{"id":18784,"date":"2019-01-02T00:00:00","date_gmt":"2019-01-02T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=18784"},"modified":"2024-10-05T06:06:19","modified_gmt":"2024-10-05T14:06:19","slug":"right-hand-chords-for-the-g-and-ab-bass-note","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/right-hand-chords-for-the-g-and-ab-bass-note\/","title":{"rendered":"9th Day Of Christmas &#8211; Right Hand Chords For The G# and Ab Bass Note"},"content":{"rendered":"<p>Our focus in today&#8217;s lesson is on the right hand chords for the G# and Ab bass note.<\/p>\n<p>This is the ninth lesson in our<a href=\"https:\/\/www.hearandplay.com\/main\/the-12-days-of-christmas-series-unlocking-right-hand-chords-for-bass-notes-in-the-key-of-c-major\"> twelve days of Christmas series<\/a> and we&#8217;re getting started by differentiating between the G# and Ab bass note.<\/p>\n<h2>Explained &#8212; The Difference Between The G# and Ab Bass Notes<\/h2>\n<p>In between G and A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a black note. This black note (in between G and A) can either be spelled in two simple ways:<\/p>\n<blockquote><p>G#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nDb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>So, the bass note in between G and A can either be G# or Ab and this depends on the function of the bass note. There are two bass note functions for the black note in between G and A:<\/p>\n<blockquote><p>Leading note<\/p>\n<p>Tritone Substitute<\/p><\/blockquote>\n<p>Let&#8217;s go ahead and explore how this works.<\/p>\n<h3>G# As The Leading Note vs Db as The Tritone Substitute<\/h3>\n<p>The difference between the leading note and the tritone substitute is basically how they resolve.<\/p>\n<p>The leading note resolves <em>upwards<\/em> by a half-step while the tritone substitute resolves <em>downwards<\/em> by a half-step.<\/p>\n<p>Here&#8217;s the distinction between the leading note and the tritone substitute:<\/p>\n<blockquote><p>G#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a leading note. Therefore it resolves <strong>upwards<\/strong> by a half-step to A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nAb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a tritone substitute. Therefore it resolves <strong>downwards<\/strong> by a half-step to G:<\/p><\/blockquote>\n<p>Let&#8217;s take a closer look.<\/p>\n<h3>G# As The Leading Note<\/h3>\n<p>A leading note is usually a half-step below a given note. Let&#8217;s say you&#8217;re given F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to determine its leading note, the leading note of F is the note that is a half-step below it.<\/p>\n<blockquote><p>A half-step below F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>So, considering that a half-step below F is E, the leading note of F is E. The leading note (which is E) resolves upwards by a half-step (to F).<\/p>\n<p><em>&#8220;Now, Back To G#&#8230;&#8221;<\/em><\/p>\n<p>G# functions as a leading note and just like every leading note, it resolves upwards by a half-step to A. So, if you have a G# bass note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Gs,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;in the key of C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;it will resolve upwards by a half-step to A and the right hand chord will also resolve to any of these 6-chord types:<\/p>\n<blockquote><p>A minor triad:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,A,C,E,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nA minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,A,C,E,G,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nD minor ninth chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=A,A,C,E,G,B,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;etc.<\/p>\n<h3>Ab as The Tritone Substitute<\/h3>\n<p>A tritone (three whole steps) above Ab is D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,D,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>Ab to Bb (first whole step):<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,Bb,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nBb to C (second whole step):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Bb,C,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nC to D (third whole step):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>Ab as a tritone substitute means that Ab is substituting D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the 2nd tone in the C major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nSo, the right hand chords played over the Ab bass note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;are substituting the right hand chords played over the D bass note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nTake note that the D bass note usually resolves to the G bass note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nIn the same vein, the Ab bass note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Ab,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;resolves to G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a downward half-step movement.<\/p>\n<p>So, right hand chords associated with the Ab bass note resolve to the 5-chord in the key of C major <a href=\"https:\/\/www.hearandplay.com\/main\/right-hand-chords-for-the-g-bass-note\">that are associated with the G bass note.<\/a><\/p>\n<h2>Right Hand Chords For The C# Bass Note<\/h2>\n<p><strong>Attention:<\/strong> Right hand chords for the C# bass note depends on factors like skill level, musical taste, etc. There are situations that an advanced player may want to use basic chords instead of sophisticated chords.<\/p>\n<h3>Basic<\/h3>\n<p>Beginners may want to play any of the following right hand chords for the C# bass note:<\/p>\n<blockquote><p>A major triad (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Cs,E,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nA major triad (first inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,E,A,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nA major triad (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,Cs,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nC# diminished triad (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,E,G,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nC# diminished triad (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Cs,E,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h3>Intermediate<\/h3>\n<p>Intermediate players may want to play right hand chords like:<\/p>\n<blockquote><p>C# diminished seventh chord (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,E,G,Bb,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nC# half-diminished seventh chord (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,E,G,B,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h3>Advanced<\/h3>\n<p>Advanced players may want to play the following :<\/p>\n<blockquote><p>The G half-diminished seventh (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Bb,Db,F,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nC# major seventh [b5] (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,F,G,C,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;or fourth chords like:<\/p>\n<blockquote><p>The C# 7sus4:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,Fs,B,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nThe G maj7 [sus4]:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,B,D,Fs,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h2>Right Hand Chords For The Db Bass Note<\/h2>\n<p><strong>Attention:<\/strong> Right hand chords for the Db bass note depends on factors like skill level, musical taste, etc. There are situations that an advanced player may want to use basic chords instead of sophisticated chords.<\/p>\n<h3>Basic<\/h3>\n<p>Beginners may want to play any of the following right hand chords for the Db bass note:<\/p>\n<blockquote><p>Db major triad (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,Db,F,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nDb dominant seventh chord (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,F,Ab,Cb,,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nDb dominant seventh chord (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,Cb,Db,F,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h3>Intermediate<\/h3>\n<p>Intermediate players may want to play right hand chords like:<\/p>\n<blockquote><p>G# diminished seventh chord (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,B,D,F,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h3>Advanced<\/h3>\n<p>Advanced players may want to play the following :<\/p>\n<blockquote><p>The F half-diminished seventh (root position):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Gs,B,D,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><br \/>\nThe B major seventh [b5] (second inversion):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,Ds,F,As,&amp;color=CCFF66&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<h2>Final Words<\/h2>\n<p>Using the right hand chords covered in this lesson, I&#8217;m sure that you&#8217;ve got a right hand chord for C# and Db bass notes in the key of C major; irrespective of your skill level.<\/p>\n<p>See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Check out this lesson on the right hand chords of the G# and Ab bass note.<\/p>\n","protected":false},"author":9,"featured_media":22401,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-18784","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>9th Day Of Christmas - Right Hand Chords For The G# and Ab Bass Note - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Check out this lesson on the right hand chords of the G# and Ab bass note.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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