{"id":21604,"date":"2021-01-06T00:00:00","date_gmt":"2021-01-06T08:00:00","guid":{"rendered":"https:\/\/www.hearandplay.com\/main\/?p=21604"},"modified":"2024-07-21T01:19:14","modified_gmt":"2024-07-21T09:19:14","slug":"how-to-form-seventh-chords-in-two-shakes-of-a-dogs-tail-using-third-intervals-and-the-circle-of-fifths-chart","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/how-to-form-seventh-chords-in-two-shakes-of-a-dogs-tail-using-third-intervals-and-the-circle-of-fifths-chart\/","title":{"rendered":"How To Form Seventh Chords In Two Shakes Of A Dog’s Tail Using Third Intervals And The Circle Of Fifths Chart"},"content":{"rendered":"

You arrived at this page because you’re interested in learning how to form seventh chords.<\/p>\n

There are so many ways to form seventh chords and truth be told, I have covered a lot of them in the past; ranging from the very easy approaches to the advanced approaches.<\/p>\n

Here are some of them:<\/p>\n

How To Build Seventh Chords Like An Architect Using \u201cFoundation And Structure\u201d Concept<\/a><\/p>\n

Eight Intervals That Are Essential To The Formation Of Triads And Seventh Chords<\/a><\/p><\/blockquote>\n

Who Else Is Interested In Learning The Shortcut To Playing Seventh Chords In The Major Key<\/a><\/p><\/blockquote>\n

You’d probably be asking, “Dr. Pokey, with all these approaches, what is the need for another approach?”<\/em><\/p>\n

Well, there are many ways to skin a cat. It doesn’t hurt to learn diverse of perspectives to any subject in life (and not just music) because the tons of approaches will solidify your knowledge of the subject matter.<\/p>\n

Additionally, some of the approaches you already learned in the past can be understood better using some of the concepts you’ll learn in this lesson.<\/p>\n

So, if you give me the next 7 minutes or so, I’ll take you through the world of major seventh and minor seventh chords using third intervals and the circle of fifths chart.<\/p>\n

Are you ready?<\/p>\n

A Quick Review On Third Intervals<\/h2>\n

A third interval is formed when the relationship between any two notes encompasses three alphabet letters. The following notes are all third intervals:<\/p>\n

C-E:
\n
\nD-F:
\n
\nE-G:
\n
\nF-A:
\n
\nG-B:
\n
\nA-C:
\n
\nB-D:
\n<\/p><\/blockquote>\n

…and for each of them, three alphabet letters are encompassed.<\/p>\n

Major Third Intervals<\/h3>\n

The relationship between the first and third tones of the major scale produces a major third interval.<\/p>\n

For example, using any major scale (let’s say the C major scale):
\n
\n…the relationship between C and E (which are the first and third tones):
\n
\n…produces a major third interval.<\/p>\n

“So, How Well Do You Know Your Scales?”<\/em><\/p>\n

If you know the tones of the Ab major scale:
\n
\n…it’s so easy to isolate the first and third tones (which are Ab and C):
\n
\n…and that’s a major third interval formed.<\/p>\n

“Here Are All The Major Third Intervals…”<\/em><\/p>\n

C major third:
\n
\nDb major third:
\n
\nD major third:
\n
\nEb major third:
\n
\nE major third:
\n
\nF major third:
\n
\nGb major third:
\n
\nG major third:
\n
\nAb major third:
\n
\nA major third:
\n
\nBb major third:
\n
\nB major third:
\n<\/p>\n

Minor Third Intervals<\/h3>\n

Shrinking a major third interval by a half-step produces a minor third interval. It’s as easy as lowering the upper note of the interval by a half-step.<\/p>\n

For example, C-E is a major third interval:
\n
\n…if we lower E by a half-step (to Eb):
\n
\n…this produces C-Eb (a minor third interval):
\n
\nAttention:<\/strong> While lowering the upper note of an interval, endeavor to stick to the same alphabet letter. Notice that we lowered E to Eb and not E to D#. Lowering E to D# changes the alphabet letter and that is wrong.<\/p>\n

If you take any other major third interval that you’re familiar with (for example E-G#):
\n
\n…and you lower the G# by a half-step (to G):
\n
\n…you get yourself a minor third interval (E-G):
\n
\n“Here Are All The Minor Third Intervals…”<\/em><\/p>\n

