{"id":17765,"date":"2018-04-13T00:00:00","date_gmt":"2018-04-13T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17765"},"modified":"2024-10-05T15:37:20","modified_gmt":"2024-10-05T23:37:20","slug":"chord-quality-substitution-for-intermediate-piano-players","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/chord-quality-substitution-for-intermediate-piano-players\/","title":{"rendered":"Chord Quality Substitution For Intermediate Piano Players"},"content":{"rendered":"<p>Our focus on this lesson is on chord quality substitution for intermediate piano players.<\/p>\n<p>If you&#8217;re interested in taking regular chord progressions and flip them from boring to exciting, then you need to incorporate the concept of chord quality substitution into chord progressions and that&#8217;s our concern in this lesson.<\/p>\n<p>In addition to the definition of chord substitution, we&#8217;ll be applying chord substitution to major 2-5-1 chord progressions.<\/p>\n<h2>Chord Substitution &#8211; <em>Defined<\/em><\/h2>\n<p>Just like triads, seventh chords and extended chords have their qualities respectively and every degree of the scale has its chord quality.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the chord quality of the 1-chord is major, while the quality of the 3-chord is minor.<\/p>\n<p>Chord quality substitution is concerned with the replacement of a given chord by\u00a0 another chord of a different quality. For example in the key of C major, the 4-chord (which is the F major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be substituted with the F minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Ab,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nSo, instead of using the F major triad which is the regular 4-chord in a chord progression, the concept of chord quality substitution lets you substitute the F major triad with an F minor triad.<\/p>\n<p><em>&#8220;Think About It&#8230;&#8221;<\/em><\/p>\n<p>The F major ninth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,E,G,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the 4-chord in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be substituted with the F minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Ab,C,Eb,G,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><\/p>\n<h3>The Goal Of Chord Quality Substitution<\/h3>\n<p>Chord quality substitution is used to add <a href=\"https:\/\/www.hearandplay.com\/main\/contrast-diatonic-chromatic\">chromatic harmony<\/a> to chords and chord progressions. So, if you&#8217;re tired of the regular way chords and progressions are played and you&#8217;re interested in spicing things up a bit, then chord quality substitution is your best bet.<\/p>\n<p>Still in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;playing the A minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E,G,B,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the 6-chord might be sophisticated, but would sound regular.<\/p>\n<p>If you want to take the 6-chord to another level, you can easily substitute the minor ninth chord with a major ninth chord. So, playing an A major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Cs,E,Gs,B,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;as the 6-chord, sounds <em>chromatic, spicier<\/em>,<em> <\/em>and would turn heads most likely.<\/p>\n<h2>Chord Quality Substitution In The Major 2-5-1 Chord Progression<\/h2>\n<p>A major 2-5-1 chord progression is the movement of chords from the 2-chord to the 5-chord, and then the 1-chord in the major key. For example, in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the 2-chord is the D minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,A,C,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the 5-chord is the G dominant ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,A,B,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and the 1-chord is the C major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,B,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nAltogether, there are three chord qualities:<\/p>\n<blockquote><p>Minor<\/p>\n<p>Dominant<\/p>\n<p>Major<\/p><\/blockquote>\n<h3>Chord Quality Substitution For The 2-Chord<\/h3>\n<p>The 2-chord is a minor chord. In the key of C major, we have the D minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,A,C,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which can be substituted with any of these chord qualities&#8230;<\/p>\n<p>The D minor (major ninth) chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,A,Cs,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe D half-diminished ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,F,Ab,C,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe D dominant ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,Fs,A,C,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe D major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,Fs,A,Cs,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><\/p>\n<h3>Chord Quality Substitution For The 5-Chord<\/h3>\n<p>The 5-chord is a dominant chord. In the key of C major, we have the G dominant ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,D,F,A,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which can be substituted with any of these chord qualities&#8230;<\/p>\n<p>The G minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,Bb,D,F,A,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe G major ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,B,D,Fs,A,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&nbsp;<\/p>\n<h3>Chord Quality Substitution For The 1-Chord<\/h3>\n<p>The 1-chord is the most vital chord in the key because its quality determines the quality of the key we&#8217;re in. Therefore, chord quality substitution is note advised and that&#8217;s because you may tamper with the key.<\/p>\n<p>However, it&#8217;s possible to substitute the 1-chord (which is usually a C major ninth chord):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,B,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with the C dominant chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,Bb,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Putting all the chords learned together would give you amazing permutations and combinations. For example, the 2-5-1 chord progression can be played thus:<\/p>\n<p>The 2-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,Fs,A,C,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,Fs,A,B,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,Bb,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nOR&#8230;<\/p>\n<p>The 2-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,Fs,A,Cs,E,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,F,A,Bb,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nThe 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,G,B,D,&amp;color=FFFF33&amp;size=2\" border=\"0\" \/><br \/>\nFeel free to come up with any combination of the chords covered in this lesson.<\/p>\n<p>All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This lesson is for any intermediate keyboard player who is interested in chord quality substitution.<\/p>\n","protected":false},"author":9,"featured_media":22508,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9],"tags":[17,1906,2115,2607],"class_list":["post-17765","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","tag-basic-songs","tag-chord-qualities","tag-chord-quality","tag-chord-quality-substitution","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This 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