{"id":17736,"date":"2018-04-06T00:00:00","date_gmt":"2018-04-06T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17736"},"modified":"2024-10-05T15:38:07","modified_gmt":"2024-10-05T23:38:07","slug":"introduction-to-chord-quality-substitution","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/introduction-to-chord-quality-substitution\/","title":{"rendered":"Introduction To Chord Quality Substitution"},"content":{"rendered":"

You arrived at this page because you’re interested in learning about chord quality substitution.<\/p>\n

One of the things that set intermediate players apart from beginners is their ability to substitute regular chords with spicier chords that would turn heads.<\/p>\n

So, if you’re an intermediate piano player and you’re interested in taking regular chord progressions and spice them up to sound a lot better, then this lesson is for you. In the next 10 minutes or so, I’ll be taking you by the hand and showing you step-by-step, how to make chord quality substitution work for you.<\/p>\n

But before we go into all that, let’s refresh our minds on the concept of chord quality.<\/p>\n

A Quick Review On The Concept Of Chord Quality<\/h2>\n

Chords are basically classified according to their qualities and terms like major, minor, diminished, augmented, dominant, etc., are associated with chord quality.<\/p>\n

“Let’s Look At Triad Qualities?” <\/em><\/h3>\n

There are basically four triad qualities: major, minor, augmented, and diminished. Each of the triad qualities is structurally and functionally different.<\/p>\n

The C major triad:
\n
\n…derives its major <\/em>quality from the interval between C and E:
\n
\n…which is a major<\/strong> interval.<\/p>\n

The C minor triad:
\n
\n…derives its minor <\/em>quality from the interval between C and Eb:
\n
\n…which is a minor<\/strong> interval.<\/p>\n

The C augmented triad:
\n
\n…derives its augmented <\/em>quality from the interval between C and G#:
\n
\n…which is an augmented <\/strong>interval.<\/p>\n

The C diminished triad:
\n
\n…derives its diminished <\/em>quality from the interval between C and Gb:
\n
\n…which is a diminished <\/strong>interval.<\/p>\n

“What Is Chord Quality Substitution?”<\/em><\/h2>\n

Just like triads, seventh chords and extended chords have their qualities respectively and every degree of the scale has its chord quality.<\/p>\n

In the key of C major:
\n
\n…the chord quality of the 1-chord is major, while the quality of the 3-chord is minor.<\/p>\n

Chord quality substitution is concerned with the replacement of a given chord by\u00a0 another chord of a different quality. For example in the key of C major, the 4-chord (which is the F major triad):
\n
\n…can be substituted with the F minor triad:
\n
\nSo, instead of using the F major triad which is the regular 4-chord in a chord progression, the concept of chord quality substitution lets you substitute the F major triad with an F minor triad.<\/p>\n

“Think About It…”<\/em><\/p>\n

The F major ninth:
\n
\n…which is the 4-chord in the key of C major:
\n
\n…can be substituted with the F minor ninth chord:
\n<\/p>\n

The Goal Of Chord Quality Substitution<\/h3>\n

Chord quality substitution is used to add chromatic harmony<\/a> to chords and chord progressions. So, if you’re tired of the regular way chords and progressions are played and you’re interested in spicing things up a bit, then chord quality substitution is your best bet.<\/p>\n

Still in the key of C major:
\n
\n…playing the A minor ninth chord:
\n
\n…as the 6-chord might be sophisticated, but would sound regular.<\/p>\n

If you want to take the 6-chord to another level, you can easily substitute the minor ninth chord with a major ninth chord. So, playing an A major ninth chord:
\n
\n…as the 6-chord, sounds chromatic, spicier<\/em>, <\/em>and would turn heads most likely.<\/p>\n

Final Words<\/h2>\n

Now that we’ve covered the introduction to chord quality substitution, we’ll be learning how chord quality substitution can be applied in the next lesson.<\/p>\n

However, before we get into that, practice switching from major to minor chords and vice-versa in all 12 keys on the keyboard.<\/p>\n

See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"

Get a basic introduction to chord quality substitution in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22511,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9],"tags":[17,211,2607,553,2606],"class_list":["post-17736","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","tag-basic-songs","tag-chord","tag-chord-quality-substitution","tag-chord-substitution","tag-substitution","post-wrapper","thrv_wrapper"],"yoast_head":"\nIntroduction To Chord Quality Substitution - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Get a basic introduction to chord quality substitution in this lesson.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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