{"id":18503,"date":"2018-10-01T00:00:00","date_gmt":"2018-10-01T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=18503"},"modified":"2024-10-05T14:59:09","modified_gmt":"2024-10-05T22:59:09","slug":"who-else-is-interested-in-knowing-why-augmented-triads-are-not-common","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/who-else-is-interested-in-knowing-why-augmented-triads-are-not-common\/","title":{"rendered":"Who Else Is Interested In Knowing Why Augmented Triads Are Not Common?"},"content":{"rendered":"

If you want to know why augmented triads are not common, you’re on the right page.<\/p>\n

Unlike major and minor triads, augmented triads are rarely used. This is not just for beginners; intermediate and advanced players too will agree to how less frequent the harmony of the augmented triad is.<\/p>\n

Depending on the genre of music you’re playing, it’s possible to play for 1 year, 3, years, 7 years, 20 years, or a lifetime without playing an augmented triad. Trust me!<\/p>\n

Submission:<\/strong> Advanced students are aware that the augmented triad can be used as an upper-structure to form other chords, but the reference to the augmented triad in this lesson is as a unique chord (and not an upper-structure).<\/p>\n

You’ll find out the reason why the augmented triad is rare. Read on!<\/p>\n

A Breakdown Of Scale Degree Chords In The Major Key<\/h2>\n

In the major key, there are seven unique tones. The key of C major (our reference):
\n
\n…has seven unique tones:<\/p>\n

C, D, E, F, G, A, and B<\/p><\/blockquote>\n

The chords that can be formed on each of the tones using the tones of the C major scale are referred to as scale degree chords.<\/p>\n

The 1-Chord (a major triad)<\/h3>\n

Starting from the first tone of the C major scale:
\n
\n…which is C:
\n
\n…a scale degree chord can be formed in third intervals:<\/p>\n

A third from C is E:
\n
\n…and another third from E is G:
\n<\/p><\/blockquote>\n

Altogether, we have C, E, and G:
\n
\n…which is (for all intents an purposes) the C major triad.<\/p>\n

The C major triad:
\n
\n…which consists of C, E, and G (which are all tones of the C major scale) is a scale-degree chord in the key of C major and due to the position of C as tone number 1 in the C major scale, the C major triad is also know as the 1-chord in the key of C major.<\/p>\n

The 2-Chord (a minor triad)<\/h3>\n

Starting from the second tone of the scale (D):
\n
\n…the D minor triad is formed by stacking D, F, and A together:
\n
\n…and\u00a0 due to the position of D as tone number 2 in the C major scale, the D minor triad is also know as the 2-chord in the key of C major.<\/p>\n

The 3-Chord (a minor triad)<\/h3>\n

Starting from the third tone of the scale (E):
\n
\n…the E minor triad is formed by stacking E, G, and B together:
\n
\n…and\u00a0 due to the position of E as tone number 3 in the C major scale, the E minor triad is also know as the 3-chord in the key of C major.<\/p>\n

Attention:<\/strong> To learn more about this, I recommend our 500+ page course: The “Official Guide To Piano Playing.”<\/strong> [thrive_2step id=’18141′]Click here for more information.<\/span>[\/thrive_2step]<\/p>\n

The 4-Chord (a major triad)<\/h3>\n

Starting from the fourth tone of the scale (F):
\n
\n…the F major triad is formed by stacking F, A, and C together:
\n
\n…and\u00a0 due to the position of F as tone number 4 in the C major scale, the F major triad is also know as the 4-chord in the key of C major.<\/p>\n

The 5-Chord (a major triad)<\/h3>\n

Starting from the fifth tone of the scale (G):
\n
\n…the G major triad is formed by stacking G, B, and D together:
\n
\n…and\u00a0 due to the position of G as tone number 5 in the C major scale, the G major triad is also know as the 5-chord in the key of C major.<\/p>\n

The 6-Chord (a minor triad)<\/h3>\n

Starting from the sixth tone of the scale (A):
\n
\n…the A minor triad is formed by stacking A, C, and E together:
\n
\n…and\u00a0 due to the position of A as tone number 6 in the C major scale, the A minor triad is also know as the 6-chord in the key of C major.<\/p>\n

The 7-Chord (a diminished triad)<\/h3>\n

Starting from the seventh tone of the scale (B):
\n
\n…the B diminished triad is formed by stacking B, D, and F together:
\n
\n…and\u00a0 due to the position of B as tone number 7 in the C major scale, the B diminished triad is also know as the 7-chord in the key of C major.<\/p>\n

Chord Qualities In The Major Key<\/h2>\n

From the breakdown of the scale degree chords in the major key, we derived the following chord qualities:<\/p>\n

The major quality<\/p>\n

The minor quality<\/p>\n

The diminished quality<\/p><\/blockquote>\n

Let’s take a closer look at these chord qualities before we proceed.<\/p>\n

Major quality chords<\/strong> are on the first, fourth, and fifth tones of the major scale. Consequently, the 1-chord, 4-chord, and 5-chord have the major quality.<\/p>\n

Minor quality chords<\/strong> are on the second , third, and sixth tones of the major scale. Therefore, the 2-chord, 3-chord, and 6-chord have the minor quality.<\/p>\n

The diminished quality chord<\/strong> is on the seventh tone of the major scale. This explains why the 7-chord, has a\u00a0 the diminished quality.<\/p>\n

“So, Where Is The Augmented Triad In The Major Key?”<\/em><\/h3>\n

The major triad (the 1-chord and 4-chord), the minor triad (the 2-chord, 3-chord, and 6-chord), and diminished triad (the 7-chord) are all associated with the major key.<\/p>\n

From our breakdown, we only encountered three triad qualities: the major, minor, and diminished triads. The augmented triad is NOT one of the triad qualities you can find in the major key.<\/p>\n

This explains why augmented triads are not commonly used.<\/p>\n

Attention:<\/strong> To learn more about this, I recommend our 500+ page course: The “Official Guide To Piano Playing.”<\/strong> [thrive_2step id=’18141′]Click here for more information.<\/span>[\/thrive_2step]<\/p>\n

Final Words<\/h2>\n

This is just the beginning of our study on the augmented triad. In a subsequent lesson, we’ll be looking at the origin of the augmented triad in tonal music.<\/p>\n

Keep up the great work!<\/p>\n","protected":false},"excerpt":{"rendered":"

This lessons provides you with a down-to-earth explanation on why augmented triads are not common.<\/p>\n","protected":false},"author":9,"featured_media":22453,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[350,9],"tags":[1943,1375,1942,2145],"class_list":["post-18503","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-music-etc","category-piano","tag-augmented-chord","tag-augmented-chords","tag-augmented-triad","tag-augmented-triads","post-wrapper","thrv_wrapper"],"yoast_head":"\nWho Else Is Interested In Knowing Why Augmented Triads Are Not Common? - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"This lessons provides you with a down-to-earth explanation on why augmented triads are not common.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link 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