C minor third:
\n
\nC# minor third:
\n
\nD minor third:
\n
\nEb minor third:
\n
\nE minor third:
\n
\nF minor third:
\n
\nF# minor third:
\n
\nG minor third:
\n
\nG# minor third:
\n
\nA minor third:
\n
\nBb minor third:
\n
\nB minor third:
\n<\/p>\n

Seventh Chords = Third Intervals And The Circle Of Fifths Chart<\/h2>\n

Using the third intervals that we already reviewed and the circle of fifths chart:
\n\"\"
\n…you can form major and minor seventh chords.<\/p>\n

Ready to see how that works? Alright, let me show you.<\/p>\n

Formation Of Major Seventh Chords<\/h3>\n

Assuming you don’t know the C major seventh chord:
\n
\n…and you want to form it in two shakes of a dog’s tail, it’s possible if you know your major third intervals and the circle of fifths chart.<\/p>\n

Step 1<\/strong>. Take C and its neighboring tone in the circle (in the clockwise direction) which is G:<\/p>\n

C:
\n
\nG:
\n<\/p><\/blockquote>\n

Step 2.<\/strong> Turn C and G into major third intervals each; C-E (C major third) and G-B (G major third):<\/p>\n

C-E:
\n
\nG-B:
\n<\/p><\/blockquote>\n

Step 3. <\/strong>Play the third intervals together and you get the C major seventh chord:<\/p>\n

C major seventh chord:
\n<\/p><\/blockquote>\n

“Let’s Do Same For The Ab Major Seventh Chord…”<\/em><\/p>\n

Step 1<\/strong>. Take Ab and its neighboring tone in the circle (in the clockwise direction) which is Eb:<\/p>\n

Ab:
\n
\nEb:
\n<\/p><\/blockquote>\n

Step 2.<\/strong> Turn Ab and Eb into major third intervals each; Ab-C (Ab major third) and Eb-G (Eb major third):<\/p>\n

Ab-C:
\n
\nEb-G:
\n<\/p><\/blockquote>\n

Step 3. <\/strong>Play the third intervals together and you get the Ab major seventh chord:<\/p>\n

Ab major seventh chord:
\n<\/p><\/blockquote>\n

“Let’s Take One More Example (The E Major Seventh Chord)…”<\/em><\/p>\n

Step 1<\/strong>. Take E and its neighboring tone in the circle (in the clockwise direction) which is B:<\/p>\n

E:
\n
\nB:
\n<\/p><\/blockquote>\n

Step 2.<\/strong> Turn E and B into major third intervals each; E-G# (E major third) and B-D# (B major third):<\/p>\n

E-G#:
\n
\nB-D#:
\n<\/p><\/blockquote>\n

Step 3. <\/strong>Play the third intervals together and you get the E major seventh chord:<\/p>\n

E major seventh chord:
\n<\/p><\/blockquote>\n

Final Words<\/h2>\n

Thank you for reading through today’s lesson and I’m excited that you’ve learned a couple of things from the relationship between third intervals:<\/p>\n

Major third<\/p>\n

Minor third<\/p><\/blockquote>\n

…and the circle of fifths chart:
\n\"\"
\nKeep up the great work and don’t forget to internalize this approach by practicing this concept from key to key.<\/p>\n

I’m grateful to my role model and mentor, Jermaine Griggs, for the opportunity to share this information with you and I’m looking forward to seeing you in the next lesson.<\/p>\n

Until then, the comment section below is open to your questions, contributions, suggestions, etc.<\/p>\n

All the best!<\/p>\n","protected":false},"excerpt":{"rendered":"

If you’re interested in learning how to form seventh chords, this lesson is for you.<\/p>\n","protected":false},"author":9,"featured_media":22239,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-21604","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-piano","post-wrapper","thrv_wrapper"],"yoast_head":"\nHow To Form Seventh Chords In Two Shakes Of A Dog's Tail Using Third Intervals And The Circle Of Fifths Chart - Hear and Play Music Learning Center<\/title>\n<meta name=\"description\" content=\"If you're interested in learning how to form seventh chords, this lesson is for you.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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