{"id":17851,"date":"2018-06-13T00:00:00","date_gmt":"2018-06-13T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17851"},"modified":"2024-10-05T15:33:59","modified_gmt":"2024-10-05T23:33:59","slug":"have-you-heard-of-the-5-7-10-principle-of-the-left-hand-yet","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/have-you-heard-of-the-5-7-10-principle-of-the-left-hand-yet\/","title":{"rendered":"Have You Heard Of The 5-7-10 Principle Of The Left Hand Yet?"},"content":{"rendered":"

In this lesson, I’ll be exposing you to the 5-7-10 principle of the left hand.<\/p>\n

Guarantee:<\/strong> This is one left hand idea that can revolutionize your playing and turn your left-hand from empty-sounding to full-sounding.<\/p>\n

This lesson would benefit everyone — beginners, intermediate, and advanced players — and this is because this principle cuts across skill level and a variety of musical styles, tastes, and orientation.<\/p>\n

So, pay attention and let’s invest the next 10 minutes into learning a principle that will take your left hand to another level.<\/p>\n

A Short Note On The Root Note<\/h2>\n

The note that determines the name of a chord is described as the root note of the chord. Although the root note is not always the lowest-sounding note in a chord, in a root position chord, the root is the lowest sounding note.<\/p>\n

In the root position of the C major triad:
\n
\n…C is the root note:
\n
\n…because it is the lowest tone and also considering the fact that the major triad is named after C:
\n
\n…and not E or G which are also the other tones of the triad.<\/p>\n

The Use Of The Root Note On The Left Hand<\/h3>\n

The root note is arguably the most important tone in a chord, therefore, it is usually played on the left hand to provide a melodic bottom to right hand chords.<\/p>\n

The C major triad:
\n
\n…is accompanied (most of the time) on the left hand with the root note (which is C):
\n
\nThis is the rationale behind playing the C major triad:
\n
\n…with C on the left hand and playing any chord with its root note on the left hand in other cases.<\/p>\n

Going Beyond The Root Note On The Left Hand<\/h3>\n

It sounds boring and empty to play the root note on the left hand, although most beginners are okay with this. However, beyond the left hand lies the 5-7-10 principle and you’ll be learning about it shortly.<\/p>\n

With the 5-7-10 principle, you’ll never have a boring left hand again.<\/p>\n

Introducing The 5<\/h2>\n

In addition to the root note, you can add the 5th tone, which is usually a perfect fifth<\/strong> above the root note. Think of the fifth as the fifth scale tone from the root note.<\/p>\n

So, given D as the root note:
\n
\n…let’s count five scale tones:<\/p>\n

D<\/strong> (1) E<\/strong> (2) F<\/strong> (3) G<\/strong> (4) A<\/strong> (5)<\/p><\/blockquote>\n

The corresponding fifth for the D root note in the key of C major is A:
\n
\nAltogether, “D-A” is a fifth:
\n
\nThe D minor triad:
\n
\n…sounds fuller<\/em> with the fifth (“D-A”) on the left hand:
\n
\n…compared to when it’s played with just a root note.<\/p>\n

“Here Are All The Fifths In The Key Of C Major…”<\/em><\/p>\n

1st tone (C-G):
\n
\n2nd tone (D-A):
\n
\n3rd tone (E-B):
\n
\n4th tone (F-C):
\n
\n5th tone (G-D):
\n
\n6th tone (A-E):
\n
\n7th tone (B-F):
\n
\nRecommendation:<\/strong> Feel free to derive fifths in other keys too.<\/p>\n

“Let’s Talk About The 7”<\/em><\/h2>\n

Another option you can add to the root note is the 7th tone, which is usually a major seventh\u00a0<\/strong>or a\u00a0minor seventh<\/strong> above the root note. Think of the seventh as the seventh scale tone from the root note.<\/p>\n

So, given A as the root note:
\n
\n…let’s count seven scale tones:<\/p>\n

A<\/strong> (1) B<\/strong> (2) C<\/strong> (3) D<\/strong> (4) E<\/strong> (5) F<\/strong> (6) G<\/strong> (7)<\/p><\/blockquote>\n

The corresponding seventh for the A root note in the key of C major is G:
\n
\nAltogether, “A-G” is a seventh:
\n
\nThe A minor seventh:
\n
\n…sounds fuller<\/em> with the seventh (“A-G”) on the left hand:
\n
\n…compared to when it’s played with just a root note.<\/p>\n

“Here Are All The Sevenths In The Key Of C Major…”<\/em><\/p>\n

1st tone (C-G):
\n
\n2nd tone (D-A):
\n
\n3rd tone (E-B):
\n
\n4th tone (F-C):
\n
\n5th tone (G-D):
\n
\n6th tone (A-E):
\n
\n7th tone (B-F):
\n<\/p>\n

Recommendation:<\/strong> Feel free to derive sevenths in other keys too.<\/p>\n

“Here Comes The 10”<\/em><\/h2>\n

The tenth tone can also be added to the root note. The 10th tone is usually a major tenth\u00a0<\/strong>or a\u00a0minor tenth<\/strong> above the root note. Think of the tenth as the tenth scale tone from the root note.<\/p>\n

So, given D as the root note:
\n
\n…let’s count ten scale tones:<\/p>\n

D<\/strong> (1) E<\/strong> (2) F<\/strong> (3) G<\/strong> (4) A<\/strong> (5) B<\/strong> (6) C<\/strong> (7) D<\/strong> (8) E<\/strong> (9) F<\/strong> (10)<\/p><\/blockquote>\n

The corresponding tenth for the D root note:
\n
\n…in the key of C major is F:
\n
\nAltogether, “D-F” is a tenth:
\n
\nThe D minor seventh chord:
\n
\n…sounds fuller<\/em> with the tenth (“D-F”) on the left hand:
\n
\n…compared to when it’s played with just a root note.<\/p>\n

“Here Are All The Tenths In The Key Of C Major…”<\/em><\/p>\n

1st tone (C-E):
\n
\n2nd tone (D-F):
\n
\n3rd tone (E-G):
\n
\n4th tone (F-A):
\n
\n5th tone (G-B):
\n
\n6th tone (A-C):
\n
\n7th tone (B-D):
\n<\/p>\n

Recommendation:<\/strong> Feel free to derive tenths in other keys too.<\/p>\n

Final Words<\/h2>\n

We’ve learned a lot and using the 5-7-10 principle, I’m very certain that your left hand will take a new turn and will sound fuller<\/em>.<\/p>\n

In a subsequent lesson, we’ll be focusing on melodic ideas that govern the right hand.<\/p>\n

See you then!<\/p>\n","protected":false},"excerpt":{"rendered":"

Learn some of the principles of the left hand that will transform your playing instantly.<\/p>\n","protected":false},"author":9,"featured_media":22499,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,25,416,350,9],"tags":[2618,17,2204,842,2205,2617],"class_list":["post-17851","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-5-7-10-principle","tag-basic-songs","tag-fifth","tag-left-hand","tag-seventh","tag-tenth","post-wrapper","thrv_wrapper"],"yoast_head":"\nHave You Heard Of The 5-7-10 Principle Of The Left Hand Yet? - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Learn some of the principles of the left hand that will transform your playing instantly.\" \/>\n<meta name=\"robots\" content=\"index, follow, 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