{"id":19394,"date":"2019-05-15T00:00:00","date_gmt":"2019-05-15T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=19394"},"modified":"2024-09-18T21:04:01","modified_gmt":"2024-09-19T05:04:01","slug":"between-the-chromatic-half-step-and-the-diatonic-half-step-which-is-larger","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/between-the-chromatic-half-step-and-the-diatonic-half-step-which-is-larger\/","title":{"rendered":"Between The Chromatic Half-Step And The Diatonic Half-Step Which is Larger?"},"content":{"rendered":"

The chromatic half-step and the diatonic half-step are two known half-step types.<\/p>\n

These half-step sizes are not equal in size — one is larger — and in this lesson, I’ll be telling you which half-step is smaller or larger.<\/p>\n

So, give me your undivided attention for the next 7 minutes or so and I guarantee that your perception of half-steps will change completely.<\/p>\n

Let’s refresh our minds on the half-step before we go any further.<\/p>\n

A Short Note On The Half-Step<\/em><\/h2>\n

All the notes on the octave — black and white — are a half-step apart from each other and that makes the half-step the shortest distance in tonal music.<\/p>\n

From C to C:
\n
\n…is an octave and all the notes within the compass of the C octave ( which are C, C#, D, D#, E, F, F#, G, G#, A, A#, and B):
\n
\n…are a semitone apart from each other.<\/p>\n

So, from a given note to its adjacent note (whether white or black) is a half-step.<\/p>\n

“Check Out These Half-Step Examples…”<\/em><\/p>\n

C to C#:
\n
\nC# to D:
\n
\nD to D#:
\n
\nD# to E:
\n
\nE to F:
\n
\n…etc.<\/p>\n

There are two half-step types: the diatonic half-step and the chromatic half-step. Let’s refresh our minds on these half-step types.<\/p>\n

“What Is A Diatonic Half-Step?”<\/em><\/h3>\n

When two half-steps have different letter names, they are classified as diatonic half-steps. A classic example of diatonic half-steps are “E-F” and “B-C”:<\/p>\n

E-F:
\n
\nB-C:
\n<\/p><\/blockquote>\n

E and F are two different letter names and so are B and C.<\/p>\n

“Other Half-Step Examples Include The Following…”<\/em><\/p>\n

C-Db:
\n
\nC#-D:
\n
\nD-Eb:
\n
\nG#-A:
\n
\n…and so on.<\/p>\n

The Chromatic Half-Step — Explained<\/em><\/h3>\n

The chromatic half-step consists of two half-steps that share the same letter name. For example, C-C#:
\n
\n…is a chromatic half-step and that’s because both of the notes have “C” in common.<\/p>\n

Another example is Db-D:
\n
\n…where both of the notes have “D” in common.<\/p>\n

So, although these half-steps may sound alike practically:<\/p>\n

C-C#:
\n
\nC-Db:
\n<\/p><\/blockquote>\n

…the former is a chromatic half-step while the latter is a diatonic half-step.<\/p>\n

“Check Out Other Chromatic Half-Step Examples…”<\/em><\/p>\n

F-F#:
\n
\nAb-A:
\n
\nD-D#:
\n
\nNow that we’ve refreshed our minds on the concept of half-steps and also established the distinction between the two half-step types, let me show you which of them is larger in the next segment.<\/p>\n

The Chromatic Half-Step Vs The Diatonic Half-Step<\/h2>\n

The best way to start off is by associating these half-step types with intervals. For example, instead of saying “the chromatic half-step”, we’ll say “the augmented unison.”<\/p>\n

Let’s cover that quickly before we proceed.<\/p>\n

Here Are The Intervals Associated With Half-Steps<\/h3>\n

The diatonic half-step between C and Db is an interval known as the minor second interval. The interval between C and D:
\n
\n…is a major second interval.<\/p>\n

Lowering D by a half-step (to Db):<\/p>\n

D:
\n
\nDb:
\n<\/p><\/blockquote>\n

…produces C-Db:
\n
\n…a minor second interval.<\/p>\n

“For The Chromatic Half-Step…”<\/em><\/p>\n

The half-step between C and C#:
\n
\n…is an augmented unison.<\/p>\n

When C and C (of the same pitch):<\/p>\n

C:
\n
\nC:
\n<\/p><\/blockquote>\n

…are played together, the interval between them is a unison.<\/p>\n

Raising one of the Cs by a half-step to C#:<\/p>\n

C:
\n
\nC#:
\n<\/p><\/blockquote>\n

…produces C-C#:
\n
\n…which is an augmented unison.<\/p>\n

“Which Is Larger, The Minor Second Or The Augmented Unison?”<\/em><\/h3>\n

Between the minor second interval and the augmented unison interval, the larger interval is the interval whose size is bigger.<\/p>\n

The minor second is a “second interval” while the augmented unison is a “first interval” and all second intervals are larger than first intervals (which are also known as the unison or prime.)<\/p>\n

Due to the fact that the minor second interval is larger than the augmented unison, the diatonic half-step is considered to be larger than the chromatic half-step.<\/p>\n

“Keep In Mind…”<\/em><\/p>\n

The diatonic half-step is associated with the minor second while the chromatic half-step is associated with the augmented unison.<\/p>\n

Final Words<\/h2>\n

It’s NOT strictly accurate to say that half-steps are equal and that’s because from advanced perspective, half-steps are NOT equal.<\/p>\n

“Here’s A Typical Example…”<\/em><\/p>\n

The half-step from C to Db:
\n
\n…is larger than the half-step from C-C#:
\n
\nWe’ll talk more about this in a subsequent lesson.<\/p>\n

Bye for now.<\/p>\n","protected":false},"excerpt":{"rendered":"

The chromatic half-step and the diatonic half-step are NOT equal. Learn more by clicking on this lesson now.<\/p>\n","protected":false},"author":9,"featured_media":22301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-19394","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"\nBetween The Chromatic Half-Step And The Diatonic Half-Step Which is Larger? - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"The chromatic half-step and the diatonic half-step are NOT equal. 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