{"id":17859,"date":"2018-07-04T00:00:00","date_gmt":"2018-07-04T08:00:00","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/?p=17859"},"modified":"2024-10-05T15:29:50","modified_gmt":"2024-10-05T23:29:50","slug":"full-sounding-right-hand-chords-for-intermediate-keyboardists","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/full-sounding-right-hand-chords-for-intermediate-keyboardists\/","title":{"rendered":"Full-Sounding Right Hand Chords For Intermediate Keyboardists"},"content":{"rendered":"<p>You arrived at this page because you&#8217;re interested in learning full-sounding right hand chords.<\/p>\n<p>In the growth from the beginner stage to the intermediate stage in keyboard playing, one of the aspects that must not be left behind is chord vocabulary. Someone an distinguish between a beginner and an intermediate player by listening to their level of harmonic sophistication.<\/p>\n<p>In this lesson, I&#8217;ll be showing you, step-by-step, how to form full-sounding right hand chords in 3 steps.<\/p>\n<p><strong>Attention:<\/strong> Although this lesson is for intermediate keyboard players only, advanced players and beginners might benefit from this lesson.<\/p>\n<h2>A Quick Review On Scale-Tone Chords In The Key<\/h2>\n<p>There are seven unique scale tones in every key (whether major or minor). In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;there are seven unique scale tones:<\/p>\n<blockquote><p>C is the first tone<\/p>\n<p>D is the second tone<\/p>\n<p>E is the third tone<\/p>\n<p>F is the fourth tone<\/p>\n<p>G is the fifth tone<\/p>\n<p>A is the sixth tone<\/p>\n<p>B is the seventh tone<\/p><\/blockquote>\n<p>&#8230;and the chords that are formed on each of the scale tones are referred to as scale degree chords.<\/p>\n<p>Using the traditional principle of chord formation in thirds, the following chords can be formed in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,E,G,,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>C major triad<\/strong>.<\/p>\n<p>The 2-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,D,F,A,,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>D minor triad<\/strong>.<\/p>\n<p>The 3-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,E,G,B,,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>E minor triad<\/strong>.<\/p>\n<p>The 4-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,F,A,C,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>F major triad<\/strong>.<\/p>\n<p>The 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,G,B,D,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>G major triad<\/strong>.<\/p>\n<p>The 6-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,A,C,E,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>A minor triad<\/strong>.<\/p>\n<p>The 7-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,B,D,F,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the <strong>B diminished triad<\/strong>.<\/p>\n<p>Let&#8217;s go ahead and learn how these scale tone triads can be turned into full-sounding seventh chords.<\/p>\n<h2>The 3-Step Process To The Formation Of Full-Sounding Chords<\/h2>\n<p>Playing full-sounding seventh chords is not rocket science. Once you follow the steps given, you&#8217;ll come up with full sounding seventh chords.<\/p>\n<p>If you give me your undivided attention, you&#8217;ll be learning how to turn boring triads into full sounding seventh chords.<\/p>\n<h3>The 3-Step Process &#8212; <em>Explained<\/em><\/h3>\n<p>There are three steps to take, that would turn boring triads into full-sounding chords and here you are with them:<\/p>\n<p><strong>Step #1. Play the triad in its root position (with its root on the left hand)<\/strong><\/p>\n<p>Let&#8217;s use the 1-chord in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe C major triad should be played in its root position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with its root on the left hand (which is C):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nAltogether, here&#8217;s what we have: the 1-chord in root position (with the root on the left hand):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nIn the same vein, the 2-chord can be played in root position:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,F,A,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;with its root on the left hand (which is D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and here&#8217;s the outcome:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,,D,F,A,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Step #2. Reinforce the triad (by playing it in octave position)<\/strong><\/p>\n<p>In this step, we are taking the outcome of step #1:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;a step further by reinforcing the root position triad on the right hand:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Here&#8217;s How It Works&#8230;&#8221;<\/em><\/p>\n<p>Duplicating the root of the C major triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major triad (in octave position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,C,E,G,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nAny other scale-tone chord can be reinforced when its root is duplicated. Duplicating the root of the D minor triad (the 2-chord):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,F,A,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the D minor triad (in octave position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,D,F,A,D&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\n<strong>Step #3. Lower the root and &#8220;octave&#8221; (by a scale-step)<\/strong><\/p>\n<p>&nbsp;<\/p>\n<h2>Full-Sounding Scale-Tone Chords In The Key Of C Major<\/h2>\n<p>Let&#8217;s go ahead and put all the scale-tone chords in the key of C major together.<\/p>\n<p>The 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,B,E,G,B,&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 2-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,,C,F,A,C&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 3-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,D,G,B,D&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 4-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=F,,,E,A,C,E&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,,F,B,D,F&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 6-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,,,G,C,E,G&amp;color=669999&amp;size=2\" border=\"0\" \/><br \/>\nThe 7-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,,A,D,F,A&amp;color=669999&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>Now that we&#8217;ve covered how full-sounding seventh chords can be formed in 3 easy steps, it behooves on you to take these steps to other keys on the keyboard.<\/p>\n<p>It might not be easy initially, however, with a little mental and physical effort, it&#8217;s possible to play these chords <em>effortlessly <\/em>in all the keys.<\/p>\n<p>All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn the 3-step formation process of full-sounding right hand chords.<\/p>\n","protected":false},"author":9,"featured_media":22491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,9],"tags":[2636,1874,2589,192],"class_list":["post-17859","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-piano","tag-full-sounding-seventh-chords","tag-scale-degree-chords","tag-scale-tone-chords","tag-seventh-chords","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Full-Sounding Right Hand Chords For Intermediate Keyboardists - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Learn the 3-step formation process of full-sounding right hand chords.\" \/>\n<meta name=\"robots\" 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