{"id":19227,"date":"2019-04-24T00:00:00","date_gmt":"2019-04-24T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=19227"},"modified":"2024-09-18T19:32:13","modified_gmt":"2024-09-19T03:32:13","slug":"implied-harmony-heres-how-perfect-and-diminished-fifth-intervals-can-be-used-as-chord-voicings","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/implied-harmony-heres-how-perfect-and-diminished-fifth-intervals-can-be-used-as-chord-voicings\/","title":{"rendered":"Implied Harmony: Here&#8217;s How Perfect And Diminished Fifth Intervals Can Be Used As Chord Voicings"},"content":{"rendered":"<p>Our focus in today&#8217;s lesson is on implied harmony and how fifth intervals can be used as chord voicings.<\/p>\n<p><strong>Attention:<\/strong> This lesson is written with intermediate musicians in mind. So, I assume that you&#8217;re an intermediate player who has a basic knowledge of harmony and wants to learn more about implied harmony.<\/p>\n<p>Let&#8217;s get started right away by taking a look at these two fifth interval types:<\/p>\n<blockquote><p>Perfect fifth intervals<\/p>\n<p>Diminished fifth intervals<\/p><\/blockquote>\n<p>&#8230;before we go ahead and learn how they can be used as chord voicings.<\/p>\n<h2>Quick Insights On Perfect And Diminished Fifth Intervals<\/h2>\n<p>The goal of this segment is to refresh your mind on the fifth intervals we&#8217;ll be using as chord voicings in this lesson.<\/p>\n<p>Can you still remember the definition of an interval:<\/p>\n<blockquote><p><em>An interval is a product of the relationship between two notes heard together or separately.<\/em><\/p><\/blockquote>\n<p>From the definition of intervals, the perfect fifth interval and diminished fifth interval are basically a pair of notes that can be heard together (as harmonic intervals) or separately (as melodic intervals).<\/p>\n<p>We&#8217;ll be focusing on perfect and diminished fifth intervals heard together as harmonic intervals.<\/p>\n<h3>The Perfect Fifth Interval &#8212; <em>Explained<\/em><\/h3>\n<p>The relationship between the first and fifth tones of the major scale produces the perfect fifth interval. In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where the first and fifth tones are C and G respectively:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;playing C and G together produces a perfect fifth interval (C-G):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nUsing the major scale as a reference, you can derive the perfect fifth interval starting from any note.<\/p>\n<p><em>&#8220;Check Out All The Perfect Fifth Intervals On The Keyboard&#8230;&#8221;<\/em><\/p>\n<p>C perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nDb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Db,Ab,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nD perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,A,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nEb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Eb,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nE perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nF perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,C,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nGb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gb,Db,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nG perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,D,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nAb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ab,Eb,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nA perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,E,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nBb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,F,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nB perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,Fs,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nLet&#8217;s proceed to diminished fifth intervals.<\/p>\n<h3>A Short Note On The Diminished Fifth Interval<\/h3>\n<p>Diminished intervals are fifth intervals that are smaller than perfect fifth intervals by a half-step. For example, the interval between C and Gb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Gb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is a diminished fifth interval.<\/p>\n<p>Side-by-side with the perfect fifth interval:<\/p>\n<blockquote><p>C and G (the perfect fifth):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nC and Gb (the diminished fifth):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Gb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;you can see that the diminished fifth interval is smaller by a half-step. Consequently, lowering a perfect interval by a half-step produces a diminished fifth interval.<\/p>\n<p>For example, lowering E and B (a perfect fifth interval):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half-step (produces E and Bb):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is a diminished fifth interval.<\/p>\n<p><em>&#8220;Check Out All The Diminished Fifth Intervals On The Keyboard&#8230;&#8221;<\/em><\/p>\n<p>C diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Gb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nC diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nD diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Ab,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nD# diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Ds,A,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nE diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nF diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,Cb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nF# diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,C,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nG diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Db,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nG# diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Gs,D,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nA diminished fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Eb,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nBb perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,Fb,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nB perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,F,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p>\n<h2>Perfect And Diminished Fifth Intervals As Chord Voicings<\/h2>\n<p>The perfect fifth and diminished fifth intervals can be used to imply seventh chord harmonies and I&#8217;ll be showing you how this works.