{"id":17644,"date":"2018-02-23T00:00:00","date_gmt":"2018-02-23T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17644"},"modified":"2024-10-05T15:42:22","modified_gmt":"2024-10-05T23:42:22","slug":"are-you-using-chromatic-chords-yet","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/are-you-using-chromatic-chords-yet\/","title":{"rendered":"Are You Using Chromatic Chords Yet?"},"content":{"rendered":"<p>Our focus in this lesson is on the application of chromatic chords.<\/p>\n<p>But before we delve into that, let&#8217;s get started by refreshing our minds on what chromatic chords are.<\/p>\n<h2>A Quick Review On Chromatic Chords<\/h2>\n<blockquote><p>A musical idea (be it a note, interval, chord, or scale) is considered to be chromatic when it is foreign to the prevalent key.<\/p><\/blockquote>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the following scale-tone chords are obtainable:<\/p>\n<p>The C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe D minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe F major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe G major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe A minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe B diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nAny other chord that one, some, or all of its tones are foreign to the prevalent key (which is C major in this case) is a chromatic chord.<\/p>\n<p>An example is the D major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Fs,A,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with the F# note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;that is foreign to the key of C major.<\/p>\n<p>Also, the D augmented triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Fs,As,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where 66% of the chord composition is foreign to the prevalent key.<\/p>\n<p>Then the Eb minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Gb,Bb,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where all the notes are foreign to the key of C major.<\/p>\n<p>In a nutshell, a chord is only considered chromatic when one, some, or all of its note are foreign to the prevalent key.<\/p>\n<p>In the key of F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,G,A,Bb,C,D,E,F,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;any chord that consists of one or more notes that are foreign to the key of C major is considered as a chromatic chord.<\/p>\n<p>Alright, now that we&#8217;ve refreshed our minds on chromatic chords, let&#8217;s proceed to learning how they can be applied.<\/p>\n<h2>Application Of Chromatic Chords<\/h2>\n<p>Although chromatic chords are foreign to the key, they can be applied in any given key. We&#8217;ll look at two out of the several ways chromatic chords can be applied.<\/p>\n<h3>The Application Of Chromatic Chords As &#8220;Leading Note Chords&#8221;<\/h3>\n<p>Chromatic chords can be applied as leading note chords.<\/p>\n<blockquote><p>Leading note chords are diminished chords that are a half-step below any given chord.<\/p><\/blockquote>\n<p>Every chord (whether major or minor) has its corresponding leading note chord which is a half-step below its root. For example, the leading note in the key of F major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,G,A,Bb,C,D,E,F,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;therefore, E diminished chords are leading note chords to F chords.<\/p>\n<p>E diminished chords include the following:<\/p>\n<ul>\n<li>The E diminished triad<\/li>\n<li>The E diminished seventh chord<\/li>\n<li>The E half-diminished seventh chord<\/li>\n<\/ul>\n<p><em>&#8220;Check Them Out&#8230;&#8221;<\/em><\/p>\n<p>The E diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,Db,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E half-diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nIn the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where F is the fourth tone:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe chord of the fourth tone which include any of the following:<\/p>\n<ul>\n<li>The F major triad<\/li>\n<li>The F major seventh<\/li>\n<li>The F major ninth<\/li>\n<\/ul>\n<p>&#8230;can be approached using any of the leading note chords (which are chromatic chords):<\/p>\n<ul>\n<li>The E diminished triad<\/li>\n<li>The E half-diminished seventh chord<\/li>\n<li>The E diminished seventh chord<\/li>\n<\/ul>\n<p><em>&#8220;Here&#8217;s How It Works&#8230;&#8221;<\/em><\/p>\n<p>The E diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a chromatic chord that can be applied as a passing chord to the F major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E half-diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a chromatic chord that can be applied as a passing chord to the F major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or F major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,G,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nThe E diminished seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,Bb,Db,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a chromatic chord that can be applied as a passing chord to the F major seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or F major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,G,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nLeading note chords can also be applied as a passing chords to minor chords and it follows the same procedure like that of the major chord.<\/p>\n<h3>The Application Of Chromatic Chords As &#8220;Secondary Dominant Chords&#8221;<\/h3>\n<p>Chromatic chords can also be applied as secondary dominant chords and this is easier than it sounds.<\/p>\n<blockquote><p>The term dominant in music is synonymous with fifths or the number five.<\/p><\/blockquote>\n<p>A secondary dominant chord is a dominant chord that is a fifth above the root of a given scale-tone chord (whether it&#8217;s major or minor). In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the E minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the chord of the third tone (aka &#8211; &#8220;chord 3&#8221;), it&#8217;s secondary dominant chord is a fifth above the root of the E minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Attention:<\/strong> A fifth above E is B<\/p>\n<p>Due to the fact that a fifth above E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nAll B dominant chords would function as secondary dominant chords to the E minor seventh chord. Check out a few of them:<\/p>\n<p>B dominant triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ds,Fs,B,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nB dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,Ds,Fs,A,,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nB dominant seventh (flat ninth) chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,Ds,Fs,A,C,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><br \/>\nAll these B dominant chords would resolve to the E minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,D,&amp;color=CC66FF&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Spice up your playing by incorporating chromatic chords into chord progressions either as <a href=\"https:\/\/www.hearandplay.com\/main\/leading-note-chord\">leading note chords<\/a> or as <a href=\"https:\/\/www.hearandplay.com\/main\/do-you-use-secondary-dominant-chords\">secondary dominant chords<\/a>.<\/p>\n<p>The term <em>chromatic <\/em>literally means colorful and really can add a lot of <em>color <\/em>to your chord progressions when used rightly. Always remember that to know a chromatic chord is one thing and to apply it rightly is another thing.<\/p>\n<p>See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn more about chromatic chords and how they can be applied in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22518,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9,47],"tags":[17,1682,2595,1565,395],"class_list":["post-17644","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","category-playing-by-ear","tag-basic-songs","tag-chromatic-chords","tag-leading-note-chords","tag-passing-chords","tag-secondary-dominant-chords","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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