{"id":18968,"date":"2019-02-22T00:00:00","date_gmt":"2019-02-22T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=18968"},"modified":"2024-10-05T05:43:53","modified_gmt":"2024-10-05T13:43:53","slug":"intermediate-jazz-players-how-to-practice-scales-over-the-2-5-1-chord-progression","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/intermediate-jazz-players-how-to-practice-scales-over-the-2-5-1-chord-progression\/","title":{"rendered":"Intermediate Jazz Players: How To Practice Scales Over The 2-5-1 Chord Progression"},"content":{"rendered":"<p>I&#8217;ll be showing you (step-by-step) how to practice scales over the 2-5-1 chord progression.<\/p>\n<p>As an intermediate jazz player, you&#8217;re expected to be properly acquainted with <a href=\"https:\/\/www.hearandplay.com\/main\/these-are-traditional-scales-learn-how-to-play-them\">traditional scales<\/a> and modal scales and how they can be played starting from any note on the keyboard.<\/p>\n<p>You&#8217;re also expected to know the compatible scales that are specific for every chord (usually played on the left hand).<\/p>\n<p>But in this lesson, I&#8217;ll be taking you beyond the knowledge of scales and scale-chord compatibility to showing you the proper way to practice these scales over the 2-5-1 chord progression.<\/p>\n<p>Before we do so, let&#8217;s refresh our minds on the 2-5-1 chord progression.<\/p>\n<h2>Quick Insights On The 2-5-1 Chord Progression<\/h2>\n<p>In every major key, there are seven unique scale tones. The key of C major (as a reference):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has these seven scale tones and each of these scale tones can be represented or notated using the number system.<\/p>\n<p><em>&#8220;Check It Out&#8230;&#8221;<\/em><\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>C is the 1<\/p>\n<p>D is the 2<\/p>\n<p>E is the 3<\/p>\n<p>F is the 4<\/p>\n<p>G is the 5<\/p>\n<p>A is the 6<\/p>\n<p>B is the 7<\/p><\/blockquote>\n<p>In the number system, scale tone chords associated with every tone of the scale have their corresponding number. For example, the C major chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is considered as the 1-chord and that&#8217;s because C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is the first tone of the C major scale is associated with the &#8220;number 1&#8221; in the number system.<\/p>\n<h3><em>&#8220;So, What&#8217;s The 2-5-1 Chord Progression?&#8221;<\/em><\/h3>\n<p>The movement from one scale tone chord to another creates chord progressions.<\/p>\n<p>Chord progressions can be represented using the number system. The 2-5-1 chord progression is a movement between the chords of the 2nd, 5th, and 1st tones of major scale.<\/p>\n<p>So, the movement from the 2-chord to the 5-chord, then the 1-chord produces the 2-5-1 chord progression (either) in the major (or minor) key.<\/p>\n<p><em>&#8220;Let&#8217;s Play The 2-5-1 Chord Progression Using Seventh Chords&#8230;&#8221;<\/em><\/p>\n<p><strong>Attention: <\/strong>All the examples that will be given are in the key of C major.<\/p>\n<p>The 2-chord is the D minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,D,F,A,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the 5-chord is the G dominant seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,D,F,G,B,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;while the 1-chord is the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,E,G,B,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nNow that we&#8217;ve refreshed our minds on the 2-5-1 chord progression, let&#8217;s go ahead and learn how to practice scales over it.<\/p>\n<h2>How To Practice Scales Over The 2-5-1 Chord Progression<\/h2>\n<p>Before we talk about how scales can be practiced, let&#8217;s look at the three underlying modal scales for the 2-5-1 chord progression.<\/p>\n<p><strong>Attention:<\/strong> Keep in mind that all the examples are in the key of C.<\/p>\n<p>The scale for the 2-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,D,F,A,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the Dorian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,E,F,G,A,B,C,D,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nThe scale for the 5-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=G,D,F,G,B,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the Mixolydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,A,B,C,D,E,F,G,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\nThe scale for the 1-chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,C,E,G,B,,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the Lydian scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,Fs,G,A,B,C,&amp;color=00CC66&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Final Words<\/h2>\n<p>It&#8217;s important to start scales on the 1st, 3rd, 5th, and 7th tones &#8212; which are basically chord tones.<\/p>\n<p>We&#8217;ll look at how the use of guide-tones can help you take advantage of the playing of scales from chord tones.<\/p>\n<p>Thank you for your time invested in reading this blog and questions, suggestions, and comments are welcome and you can drop them in the comment section below.<\/p>\n<p>See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This lesson provides intermediate jazz musicians with some information on how to practice scales over the 2-5-1 chord progression.<\/p>\n","protected":false},"author":9,"featured_media":22377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-18968","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Intermediate Jazz Players: How To Practice Scales Over The 2-5-1 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