

7-3-5<\/p>\n

7-3-13<\/p><\/blockquote>\n

Application Of The A&B Voicing Technique In Chord Progressions<\/h2>\n

Now that we’ve covered the concept of the A&B voicing technique, let’s go ahead and learn how they can be applied over the following chord progressions:<\/p>\n

The 1-4 chord progression<\/p>\n

The 6-2-5-1 chord progression<\/p><\/blockquote>\n

Attention:<\/strong> All the examples in this segment would be given in the key of C major.<\/p>\n

Check them out!<\/p>\n

The 1-4 chord progression consists of a root progression from the first tone to the fourth tone of the C major scale:
\n
\n…which is from C:
\n
\n…to F:
\n
\nUsing the C major ninth chord:
\n
\n…and the F major ninth chord:
\n
\n…we can derive the following A&B voicings:<\/p>\n

The A voicing of the C major ninth chord<\/p>\n

The B voicing of the C major ninth chord<\/p>\n

The A voicing of the F major ninth chord<\/p>\n

The B voicing of the F major ninth chord<\/p><\/blockquote>\n

“Which Can Be Put Together In A 1-4 Chord Progression…”<\/em><\/p>\n

A voicing of chord 1 [the C major ninth chord]:
\n
\nB voicing of chord 4 [the F major ninth chord]:
\n
\n“Check This Out Also…”<\/em><\/p>\n

B voicing of chord 1 [the C major ninth chord]:
\n
\nA voicing of chord 4 [the F major ninth chord]:
\n<\/p>\n

The 6-2-5-1 Chord Progression<\/h3>\n

The 6-2-5-1 chord progression consists of a root progression to the first tone through the sixth, second, and fifth tones of the C major scale:
\n
\nFrom A (which is the sixth tone):
\n
\n…to D (which is the second tone):
\n
\n…to G (which is the fifth tone):
\n
\n…then to C (which is the first tone):
\n
\nUsing the A minor ninth chord:
\n
\n…the D minor ninth chord:
\n
\n…the G dominant ninth chord:
\n
\n…and the C major ninth chord:
\n
\n…we can derive the following A&B voicings:<\/p>\n

The A voicing of the A minor ninth chord<\/p>\n

The B voicing of the A minor ninth chord<\/p>\n

The A voicing of the D minor ninth chord<\/p>\n

The B voicing of the D minor ninth chord<\/p>\n

The A voicing of the G dominant ninth chord<\/p>\n

The B voicing of the G dominant ninth chord<\/p>\n

The A voicing of the C major ninth chord<\/p>\n

The B voicing of the C major ninth chord<\/p><\/blockquote>\n

“Check Them Out…”<\/em><\/p>\n

A voicing of chord 6 [the A minor ninth chord]:
\n
\nB voicing of chord 2 [the D minor ninth chord]:
\n
\nA voicing of chord 5 [the G dominant ninth chord]:
\n
\nB voicing of chord 1 [the C major ninth chord]:
\n<\/p>\n

“Check Out This 2-5-1 Chord Progression Using A&B Voicings…”<\/em><\/p>\n

B voicing of chord 6 [the A minor ninth chord]:
\n
\nA voicing of chord 2 [the D minor ninth chord]:
\n
\nB voicing of chord 5 [the G dominant ninth chord]:
\n
\nThe A voicing of chord 1 [the C major ninth chord]:
\n<\/p>\n

Application Of The A&B Voicing Technique In Songs<\/h2>\n

Although we’ve explored the application of A&B voicings in chord progressions, let’s take the application a step further by applying these voicings to songs.<\/p>\n

Here’s an illustration using the song Thank you, LORD<\/em>.<\/p>\n

Thank You, Lord<\/p><\/blockquote>\n

…in the key of C major.<\/p>\n

Example #1 – Thank You, Lord<\/h3>\n

Thank you (chord 1):
\n
\nLord (chord 6):
\n
\nThank you (chord 2):
\n
\nLord (chord 5):
\n
\nThank you (chord 1):
\n
\nLord (chord 6):
\n
\nI just want to (chord 2)
\n
\nThank you (chord 5):
\n
\nLord (chord 1):
\n<\/p>\n

Final Words<\/h2>\n

Using the A&B voicing technique, you can play any extended chord while focusing on its third and seventh tones.<\/p>\n

See you in the next lesson!<\/p>\n","protected":false},"excerpt":{"rendered":"

Learn about the A&B voicing technique and how it can be applied in chord progressions and songs.<\/p>\n","protected":false},"author":9,"featured_media":22544,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,21,22,9],"tags":[2341,2349,2342,17],"class_list":["post-17410","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-gospel-music","category-jazz-music","category-piano","tag-ab-voicing","tag-ab-voicing-techniques","tag-ab-voicings","tag-basic-songs","post-wrapper","thrv_wrapper"],"yoast_head":"\nWeek 2: The A&B Voicing Technique - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Learn about the A&B voicing technique and how it can be applied in chord progressions and songs.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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