{"id":18090,"date":"2018-08-10T00:00:00","date_gmt":"2018-08-10T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=18090"},"modified":"2024-10-05T15:19:02","modified_gmt":"2024-10-05T23:19:02","slug":"exotic-chords-and-progressions-from-the-phrygian-mode","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/exotic-chords-and-progressions-from-the-phrygian-mode\/","title":{"rendered":"Turn Heads With These Exotic Chords And Progressions From The Phrygian Mode"},"content":{"rendered":"

There are exotic chords and progressions from the Phrygian mode that any serious pianist must not be without.<\/p>\n

Although modes are obsolete and have been replaced by the concept of key 400 years ago, they are still used in modern music in a variety of ways; especially in gospel and jazz music.<\/p>\n

If you’re familiar with modes, then the term Phrygian should be familiar to you. Nevertheless, we’ll start out by refreshing our minds on the Phrygian mode.<\/p>\n

Ready? Go!<\/p>\n

A Quick Review On The Phrygian Mode<\/h2>\n

There’s no better way to start out than talking about modes briefly. Therefore, permit me to refresh your mind on modes before we proceed.<\/p>\n

A Short Note On Modes<\/h3>\n

Before what we now know as key came to be, an ancient system of modes were in use.<\/p>\n

Every white note on the piano has a mode associated with it and modes are basically played by starting and ending on a given white note.<\/p>\n

C to C:
\n
\n…is the Ionian mode.<\/p>\n

D to D:
\n
\n…is the Dorian mode.<\/p>\n

E to E:
\n
\n…is the Phrygian mode<\/strong>.<\/p>\n

F to F:
\n
\n…is the Lydian mode.<\/p>\n

G to G:
\n
\n…is the Mixolydian mode.<\/p>\n

A to A:
\n
\n…is the Aeolian mode.<\/p>\n

B to B:
\n
\n…is the Locrian mode.<\/p>\n

A lot of what we play in the major key is associated with the Ionian mode:
\n
\n…therefore, going beyond the Ionian mode into exploring other modes usually leads to the realization of exotic chords and progressions.<\/p>\n

The Phrygian Mode — Explained<\/em><\/h3>\n

Although there are seven modes, our focus in this lesson is on the Phrygian mode:
\n
\n…which is formed by playing all white notes from E to E.<\/p>\n

Due to the fact that E:
\n
\n…is the third tone in the key of C major:
\n
\n…the Phrygian mode is associated with the third tone of the major scale\/major key.<\/p>\n

Attention:<\/strong> The first note of the Phrygian mode is always considered as the third tone of the major scale.<\/p>\n

In the formation of the F Phrygian scale, the first tone (which is F):
\n
\n…is considered as the third tone in a particular key and that is the key of Db major:
\n
\nSo, using the knowledge of the Db major scale, we can figure out the rest of the tones of the F Phrygian scale:
\n
\n…which is basically the Db major scale:
\n
\n…played from F to F:
\n
\n“Here Are All The Phrygian Scales On The Keyboard…”<\/em><\/p>\n

C Phrygian scale:
\n
\nC# Phrygian scale:
\n
\nD Phrygian scale:
\n
\nD# Phrygian scale:
\n
\nE Phrygian scale:
\n
\nF Phrygian scale:
\n
\nF# Phrygian scale:
\n
\nG Phrygian scale:
\n
\nG# Phrygian scale:
\n
\nA Phrygian scale:
\n
\nA# Phrygian scale:
\n
\nB Phrygian scale:
\n
\nNow that we’ve refreshed our minds on the Phrygian mode, let’s go ahead and explore its exotic chords and progressions.<\/p>\n

Chords Of The Phrygian Mode<\/h2>\n

Following the traditional principles of chord formation, we can form triads, seventh, and extended chords using the Phrygian mode as a scale reference. However, we’ll limit our chord formation in this lesson to triads.<\/p>\n

Transposing the E Phrygian mode:
\n
\n…to C:
\n
\n…produces the C phrygian scale:
\n
\n…which looks like the Ab major scale:
\n
\n…starting and ending on C:
\n
\nSo, keep in mind that you’ll find all the triads in the key of Ab major in the C Phrygian scale.<\/p>\n

“Using The C Phrygian Scale, Here Are The Triads…”<\/em><\/p>\n

On the first tone (which is C):
\n
\n…is the C minor triad:
\n
\nOn the second tone (which is Db):
\n
\n…is the Db major triad:
\n
\nOn the third tone (which is Eb):
\n
\n…is the Eb major triad:
\n
\nOn the fourth tone (which is F):
\n
\n…is the F minor triad:
\n
\nOn the fifth tone (which is G):
\n
\n…is the G diminished triad:
\n
\nOn the sixth tone (which is Ab):
\n
\n…is the Ab major triad:
\n
\nOn the seventh tone (which is Bb):
\n
\n…is the Bb minor triad:
\n
\nAltogether, here are the triads derived from the Phrygian scale:<\/p>\n

The C minor triad<\/p>\n

The Db major triad<\/p>\n

The Eb major triad<\/p>\n

The F minor triad<\/p>\n

The G diminished triad<\/p>\n

The Ab major triad<\/p>\n

The Bb minor triad<\/p><\/blockquote>\n

Using the triads above (derived from the Phrygian mode), Phrygian chord progressions can be formed in any key.<\/p>\n

Final Words<\/h2>\n

Using the chords and progressions covered in this lesson, I’m doubly sure that you can create a fanciful ending to your songs<\/p>\n

For gospel musicians, you can hear a Phrygian chord progression in Tye Tribett’s Champion<\/em><\/a> in the key of D major:<\/p>\n

Our God is the awesome God <\/em>
\nThere’s none like you <\/em>
\nWith him we win <\/em>
\nHe’s our champion<\/em><\/p><\/blockquote>\n

There’s a “3-2-1” Phrygian progression. Using the D Phrygian mode:
\n
\n…here’s the progression…<\/p>\n

The 3-chord:
\n
\nThe 2-chord:
\n
\nThe 1-chord:
\n
\nI’m sure you enjoyed this lesson and I can’t wait to be back to further this discussion in another lesson.<\/p>\n

Thanks for reading.<\/p>\n","protected":false},"excerpt":{"rendered":"

Explore the chords and progressions from the phrygian mode that you can spice up your playing with.<\/p>\n","protected":false},"author":9,"featured_media":22474,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9],"tags":[17,2655,2656,2387,2657,2540],"class_list":["post-18090","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","tag-basic-songs","tag-phrigian-chords","tag-phrygian-chord-progressions","tag-phrygian-mode","tag-phrygian-progressions","tag-phrygian-scale","post-wrapper","thrv_wrapper"],"yoast_head":"\nTurn Heads With These Exotic Chords And Progressions From The Phrygian Mode - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Explore the chords and progressions from the phrygian mode that you can spice up your playing with.\" \/>\n<meta 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