{"id":19306,"date":"2019-04-21T00:00:00","date_gmt":"2019-04-21T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=19306"},"modified":"2024-09-18T19:19:37","modified_gmt":"2024-09-19T03:19:37","slug":"fresh-perspectives-to-the-2-5-1-chord-progression-using-advanced-chord-voicings","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/fresh-perspectives-to-the-2-5-1-chord-progression-using-advanced-chord-voicings\/","title":{"rendered":"Fresh Perspectives To The 2-5-1 Chord Progression Using Advanced Chord Voicings"},"content":{"rendered":"

We’re focusing on the 2-5-1 chord progression in this lesson and we’ll be learning a handful of advanced chord voicings.<\/p>\n

Attention:<\/strong> This lesson is written with the advanced player in mind. Therefore, if you’re a beginner or an intermediate player, you’ll do well to check out previous lessons that are designed for beginners and intermediate players.<\/p>\n

Although the 2-5-1 chord progression should be well known to the advanced player, we’ll start out this lesson with a quick review which should serve as a refresher before we proceed into learning an breaking down the voicings.<\/p>\n

Alright! Let’s get started.<\/p>\n

A Quick Review Of The 2-5-1 Chord Progression
\n<\/em><\/h2>\n

Chord progressions in the key are based on the number system.<\/p>\n

For example, the scale tones in the key of C major:
\n
\n…are assigned with numbers from 1 to 7:<\/p>\n

C is the 1<\/p>\n

D is the 2<\/p>\n

E is the 3<\/p>\n

F is the 4<\/p>\n

G is the 5<\/p>\n

A is the 6<\/p>\n

B is the 7<\/p><\/blockquote>\n

The numbers assigned to scale tones are also associated with scale tone chords. For instance, the C major seventh chord:
\n
\n…which has its root as C (the first tone):
\n
\n…is known as the 1-chord.<\/p>\n

That said, the 2-5-1 chord progression is a movement of the following chords:<\/p>\n

The 2-chord<\/p>\n

The 5-chord<\/p>\n

The 1-chord<\/p><\/blockquote>\n

…based on the number system.<\/p>\n

“Check Out The Classic 2-5-1 Chord Progression Using Ninth Chords…”<\/em><\/p>\n

Attention:<\/strong> Keep in mind that this example is given in the key of C major.<\/p>\n

The 2-chord (the D minor ninth chord):
\n
\nThe 5-chord (the G dominant ninth chord):
\n
\nThe 1-chord (the C major ninth chord):
\n
\n“Here’s A Different Twist To The Same 2-5-1 Chord Progression…”<\/em><\/p>\n

The 2-chord (the D minor ninth chord):
\n
\nThe 5-chord (the G dominant ninth chord):
\n
\nThe 1-chord (the C major ninth chord):
\n
\nNow that we’ve refreshed our minds on the 2-5-1 chord progression, I’ll go ahead and give you fresh perspectives to the 2-5-1 chord progression using advanced chord voicings and I’m sure you’ll love it.<\/p>\n

How To Play The 2-5-1 Chord Progression Using Advanced Chord Voicings
\n<\/em><\/h2>\n

Advanced players set their playing apart from amateurs, beginners, and intermediate players with the use of advanced chord voicings. This does not mean that advanced players don’t use triads — of course they do.<\/p>\n

However, when it comes to harmonic sophistication, advanced players have “dangerous” voicings in their chordal vocabulary that they can spice boring chord progressions and turn heads with.<\/p>\n

Quickly, we’ll be exploring 2-5-1 chord progressions that have some of these advanced voicings and we’ll be doing so in the key of C major.<\/p>\n

Example #1 – “Sounds Phat And Jazzy”<\/em><\/h3>\n

This 2-5-1 progression here consists of the following chords:<\/p>\n

The D minor ninth chord<\/p>\n

The G altered chord<\/p>\n

The C major seventh [add thirteenth] chord<\/p><\/blockquote>\n

“Here Are The Chords…”<\/em><\/p>\n

The 2-chord:
\n
\nThe 5-chord:
\n
\nThe 1-chord:
\n
\nAttention:<\/strong> The use of tenths:<\/p>\n

