{"id":18129,"date":"2018-08-15T00:00:00","date_gmt":"2018-08-15T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=18129"},"modified":"2024-10-05T15:16:31","modified_gmt":"2024-10-05T23:16:31","slug":"why-scholars-think-you-should-know-cb-and-e-notes","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/why-scholars-think-you-should-know-cb-and-e-notes\/","title":{"rendered":"Why Scholars Think You Should Know The Cb and E# Notes"},"content":{"rendered":"

In this lesson, I’ll be showing you why music scholars think you should know the Cb and E# notes.<\/p>\n

C#:
\n
\n…is known by almost everyone (even those who started learning yesterday). Same thing can be said about Eb:
\n
\nBut the moment you talk about Cb and E#, it raises eyebrows and this is because there are certain note spellings that so many musicians don’t know on the keyboard and this is because of the general perception of sharps (#) and flats (b).<\/p>\n

Contrary to the understanding of sharps and flats, we’ll be looking at the proper definition of sharps and flats from a theoretical standpoint and after that, you’ll understand see the Cb and E# notes and understand their importance as well.<\/p>\n

“What Are Sharps And Flats?”<\/em><\/h2>\n

Sharps and flats are symbols used in the modification of pitch. The pitch of a note is said to be modified when it is either raised or lowered.<\/p>\n

Let’s look at these symbols closely.<\/p>\n

A Short Note On The Sharp Symbol<\/h3>\n

The sharp symbol (#) raises the pitch level of a note by a half-step.<\/p>\n

For example, the note C:
\n
\n…can be modified by the sharp symbol (#), which raises its pitch level by a half-step. Raising C by a half-step produces C#:
\n
\nThe addition of the sharp symbol to the letter name of any given note, raises its pitch by a half-step.<\/p>\n

Raising F (by a half-step):
\n
\n…produces F#:
\n
\nRaising G (by a half-step):
\n
\n…produces G#:
\n<\/p>\n

Raising A (by a half-step):
\n
\n…produces A#:
\n
\n…and so on.<\/p>\n

Attention:<\/strong> To take your knowledge of music theory to another level, I recommend that you get our 500+ page course: The “Official Guide To Piano Playing.” [thrive_2step id=’18141′]Click here to let us know.<\/span>[\/thrive_2step]<\/p>\n

The Flat Symbol — Explained<\/em><\/h3>\n

The flat symbol (b) lowers the pitch level of a note by a half-step. For example, the note D:
\n
\n…can be modified by the flat symbol (b), which lowers its pitch level by a half-step. Lowering D by a half-step produces Db:
\n
\nThe addition of the flat symbol to the letter name of any given note, lowers its pitch by a half-step.<\/p>\n

Lowering G (by a half-step):
\n
\n…produces Gb:
\n<\/p>\n

Lowering A (by a half-step):
\n
\n…produces Ab:
\n<\/p>\n

Lowering B (by a half-step):
\n
\n…produces Bb:
\n
\n…and so on.<\/p>\n

Attention:<\/strong> To take your knowledge of music theory to another level, I recommend that you get our 500+ page course: The “Official Guide To Piano Playing.” [thrive_2step id=’18141′]Click here to let us know.<\/span>[\/thrive_2step]<\/p>\n

“So, Where Are The Cb and E# Notes On The Piano?”<\/em><\/h3>\n

From our understanding of sharp and flat symbols as pitch modifiers, it’s clear that Cb and E# notes are modified from the natural C and E notes.<\/p>\n

Cb is basically a C note:
\n
\n…that is lowered by a half-step. Lowering C by a half-step produces Cb:
\n
\n…while the E# note is an E note:
\n
\n…that is raised by a half-step. Raising E by a half-step produces E#:
\n
\nSo, here is the Cb note:
\n
\n…and the E# note:
\n<\/p>\n

Why Scholars Think You Should Know The Cb and E# Notes<\/h2>\n

The Cb note (which is rare):
\n
\n…is always considered as B (which is common):
\n
\nThe same thing applies to the E# note:
\n
\n…which is always misspelled as F:
\n
\nIf you’re in the league of musicians who consider Cb as B and E# as F, then you need to pay attention to two reasons why music scholars think you should know the Cb and E# notes.<\/p>\n

Reason #1 – Cb Is The Fourth Tone Of The Gb Major Scale<\/h3>\n

In the key of Gb major:
\n
\nCb:
\n
\n…is the fourth tone.<\/p>\n

Although the Cb note is misspelled as B:
\n
\n…most of the time and this is because B is the more common spelling of the fourth tone of the Gb major scale, it is important to note that the fourth tone of the Gb major scale is NOT B:
\n
\n…it is Cb:
\n<\/p>\n

Reason #2 – E# Is The Third Tone Of The C# Major Scale<\/h3>\n

In the key of C# major:
\n
\nE#:
\n
\n…is the third tone.<\/p>\n

The E# note is usually misspelled as F:
\n
\n…most of the time and this is because F is the more common spelling of the fourth tone of the C# major scale. However, it is important to note that the third tone of the C# major scale is NOT F:
\n
\n…it is E#:
\n<\/p>\n

Final Words<\/h2>\n

The use of the Cb and E# spelling is inevitable in music theory; as long as the keys of Gb major:
\n
\n…and C# major:
\n
\n…are in perspective.<\/p>\n

It’s also important to note that the seventh tone of the F# major scale:
\n
\n…is E#:
\n
\nSo, the next time you come across Cb and E#, I’m very certain they won’t raise those eyebrows anymore.<\/p>\n

Keep up the great work.<\/p>\n","protected":false},"excerpt":{"rendered":"

There are rarely used note on the piano. Find out how these spellings are applied.<\/p>\n","protected":false},"author":9,"featured_media":22472,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[252,9,229],"tags":[2149,2146],"class_list":["post-18129","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-beginners","category-piano","category-scales-theory-piano","tag-cb","tag-e","post-wrapper","thrv_wrapper"],"yoast_head":"\nWhy Scholars Think You Should Know The Cb and E# Notes - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"There are rarely used note on the piano. 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