{"id":17618,"date":"2018-04-11T00:00:00","date_gmt":"2018-04-11T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17618"},"modified":"2024-10-05T15:37:35","modified_gmt":"2024-10-05T23:37:35","slug":"exposed-a-lesson-on-how-to-establish-or-contradict-a-key","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/exposed-a-lesson-on-how-to-establish-or-contradict-a-key\/","title":{"rendered":"Exposed: A Lesson On How To Establish Or Contradict A Key"},"content":{"rendered":"

If you’re interested in learning how to establish or contradict a key, then you’re on the right page.<\/p>\n

But before we go into the wider scheme of things, let’s define a key and refresh our minds on all the keys on the keyboard.<\/p>\n

“What Is A Key?”<\/em><\/h2>\n

A musical key can be likened to an environment that is created by the establishment of any given note as the key center or tonal center.<\/p>\n

There are twelve notes on the piano:
\n
\n…and any of these notes can become a key when established as a tonal center. The establishment of a note as a key requires eight different components: tonic, supertonic, mediant, subdominant, dominant, submediant, subtonic, and, octave.<\/p>\n

The establishment of the note C as a key:
\n
\n…requires eight components:<\/p>\n

C is the tonic<\/p>\n

D is the supertonic<\/p>\n

E is the mediant<\/p>\n

F is the subdominant<\/p>\n

G is the dominant<\/p>\n

A is the submediant<\/p>\n

B is the subtonic<\/p>\n

C is the octave<\/p><\/blockquote>\n

Altogether, here’s the key of C major:
\n
\nEvery other major key on the keyboard consists of a collection of eight components. Check them out below:<\/p>\n

C major:
\n
\nDb major:
\n
\nD major:
\n
\nEb major:
\n
\nE major:
\n
\nF major:
\n
\nGb major:
\n
\nG major:
\n
\nAb major:
\n
\nA major:
\n
\nBb major:
\n
\nB major:
\n<\/p>\n

The Harmonic Approach To The Establishment Of A Key<\/h2>\n

In any key, the most important chord is the chord of the first tone or the 1-chord (which is technically known as the tonic chord). In the key of C major:
\n
\n…where the first tone is C:
\n
\nThe C major triad:
\n
\n…C major seventh:
\n
\n…or the C major ninth chord:
\n
\n…are all suitable options for the tonic chord or 1-chord.<\/p>\n

The 1-chord resonates with the key and is the most stable chord in the key. However, it is established by the dominant chord (aka – “the 5-chord”). Therefore, when the 1-chord is preceded by the 5-chord, a key is harmonically<\/em> established.<\/p>\n

Due to the fact that chord movement from the 5-chord to the 1-chord is known as the 5-1 chord progression, we can say that a key is harmonically established by the 5-1 chord progression.<\/p>\n

The key of C major:
\n
\n…can be harmonically established by the movement from the 5-chord (which is the G dominant seventh chord):
\n
\n…to the 1-chord (which is the C major triad):
\n
\nIn the same vein, the key of Ab major:
\n
\n…can be harmonically established by the movement from the 5-chord (which is the Eb dominant seventh chord):
\n
\n…to the 1-chord (which is the Ab major triad):
\n
\nSo, a key can basically be established by the dominant chord (aka – “the 5-chord”) because when it is played, the only chord it leads to is the 1-chord.<\/p>\n

“Now That You’ve Learned How To Establish A Key…”<\/em><\/p>\n

Endeavor to establish a key by consciously playing the 5-chord before the 1-chord.<\/p>\n

To establish the key of E major:
\n
\n…it is important that the B dominant seventh chord:
\n
\n…is played before the E major triad:
\n<\/p>\n

The Harmonic Approach To The Contradiction Of A Key<\/h2>\n

To contradict a prevalent key, implies the establishment of a new key. For example, if the prevalent key is C major:
\n
\n…the key of C major can be contradicted by the establishment of a new key; which can either be foreign or related to the prevalent key.<\/p>\n

To contradict the prevalent key, the dominant chord (aka – “the 5-chord”) of the new key should be played. Playing the dominant chord of the new key creates an anticipation for the tonic chord (aka – “the 1-chord”). For example, if the prevalent key is A major:
\n
\n…it can be contradicted by the 5-chord of the new key. Let’s say the new key is F major:
\n
\nThe key of A major can only be contradicted by the 5-chord in the key of F major (which is the C dominant ninth chord):
\n
\nSo, the C dominant ninth chord:
\n
\n…contradicts the key of A major:
\n
\n…and creates an anticipation for the tonic chord in the key of F major (which is the F major ninth chord):
\n<\/p>\n

Final Words<\/h2>\n

The establishment and contradiction of a key can be harmonically approached using the 5-chord or dominant chord and that’s why the dominant chord is one of the most important chords in music; second only to the 1-chord.<\/p>\n

In a subsequent lesson, we’ll be covering the concept of modulation.<\/p>\n

See you then.<\/p>\n","protected":false},"excerpt":{"rendered":"

Discover how to establish or contradict a key in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22509,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[416,9],"tags":[17,2308,2119,790,2328],"class_list":["post-17618","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-experienced-players","category-piano","tag-basic-songs","tag-key","tag-keys","tag-major-key","tag-minor-key","post-wrapper","thrv_wrapper"],"yoast_head":"\nExposed: A Lesson On How To Establish Or Contradict A Key - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Discover how to establish or contradict a key in this lesson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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