{"id":17856,"date":"2018-06-04T00:00:00","date_gmt":"2018-06-04T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17856"},"modified":"2024-10-05T15:35:17","modified_gmt":"2024-10-05T23:35:17","slug":"left-hand-chord-voicings-for-the-intermediate-jazz-pianist","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/left-hand-chord-voicings-for-the-intermediate-jazz-pianist\/","title":{"rendered":"Left Hand Chord Voicings For The Intermediate Jazz Pianist"},"content":{"rendered":"

There are left hand chord voicings every intermediate jazz pianist must not be without.<\/p>\n

So, if you’re an intermediate jazz pianist, or you just got started with jazz and are interested in taking your left hand to the next level, then this lesson is for you.<\/p>\n

But before we get into what we have for today, let’s refresh our minds on what a chord voicing is.<\/p>\n

A Quick Review On The Concept Of Chord Voicing<\/h2>\n

A chord is an aggregate of three or more related notes. These notes can be considered as voices or voice parts like soprano, alto, tenor, and bass.<\/p>\n

The C major seventh chord:
\n
\n…consists of the following voices…<\/p>\n

B<\/strong> is the soprano voice<\/p>\n

G<\/strong> is the alto voice<\/p>\n

E<\/strong> is the tenor voice<\/p>\n

C<\/strong> is the bass voice<\/p><\/blockquote>\n

These voices can be rearranged using rearrangement techniques which are known as voicing techniques and the outcome of these rearrangements is known as voicing.<\/p>\n

Here’s a voicing of the C major seventh chord:
\n
\n…it’s pretty different from the regular C major seventh chord:
\n
\n…in arrangement, however, in terms of chord components, it’s the same C major seventh chord.<\/p>\n

So, the voicing of a chord is basically a rearrangement of a known or named chord and chord voicings are produced by voicing techniques.<\/p>\n

In the next two segments of this lesson, we’ll be covering the skeleton and rootless voicing technique from the perspective of the intermediate jazz pianist.<\/p>\n

Skeleton Voicing For The Intermediate Jazz Pianist<\/h2>\n

The skeleton voicing technique focuses on the two most important chord tones: the third and the seventh. The third and seventh tone of a chord are known as its skeleton or shell and they can be used to determine the quality of a chord.<\/p>\n

For example, the C major ninth chord:
\n
\n…and the C minor ninth chord:
\n
\n…only differ in their third and seventh tones. They share the same root note (C), fifth (G), and ninth (D):
\n
\nSo, the skeleton of the C major ninth chord is E-B:
\n
\n…while the skeleton of the C minor ninth chord is Eb-Bb:
\n
\nAn intermediate jazz pianist can voice chords using the skeleton voicing in the left hand. Let’s go ahead and explore these skeleton voicings.<\/p>\n

A-voicing Of Scale-Tone Chords<\/h3>\n

When a skeleton voicing is arranged in a way that the third comes before the seventh, it is considered as an A-voicing. So, for every scale-tone chord in the key of C major, all you need to do is to arrange the skeleton in such a way the the third comes before the seventh tone.<\/p>\n

The 1-chord:
\n
\nThe 2-chord:
\n
\nThe 3-chord:
\n
\nThe 4-chord:
\n
\nThe 5-chord:
\n
\nThe 6-chord:
\n
\nThe 7-chord:
\n<\/p>\n

B-voicing Of Scale-Tone Chords<\/h3>\n

An alternate way of arranging the skeleton of a chord is placing the seventh before the third, and this produces the B-voicing. For every scale-tone chord in the key of C major, all you need to do to form the B-voicing is to arrange the skeleton in such a way the the seventh comes before the third tone.<\/p>\n

The 1-chord:
\n
\nThe 2-chord:
\n
\nThe 3-chord:
\n
\nThe 4-chord:
\n
\nThe 5-chord:
\n
\nThe 6-chord:
\n
\nThe 7-chord:
\n<\/p>\n

Rootless Voicing For The Intermediate Jazz Pianist<\/h2>\n

In a band situation, the bass player supplies the melodic bottom of the chords (otherwise known as the root note). Therefore, the pianist can focus on every other chord tone.<\/p>\n

The C major ninth chord:
\n
\n…can be played without its root and this produces the rootless voicing of the C major ninth chord:
\n
\nA rootless voicing is basically an arrangement of a chord where the root note is omitted and an intermediate jazz pianist must be acquainted with these rootless voicings.<\/p>\n

A-voicing Of Scale-Tone Ninth Chords<\/h3>\n

Due to the importance of the third and seventh tones of a chord, their placement determines whether a particular voicing is an A-voicing or not. In the rootless voicing of the C major ninth chord below:
\n
\n…the third (which is E) is placed before the seventh (which is B):
\n
\n…consequently, it’s an A-voicing of the C major ninth chord:
\n
\n“Check Out The Rootless Voicings Of All The Ninth Chords…”<\/em><\/p>\n

The 1-chord:
\n
\nThe 2-chord:
\n
\nThe 4-chord:
\n
\nThe 5-chord:
\n
\nThe 6-chord:
\n<\/p>\n

B-voicing Of Scale-Tone Ninth Chords<\/h3>\n

When the seventh tone in the rootless voicing of a chord is placed before the third tone, this produces the B-voicing of the chord. This is produced by the octave transposition<\/a> of the two lower voices in the rootless voicing.<\/p>\n

Using the rootless voicing of the C major ninth chord (as a reference):
\n
\n…the two lower voices (which are E and G):
\n
\n…can be transposed to a higher octave (of E and G):
\n
\n…and this produces the B-voicing of the C major ninth chord:
\n
\n“Check Out The Rootless Voicings Of All The Ninth Chords…”<\/em><\/p>\n

The 1-chord:
\n
\nThe 2-chord:
\n
\nThe 4-chord:
\n
\nThe 5-chord:
\n
\nThe 6-chord:
\n<\/p>\n

Final Words<\/h2>\n

Using the voicings you’ve learned in this lesson, I believe you can be proud of your left hand while accompanying a soloist or playing in a band situation.<\/p>\n

With these left hand voicings, the good news is that you don’t have to struggle for the root notes with the bass player.<\/p>\n

See you in the next lesson, and don’t forget to practice in all the keys.<\/p>\n","protected":false},"excerpt":{"rendered":"

This lesson is for you if you’re an intermediate jazz pianist interested in learning about left hand chord voicings.<\/p>\n","protected":false},"author":9,"featured_media":22503,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,22,9],"tags":[17,2576,1938,2373,1937,2582,1999],"class_list":["post-17856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-jazz-music","category-piano","tag-basic-songs","tag-left-hand-voicings","tag-rootless-chord-voicings","tag-rootless-voicing","tag-rootless-voicings","tag-skeleton-voicing","tag-skeleton-voicings","post-wrapper","thrv_wrapper"],"yoast_head":"\nLeft Hand Chord Voicings For The Intermediate Jazz Pianist - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"This lesson is for you if you're an 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