D-F:
\n
\nC-E:
\n<\/p><\/blockquote>\n

…and sevenths:<\/p>\n

G-F:
\n<\/p><\/blockquote>\n

…on the left hand adds some depth and fullness to the chords with or without a bass player.<\/p>\n

Example #2 – “Gospel Players Will Love This One”<\/em><\/h3>\n

In this example, we’re progressing from the D minor eleventh chord, to the Db dominant ninth (sharp eleventh) chord, then to the C 6\/9 chord.<\/p>\n

“Check It Out…”<\/em><\/p>\n

The 2-chord:
\n
\nThe 5-chord (substituted):
\n
\nThe 1-chord:
\n
\nAttention:<\/strong> The tritone substitution of the 5 chord with the Db dominant chord happens a lot in gospel and jazz music. There’s a guarantee that you’ll either sound like an advanced gospel or jazz player with this particular example.<\/p>\n

Example #3 – “You Must Have Heard This In A Broadway Musical”<\/em><\/h3>\n

I love this particular example a lot and this is because of the elements of classical music in the chord movement. The 2-chord is the D minor ninth chord, followed by the 5-chord which is the G dominant seventh (flat ninth) chord, then the C major ninth chord.<\/p>\n

“Try Them Out…”<\/em><\/p>\n

The 2-chord:
\n
\nThe 5-chord:
\n
\nThe 1-chord:
\n
\nYou can learn more chords like this in the gospel music training center<\/a>.<\/p>\n

Attention:<\/strong> It shouldn’t escape your notice that the 5-chord is played rootless. In a subsequent lesson, we’ll breakdown the rationale behind the movement of the voices in these chords.<\/p>\n

Example #4 – “If You Have A Bass Player, Try This”<\/em><\/h3>\n

Advanced players don’t only play in solo situations; they also play in a band situations where they need to play full-sounding chords with their left and right hand — leaving the bass note to the bass player.<\/p>\n

“Here Are The Chords…”<\/em><\/p>\n

The 2-chord:
\n
\nThe 5-chord:
\n
\nThe 1-chord:
\n
\nYou can learn more chords like this in the gospel music training center<\/a>.<\/p>\n

The 2 chord is the D minor eleventh chord, followed by the 5-chord which is the G dominant thirteenth (flat ninth) chord, then the C major thirteenth chord.<\/p>\n

Example #5 – “Quartal Voicings For Jazz Players”<\/em><\/h3>\n

Here’s another rootless 2-5-1 chord progression but with a quartal twist. Although the chords are not strictly made of fourth intervals but the overall sound of the voicings sounds quartal.<\/p>\n

“Here Are The Chords…”<\/em><\/p>\n

The 2-chord:
\n
\nThe 5-chord:
\n
\nThe 1-chord:
\n<\/p>\n

Final Words<\/h2>\n

Reading up to this point lets me know that you’re interested in taking your chordal vocabulary to the next level.<\/p>\n

I’m sure you enjoyed the chord voicings and the breakdown of the voicings used. These 2-5-1 chord progressions are given in C and are to be transposed to other keys.<\/p>\n

You can learn more chords like this in the gospel music training center<\/a>.<\/p>\n

All the best.<\/p>\n","protected":false},"excerpt":{"rendered":"

I guarantee you that the 2-5-1 chord progressions we covered in this lesson (5 of them) will explode your chordal vocabulary.<\/p>\n","protected":false},"author":9,"featured_media":22278,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,350,21,22,9],"tags":[33,14,2592,2593,2793,2792,1593],"class_list":["post-19306","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-music-etc","category-gospel-music","category-jazz-music","category-piano","tag-2-5-1-chord-progression","tag-2-5-1-chord-progressions","tag-advanced-2-5-1-chord-progression","tag-advanced-2-5-1-chord-progressions","tag-advanced-chord-voicings","tag-advanced-voicings","tag-chord-voicings","post-wrapper","thrv_wrapper"],"yoast_head":"\nFresh Perspectives To The 2-5-1 Chord Progression Using Advanced Chord Voicings - Hear and Play Music 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