{"id":19578,"date":"2019-05-08T00:00:00","date_gmt":"2019-05-08T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=19578"},"modified":"2024-09-18T20:35:25","modified_gmt":"2024-09-19T04:35:25","slug":"heres-the-relationship-between-the-tertian-harmony-and-the-2-5-1-chord-progression","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/heres-the-relationship-between-the-tertian-harmony-and-the-2-5-1-chord-progression\/","title":{"rendered":"Here’s The Relationship Between The Tertian Harmony And The 2-5-1 Chord Progression"},"content":{"rendered":"

Who else wants to know the relationship between the tertian harmony and the 2-5-1 chord progression.<\/p>\n

The 2-5-1 chord progression is the strongest chord progression in tonal music and is commonly used in jazz and gospel music.<\/p>\n

Submission:<\/strong> If you’re classically trained, you’ll also appreciate the 2-5-1 chord progression as well because of its use especially at cadential points.<\/p>\n

Today, I’m going to show you why the 2-5-1 chord progression is favored by the tertian harmony. But before I do so, permit me to refresh your mind on the concept of tertian harmony.<\/p>\n

A Short Note On The Tertian Harmony<\/h2>\n

The notes of a chord are related by class of harmony; which is concerned with the distance between the successive tones of a chord when played in root position.<\/p>\n

The C major triad consists of C, E, and G:
\n
\n…which are related by a class of harmony known as the tertian harmony.<\/p>\n

The Tertian Harmony — Defined<\/em><\/h3>\n

Using any given scale as a reference, tertian harmony is produced by a collection of tones (referred to as a chord) where the distance between successive chord tones is a third interval.<\/p>\n

The C major triad:
\n
\n…is a product of the tertian harmony and this is because of the fixed third intervals between successive tones:<\/p>\n

C to E:
\n
\n…is a third interval.<\/p>\n

E to G:
\n
\n…is a third interval.<\/p><\/blockquote>\n

Every other triad in the key of C major:<\/p>\n

D minor triad:
\n
\nE minor triad:
\n
\nF major triad:
\n
\nG major triad:
\n
\nA minor triad:
\n
\nB diminished triad:
\n<\/p><\/blockquote>\n

…is also a product of the tertian harmony and this is because of the third interval between successive tones.<\/p>\n

Here Are All The Tones In The Tertian Harmony (From C to C)<\/h3>\n

Starting from C:
\n
\n…and adding tones in third intervals (tertian harmony) until the next C is reached:<\/p>\n

C:
\n
\n…to E:
\n
\n…to G:
\n
\n…to B:
\n
\n…to D:
\n
\n…to F:
\n
\n…to A:
\n
\n…to C:
\n<\/p><\/blockquote>\n

…produces all the tones in the tertian harmony (“C E G B D F A C”):
\n
\n…using the C major scale (as a reference):
\n
\n“Here’s A Quick Mnemonic To Memorize The Tertian Harmony With…”<\/em><\/p>\n

Using the mnemonic below:<\/p>\n

C-<\/strong>E<\/strong>very-G<\/strong>ood-B<\/strong>oy-D<\/strong>eserves-F<\/strong>avor-A<\/strong>lways-C<\/strong><\/p><\/blockquote>\n

…you can memorize the tones of the tertian harmony.<\/p>\n

“Check It Out…”<\/em><\/p>\n

C<\/strong>:
\n
\nE<\/strong>very:
\n
\nG<\/strong>ood:
\n
\nB<\/strong>oy:
\n
\nD<\/strong>eserves:
\n
\nF<\/strong>avor:
\n
\nA<\/strong>lways:
\n
\nC<\/strong>:
\n<\/p>\n

C-<\/strong>E<\/strong>very-G<\/strong>ood-B<\/strong>oy-D<\/strong>eserves-F<\/strong>avor-A<\/strong>lways-C<\/strong>:<\/p><\/blockquote>\n

Why The Tertian Harmony Favors The 2-5-1 Chord Progression<\/h2>\n

The 2-5-1 chord progression consists of the movement of the following chords:<\/p>\n

The 2-chord<\/p>\n

The 5-chord<\/p>\n

The 1-chord<\/p><\/blockquote>\n

…in any given major key.<\/p>\n

In this segment, I’ll be taking you by the hand and showing you why the tertian harmony favors the 2-5-1 chord progression and I’ll be using triad and seventh chord examples.<\/p>\n

Attention: <\/strong>Kindly note that all the examples will be given in the key of C major.<\/p>\n

The 2-5-1 Chord Progression Using Triads<\/h3>\n

In the key of C major:
\n
\n…where the second tone of the scale is D:
\n
\n…the 2-chord is the D minor triad:
\n
\n…consisting of D, F, and A.<\/p>\n

The 5-chord is the G major triad:
\n
\n…and it consists of G, B, and D.<\/p>\n

Then the 1-chord consists of C, E, and G:
\n
\n…which is the C major triad.<\/p>\n

“Check Out The Chords For The 2-5-1 Chord Progression…”<\/em><\/p>\n

Using “C E G B D F A C” (as a reference), you can find the 2-5-1 chord progression in the tertian harmony:<\/p>\n

2-chord = C E G B [D F A]<\/strong> C<\/p>\n

5-chord = C E [G B D]<\/strong> F A C<\/p>\n

1-chord = [C E G]<\/strong> B D F A C<\/p><\/blockquote>\n

The 2-5-1 Chord Progression Using Seventh Chords<\/h3>\n

The 2-5-1 chord progression can also be played with seventh chord:<\/p>\n

The D minor seventh chord (the 2-chord):
\n
\nThe G dominant seventh chord (the 5-chord):
\n<\/p>\n

The C major seventh chord (the 1-chord):
\n<\/p><\/blockquote>\n

…and these chords are favored by the tertian harmony.<\/p>\n

Using “C E G B D F A C” (as a reference), you can find the 2-5-1 chord progression in the tertian harmony:<\/p>\n

2-chord = C E G B [D F A C]<\/strong><\/p>\n

5-chord = C E [G B D F]<\/strong> A C<\/p>\n

1-chord = [C E G<\/strong> B]<\/strong> D F A C<\/p><\/blockquote>\n

That, ladies and gentlemen, is the relationship between the 2-5-1 chord progression and the tertian harmony — not just in the key of C major, but in all major keys.<\/p>\n

Final Words<\/h2>\n

The relationship between tertian harmony and the 2-5-1 chord progression cannot be overlooked.<\/p>\n

Thank you for your time and see you in another lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"

Discover the secret relationship between the tertian harmony and the 2-5-1 chord progression in this lesson.<\/p>\n","protected":false},"author":9,"featured_media":22297,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,9],"tags":[33,14,17,1040,2213],"class_list":["post-19578","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-piano","tag-2-5-1-chord-progression","tag-2-5-1-chord-progressions","tag-basic-songs","tag-tertian-chords","tag-tertian-harmony","post-wrapper","thrv_wrapper"],"yoast_head":"\nHere's The Relationship Between The Tertian Harmony And The 2-5-1 Chord Progression - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Discover the secret relationship between the tertian harmony and the 2-5-1 chord progression in this lesson.\" \/>\n<meta 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