<\/p>\n<p>Let&#8217;s get started with the implied major seventh harmony.<\/p>\n<h3>Implied Major Seventh Harmony<\/h3>\n<p>The major seventh chord consists of two perfect fifth intervals:<\/p>\n<ol>\n<li>Between the root and the fifth<\/li>\n<li>Between the third and the seventh<\/li>\n<\/ol>\n<p>In the C major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;there are two perfect fifth intervals:<\/p>\n<blockquote><p>C-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nE-B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>The perfect fifth interval between the third and seventh tones (E and B):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;can be used to imply the C major seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,E,G,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nPlaying E-B (implied C major seventh harmony) over C on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,B,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C major seventh chord.<\/p>\n<p><em>&#8220;So, What&#8217;s The Relationship Between The Root Note And The Perfect Fifth Interval?&#8221;<\/em><\/p>\n<p>Playing a perfect fifth interval that is a major third above any given root note produces an implied major seventh harmony.<\/p>\n<p>For example, if A is given as the root note:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;playing a perfect fifth interval on the third tone of the A major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,B,Cs,D,E,Fs,Gs,A,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is C#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Cs,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;would produce an implied A major seventh harmony.<\/p>\n<p>So, the C# perfect fifth:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,Cs,Gs,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the implied A major seventh harmony and if you take a closer look at the A major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Cs,E,Gs,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;you&#8217;ll see that the tones of C# perfect fifth interval (C# and G#) are the third and seventh tones of the A major seventh chord.<\/p>\n<h3>Implied Minor Seventh Harmony<\/h3>\n<p>Playing a perfect fifth interval three half-steps above any given root note produces the minor seventh harmony.<\/p>\n<p><em>&#8220;It&#8217;s Simpler Than It Sounds&#8230;&#8221;<\/em><\/p>\n<p>Given G (as the root note):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;the corresponding perfect fifth interval that produces an implied minor seventh harmony is three half-steps above G and that&#8217;s Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>Three half-steps above G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is Bb:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>So, the Bb perfect fifth interval:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,F,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is the implied minor seventh harmony and you can clearly see the tones of the Bb perfect fifth interval in the G minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Bb,D,F,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p>\n<blockquote><p>Bb is the third:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nF is the seventh:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,,F,&amp;color=339999&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>Three half-steps above E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;is G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nSo, playing the G perfect fifth (G-D):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,D,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over E on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces an implied E minor seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=E,,G,D,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nUsing the perfect fifth interval, the minor seventh harmony can be implied.<\/p>\n<h3>Implied Dominant Seventh Harmony<\/h3>\n<p>Playing the diminished fifth interval (aka &#8211; &#8220;tritone&#8221;) on the third tone of the scale implies a dominant seventh harmony.<\/p>\n<p>In the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;where E is the third tone:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nPlaying the E diminished fifth interval (E-Bb):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over C on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;produces the C implied dominant seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,E,Bb,,&amp;color=339999&amp;size=2\" border=\"0\" \/><br \/>\nFollowing the same procedure, the dominant seventh harmony can be implied on every given bass note.<\/p>\n<h2>Final Words<\/h2>\n<p>We&#8217;re just getting started with implied harmony.<\/p>\n<p>In a subsequent lesson, we&#8217;ll learn more about their broader application in terms of voicing, progressions, and most importantly how they can be used to play songs.<\/p>\n<p>Meanwhile, go ahead and master how dominant, major, and minor seventh harmonies can be implied. I guarantee that if you stick to the procedures given in this lesson, that you&#8217;ll get the same results.<\/p>\n<p>All the best and see you next time.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This lesson on implied harmony will show you how intervals can be used to play a variety of seventh chord types.<\/p>\n","protected":false},"author":9,"featured_media":22281,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,21,22,9],"tags":[17,194,2808,140,193],"class_list":["post-19227","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-gospel-music","category-jazz-music","category-piano","tag-basic-songs","tag-dominant-seventh-chords","tag-implied-harmony","tag-major-seventh-chords","tag-minor-seventh-chords","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This 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