{"id":17792,"date":"2018-04-16T00:00:00","date_gmt":"2018-04-16T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17792"},"modified":"2024-10-05T15:36:55","modified_gmt":"2024-10-05T23:36:55","slug":"master-primary-triads-in-all-inversions","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/master-primary-triads-in-all-inversions\/","title":{"rendered":"Congratulations! You Too Can Master Primary Triads In All Inversions"},"content":{"rendered":"<p>Our focus in this lesson is on primary triads and how they can be mastered in all inversions.<\/p>\n<p><strong>Attention:<\/strong> This lesson is designed for beginners who are just getting started with primary chords. Consequently, intermediate keyboard players may find this lesson way below their expectation.<\/p>\n<p>After this lesson, you&#8217;ll be able to comfortably play primary triads from any hand position on the keyboard, using the closest inversion possible.<\/p>\n<p>But before we go any further in this lesson, let&#8217;s refresh our minds on primary triads.<\/p>\n<h2>A Quick Review On Primary Triads<\/h2>\n<p>A triad is\u00a0 a collection of three related notes (agreeable or not) which may be played or heard together.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the formation of triads on every degree of the scale produces seven triads&#8230;<\/p>\n<p>The C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe D minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,F,A,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe E minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,B,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe F major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe G major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe A minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,E,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe B diminished triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,D,F,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThree out of seven of these triads have the same quality (major quality) with the key and they are the C major, F major, and G major triads, which are the chords of the first, fourth, and fifth degrees.<\/p>\n<p>These major triads are known as primary triads because they define the key.<\/p>\n<p>The C major triad is formed on C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the first tone (aka &#8211; &#8220;tonic&#8221;) of the C major scale :<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and consists of C, E, and G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which are the <a href=\"https:\/\/www.hearandplay.com\/main\/active-tones-vs-stable-tones-major-scale\">stable notes<\/a> in the key of C. The C major triad is also known as the <a href=\"https:\/\/www.hearandplay.com\/main\/the-tonic-chord\">tonic triad<\/a> because it is formed on the first degree of the scale (known to music scholars as the tonic.)<\/p>\n<p>The F major triad is formed on F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the fourth tone of the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and lies a fifth below the tonic triad. The F major triad is also known as the sub-dominant triad because it is formed on the fourth degree of the scale (which is also known as the sub-dominant.)<\/p>\n<p>The G major triad is formed on G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the fifth tone of the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and lies a fifth above the tonic triad. The G major triad is also known as the dominant triad because it is formed on the fifth degree of the scale (which is also known as the dominant.)<\/p>\n<p><em>&#8220;In A Nutshell&#8230;&#8221;<\/em><\/p>\n<p>Chords 1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;4:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and 5:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be used to provide basic accompaniment to melodies in the key of C and that&#8217;s why most beginners start out with primary triads before eventually learning seventh and extended chords.<\/p>\n<h2>Primary Triads From The Root Position Chord<\/h2>\n<p>Primary triads can be played around the root position of the 1-chord. In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the root position of the 1-chord is the C major triad (in root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;other triads (the 4-chord and the 5-chord) can be derived using the <a href=\"https:\/\/www.hearandplay.com\/main\/voice-leading-techniques-for-approaching-2-5-1-chord-progressions\">voice-leading technique<\/a>.<\/p>\n<p>The 1-chord (which is the root position of the C major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;progresses to the 4-chord (which is the second inversion of the F major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,A,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or to the 5-chord (which is the first inversion of the G major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Here Are The Primary Chords&#8230;&#8221;<\/em><\/p>\n<p>The 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe 4-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,A,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,D,G,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Primary Triads From The First Inversion Chord<\/h2>\n<p>When the hand is placed around the first inversion of the 1-chord in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the first inversion of the 1-chord is the C major triad (in first inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;other triads (the 4-chord and the 5-chord) can be derived using the <a href=\"https:\/\/www.hearandplay.com\/main\/voice-leading-techniques-for-approaching-2-5-1-chord-progressions\">voice-leading technique<\/a>.<\/p>\n<p>The 1-chord (which is the first inversion of the C major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,G,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;progresses to the 4-chord (which is the root position of the F major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,A,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or to the 5-chord (which is the second inversion of the G major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,G,B,,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Here Are The Primary Chords&#8230;&#8221;<\/em><\/p>\n<p>The 1-chord:<\/p>\n<p>The 4-chord:<\/p>\n<p>The 5-chord:<\/p>\n<h2>Primary Triads From The Second Inversion Chord<\/h2>\n<p>Primary triads can be played around the second inversion of the 1-chord. In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the second inversion of the 1-chord is the C major triad (in second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;other triads (the 4-chord and the 5-chord) can be derived using the <a href=\"https:\/\/www.hearandplay.com\/main\/voice-leading-techniques-for-approaching-2-5-1-chord-progressions\">voice-leading technique<\/a>.<\/p>\n<p>The 1-chord (which is the second inversion of the C major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;progresses to the 4-chord (which is the first inversion of the F major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,F,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;or to the 5-chord (which is the root position of the G major triad):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Here Are The Primary Chords&#8230;&#8221;<\/em><\/p>\n<p>The 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,E,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe 4-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,C,F,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><br \/>\nThe 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,&amp;color=0099CC&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Primary triads are important because they are used to accompany melodies\/songs. Therefore mastering how they can be played from all hand positions is vital.<\/p>\n<p>It is recommended that after practicing these hand positions of primary triads in the key of C major, that you transpose to other keys as well.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>If you&#8217;re interested in mastering primary triads in all inversions, then you need to read this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,25,9],"tags":[1074,2612,1075,2060,2084,2085,1959,2611,2025,185,1358,1958,587],"class_list":["post-17792","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-chords-progressions","category-piano","tag-1-chord","tag-4-chord","tag-5-chord","tag-chord-1","tag-chord-4","tag-chord-5","tag-first-inversion","tag-inversion","tag-major-triad","tag-major-triads","tag-primary-triads","tag-root-position","tag-second-inversion","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Congratulations! 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