{"id":20025,"date":"2019-08-22T00:00:00","date_gmt":"2019-08-22T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=20025"},"modified":"2024-09-18T21:42:23","modified_gmt":"2024-09-19T05:42:23","slug":"experimenting-with-the-so-what-chord-over-a-variety-of-bass-notes","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/experimenting-with-the-so-what-chord-over-a-variety-of-bass-notes\/","title":{"rendered":"Have You Tried Experimenting With The So What Chord Over A Variety Of Bass Notes?"},"content":{"rendered":"

We’ll be experimenting with the So What<\/em> chord in this lesson by playing it over a variety of bass notes.<\/p>\n

The So What <\/em>chord is the voicing of the minor eleventh chord and if you play it on D:
\n
\n…that’s the D So What <\/em>chord:
\n
\n…which is typically a rearrangement of the D minor eleventh chord:
\n
\n…using fourth intervals.<\/p>\n

A lot of people love the sound of the\u00a0So What\u00a0<\/em>chord, but are limited in its application because it’s a minor chord voicing. They usually ask questions like “considering that the So What voicing is a minor voicing, what do I do when it’s time to play major and dominant voicings?”<\/em><\/p>\n

I’ll be answering this question today. But most importantly, I’m going to take you by the hand and walk you (step-by-step) through the experimentation of the So What <\/em>chord over a variety of bass notes.<\/p>\n

Let’s get started!<\/p>\n

The So What<\/em> Chord Voicing Over A Variety Of Bass Notes<\/h2>\n

Although the So What <\/em>chord functioned as a minor chord the first time it was used in a recording, that’s not enough reason why it should be limited to minor chords.<\/p>\n

The D So What <\/em>chord:
\n
\n…is primarily a minor chord and this is because the bass note is D:
\n
\nIf we go beyond the D bass note and experiment with other bass notes, you’ll realize other chord types — major, dominant, 6\/9, etc.<\/p>\n

Are you ready for the experiment?<\/p>\n

You’re sure?<\/p>\n

Alright!<\/p>\n

The Bass Note Experiment Of The So What <\/em>Chord Voicing<\/h3>\n

If you play the So What <\/em>chord voicing over a variety of bass notes, you’ll find out other possible applications of the So What <\/em>chord.<\/p>\n

Although there are specifically four other voicings that we’ll be covering in this lesson, I’ll be taking you step-by-step, from one bass note to the other.<\/p>\n

“Over The C Bass Note…”<\/em><\/p>\n

Playing the D So What <\/em>chord:
\n
\n…over C on the bass:
\n
\n…does not give us any distinct chord. Except for classically trained musicians and scholars who may want to see it as a third inversion chord.<\/p>\n

“Over The Db Bass Note…”<\/em><\/p>\n

The Db bass note:
\n
\n…and the D So What <\/em>chord:
\n
\n…are foreign to each other when played together:
\n
\nSo, the Db bass note is definitely NOT one of the bass notes we’re looking out for.<\/p>\n

“Over The D Bass Note…”<\/em><\/strong><\/p>\n

Yes! It’s a D bass note:
\n
\n…over a D So What <\/em>chord:
\n
\n…and that gives us an overall D minor eleventh chord:
\n
\n…which can either be a 2-chord, 3-chord, or 6-chord in the key of C major, Bb major, and F major respectively.<\/p>\n

“Over The Eb Bass Note…”<\/em><\/strong><\/p>\n

Playing the D So What <\/em>chord:
\n
\n…over the Eb bass note:
\n
\n…produces the Eb major thirteenth [sharp eleventh]:
\n
\n…which is an extended major chord that sounds very sophisticated and most importantly; does not have an avoid note (the fourth tone of the major scale.)<\/p>\n

“Over The E Bass Note…”<\/em><\/p>\n

There’s also no distinct chord formed by playing the D So What <\/em>chord:
\n
\n…over the E bass note:
\n
\nYou’ll have a Dmin11\/E chord:
\n
\n…by the way.<\/p>\n

“Over The F Bass Note…”<\/em><\/strong><\/p>\n

The D So What <\/em>chord:
\n
\n…over the F bass note:
\n
\n…produces the\u00a0 F 6\/9 chord:
\n
\n…which is a great option for the 1-chord and 4-chord in the key of F major and C major respectively.<\/p>\n

“Over The F# Bass Note…”<\/em><\/p>\n

The F# bass note:
\n
\n…is foreign to the D So What <\/em>chord:
\n
\n…and forms an overall Dmin11\/F# chord:
\n
\n…when played together.<\/p>\n

This is NOT a\u00a0 distinct voicing. Therefore, let’s go on to the next bass note — the G bass note.<\/p>\n

“Over The G Bass Note…”<\/em><\/strong><\/p>\n

The D So What<\/em> chord:
\n
\n…sounds great over the G bass note:
\n
\n…and produces an overall G dominant 9sus4 chord:
\n
\n…which is a tasteful dominant chord option.<\/p>\n

Attention:<\/strong> The Ab and A bass notes too don’t produce any distinct chord voicings. So, I’ll take you\u00a0 to the Bb bass note — another major thirteenth voicing.<\/p>\n

“Over The Bb Bass Note…”<\/em><\/strong><\/p>\n

The Bb bass note:
\n
\n…is a great bass note option for the D So What <\/em>chord:
\n
\n…and this is because of the overall Bb major thirteenth chord that is formed:
\n
\n…which is a 1-chord in the key of Bb major:
\n
\n…and a 4-chord in the key of F major:
\n
\nAttention:<\/strong> Keep in mind that the Bb bass note is the last bass note that can form a distinct chord with the D So What <\/em>chord. So, we’re not going to bother taking a look at the B bass note.
\n<\/em><\/p>\n

Final Words<\/h2>\n

This is how far anyone can possibly go while experimenting with the So What <\/em>chord.<\/p>\n

Apart from the D bass note that produces the minor eleventh chord, the So What <\/em>chord can be played over four other bass notes to produce the following chords:<\/p>\n

Major thirteenth [sharp eleventh]<\/p>\n

6\/9<\/p>\n

Dominant 9sus4<\/p>\n

Major thirteenth<\/p><\/blockquote>\n

…and I’m very certain that there could be more options. I only did the best I could; to milk other chord qualities out of the So What <\/em>chord voicing.<\/p>\n

In a subsequent lesson, we’ll be playing scale tone chords using the So What <\/em>chord voicing.<\/p>\n

I’m looking forward to sharing with you how these chords (major thirteenth [sharp eleventh], 6\/9, dominant 9sus4, and the major thirteenth) can be applied in the major key.<\/p>\n

See you you then.<\/p>\n","protected":false},"excerpt":{"rendered":"

Check out the chords we came up with by experimenting with the So What chord over a variety of bass notes.<\/p>\n","protected":false},"author":9,"featured_media":22332,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25,416,22,9],"tags":[17,1740,2870,2871,2601,2868,2867,2872,2873],"class_list":["post-20025","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","category-experienced-players","category-jazz-music","category-piano","tag-basic-songs","tag-bass-notes","tag-experimenting-with-the-so-what-chord","tag-jazz-chords","tag-jazz-voicings","tag-so-what","tag-so-what-chord","tag-so-what-chord-voicing","tag-so-what-chord-voicings","post-wrapper","thrv_wrapper"],"yoast_head":"\nHave You Tried Experimenting With The So What Chord Over A Variety Of Bass Notes? - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" 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