{"id":21172,"date":"2020-06-10T00:00:00","date_gmt":"2020-06-10T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=21172"},"modified":"2024-07-21T03:13:40","modified_gmt":"2024-07-21T11:13:40","slug":"how-to-imply-a-seventh-chord-harmony-using-only-two-notes-your-3-year-old-can-play","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/how-to-imply-a-seventh-chord-harmony-using-only-two-notes-your-3-year-old-can-play\/","title":{"rendered":"How To Imply A Seventh Chord Harmony Using Only Two Notes Your 3 Year Old Can Play"},"content":{"rendered":"<p>I&#8217;m going to show you in this lesson how you can imply a seventh chord harmony using only two notes.<\/p>\n<p>A lot of people reading this who are familiar with seventh chords know that a seventh chord has four notes. For example, the C major chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,c,e,g,b,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;has four notes: C, E, G, and B.<\/p>\n<p>Now, instead of playing four notes, what if I told you that you can just play two notes &#8212; only two notes that your 3 year old can play &#8212; and still have a seventh chord harmony?<\/p>\n<p>Well, that&#8217;s what we&#8217;ll be covering in this lesson. But before we go any further, let&#8217;s learn about fourth intervals because they are important to this study.<\/p>\n<h2>A Quick Review On Fourth Intervals<\/h2>\n<p>A fourth interval is not anything difficult or hard that you can&#8217;t be able to learn and apply. In fact, if you can play the first and fourth tones of the major scale, that&#8217;s a fourth interval.<\/p>\n<p>For example, in the key of C major:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,D,E,F,G,A,B,C,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;if you can play the first and fourth tones:<\/p>\n<blockquote><p>First tone:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nFourth tone:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,F,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;together, and that&#8217;s C and F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;that is a fourth interval.<\/p>\n<h3>Perfect fourth vs Augmented Fourth Intervals<\/h3>\n<p>Before we go any further, it i s important to know that all fourth intervals are not equal.<\/p>\n<p>The fourth interval formed by the first and fourth tones of the major scale are known as perfect fourth intervals and that&#8217;s where intervals like C-F:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;belong to.<\/p>\n<p>There are also fourth intervals that are larger than the first and fourth tones of the scale and they are called augmented fourth intervals.<\/p>\n<p>For example, if C and F# are played together:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;that is an augmented fourth interval and this is because it is larger than a perfect fourth interval (C-F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,Fs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;by a half-step.<\/p>\n<p>so, while C-F and C-F# are all fourth intervals, the former is said to be perfect while the latter is augmented.<\/p>\n<p><strong>Attention:<\/strong> The augmented fourth interval is also known as the tritone and I&#8217;m sure you must have come across the term but if you haven&#8217;t, <a href=\"https:\/\/www.hearandplay.com\/main\/devil-music-tritones-vs-augmented-4ths-diminished-5ths\">kindly check this lesson out<\/a>.<\/p>\n<p>Examples of perfect fourths include:<\/p>\n<blockquote><p>D-G:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,G,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nE-A:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nG-C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,C,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nA-D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,D,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nB-E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,B,E,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;while augmented fourth intervals include:<\/p>\n<blockquote><p>D-G#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Gs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nE-A#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,As,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nG-C#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,G,Cs,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nA-D#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,A,Ds,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><\/p><\/blockquote>\n<p>&#8230;and using these notes (fourth intervals if you would), you can imply a seventh chord harmony and I&#8217;ll be showing you how this works in the next segment.<\/p>\n<h2>How To Imply A Seventh Chord Harmony Using Fourth Intervals<\/h2>\n<p>Playing a fourth interval on the keyboard can imply a seventh chord harmony and although there are more harmonies that can be implied, we&#8217;ll be looking at these:<\/p>\n<ul>\n<li>Implied major seventh chord<\/li>\n<li>Implied minor seventh chord<\/li>\n<li>Implied dominant seventh chord<\/li>\n<\/ul>\n<p>Please check them out.<\/p>\n<h3>Implied Major Seventh Harmony<\/h3>\n<p>Going down a half-step below the root of any note on the keyboard to play a perfect fourth interval produces an implied major seventh harmony.<\/p>\n<p>For example, to imply a D major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,Fs,A,Cs,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we can go down a half-step from D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to C#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and play the C# perfect fourth interval.<\/p>\n<p>Now, the perfect fourth interval from C# consists of the first and fourth tones of the C# major scale:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,Ds,Es,Fs,Gs,As,Bs,Cs,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and that&#8217;s C# and F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Cs,Fs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and when played over D on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;that produces an implied D major seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,Cs,Fs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Let&#8217;s Take Another Example&#8230;&#8221;<\/em><\/p>\n<p>If the root of the major seventh harmony we want to play is C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we can go down by a half-step to B:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and then play the B perfect fourth interval (B-E):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=B,E,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over C on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and that&#8217;s the implied C major seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=C,B,E,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nFollowing the same procedures, you can form any implied major seventh harmony you want.<\/p>\n<h3>Implied Minor Seventh Harmony<\/h3>\n<p>The process of playing an implied minor seventh chord is very simple and not very different from what we did for the major seventh chord.<\/p>\n<p>What we&#8217;re doing differently is that we&#8217;re playing the perfect fourth interval a whole-step below the root of the note we want to form the minor seventh chord on.<\/p>\n<p>For example, to imply the D minor seventh chord harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,d,f,a,c,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;we can go a whole-step below D:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,D,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;which is C:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and play a perfect fourth interval (C-F):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,C,F,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;over D on the bass:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,D,,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;to form an implied D minor seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=D,C,F,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n<em>&#8220;Here&#8217;s One More Example&#8230;&#8221;<\/em><\/p>\n<p>To imply the F# minor seventh chord:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,A,Cs,E,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;all we need to do is to go down a whole-step below F#:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,Fs,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and that&#8217;s to E:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and then we play the E perfect fourth interval (E-A):<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=,,E,A,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\n&#8230;and that produces the implied F# minor seventh harmony:<br \/>\n<img decoding=\"async\" src=\"https:\/\/hearandplay.cc\/dynamic_image\/pianokeys.php?notes=Fs,E,A,,&amp;color=CCCCFF&amp;size=2\" border=\"0\" \/><br \/>\nFollowing the same procedure, you can imply any other minor seventh chord on the keyboard.<\/p>\n<h2>Final Words<\/h2>\n<p>Using just two notes, you can imply a seventh chord harmony and this makes it easier to play seventh chords and it doesn&#8217;t even get any easier than this.<\/p>\n<p>All you just have to do is to plunk down two notes that even a three year old can play and you have your seventh chord played; which is even less than the number of notes in a triad.<\/p>\n<p>Special appreciation to my mentor and role-model, Jermaine A. Griggs, for the opportunity to share this concept with you and I do hope that you&#8217;ve learned something.<\/p>\n<p>See you in the next lesson.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Find out how you can imply a seventh chord harmony by just playing two notes that even a 3 year old can play on the piano.<\/p>\n","protected":false},"author":9,"featured_media":21965,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-21172","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>How To Imply A Seventh Chord Harmony Using Only Two Notes Your 3 Year Old Can Play - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"Find 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