{"id":346,"date":"2008-10-02T13:08:05","date_gmt":"2008-10-02T20:08:05","guid":{"rendered":"http:\/\/www.hearandplay.com\/main\/what-every-musician-should-know-about-chord-stacking"},"modified":"2024-12-25T19:21:39","modified_gmt":"2024-12-26T03:21:39","slug":"what-every-musician-should-know-about-chord-stacking","status":"publish","type":"post","link":"https:\/\/hearplaymain.wpenginepowered.com\/what-every-musician-should-know-about-chord-stacking\/","title":{"rendered":"What every musician should know about &#8220;chord stacking&#8221;&#8230;"},"content":{"rendered":"<p><img src='https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/10\/stacking1-big.jpg' class='videopic' alt='stacking1-big.jpg' \/>So you want to play big, fancy chords! Who doesn&#8217;t?<\/p>\n<p>And <a href=\"https:\/\/www.hearandplay.com\/main\/now-you-can-play-big-chords-without-having-to-memorize-anything\">yesterday<\/a>, I pointed you in the right direction.<\/p>\n<p>We got introduced to <strong><a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">polychords<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script><\/strong>, which are essentially big chords made from two or more smaller ones.<\/p>\n<p>So today, we&#8217;re going to take it a step further. Rather than stack <em>&#8220;common&#8221;<\/em> chords on top of each other, we&#8217;re going to see what happens when we venture outside the norm.<\/p>\n<p>For example, if you stack a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">5-major chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> on top of its 1-major chord (like G major on top of C major), you&#8217;ll easily get a major ninth chord:<\/p>\n<blockquote><p><em>(C + E + G) + (G + B + D) = C major 9<\/em><\/p><\/blockquote>\n<p>*G is only played once.<\/p>\n<p>Then, by simply changing one or the other to a minor chord, you&#8217;ll get a totally different chord:<\/p>\n<blockquote><p>\n<em>C minor + G minor = C minor 9<\/em><br \/>\n(C + Eb + G) + (G + Bb + D) = C minor 9<\/p><\/blockquote>\n<p>(You can revisit <a href=\"https:\/\/www.hearandplay.com\/main\/now-you-can-play-big-chords-without-having-to-memorize-anything\">yesterday<\/a>&#8216;s post to catch up if you haven&#8217;t)<\/p>\n<p>So, this basic <em>&#8220;5-chord over 1-chord&#8221;<\/em> is what I&#8217;m calling &#8220;common,&#8221; for the purposes of this post. Master those and you can pretty much play any ninth chord. In fact, change your five chord to a <a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">seventh chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script> (i.e. &#8211; major 7, minor 7, or dominant 7) and that will give you all your 11th chords &#8212; even some fancy <em>altered<\/em> ones.<\/p>\n<p>In fact, if you take a basic 1-major 7 chord (like C major 7) and start experimenting with chords off every tone of the chord, you will find matches that create bigger chords.<\/p>\n<p>Don&#8217;t believe me?<\/p>\n<p>Ok, the notes of the C major 7 chord are C+E+G+B. So basically, I&#8217;m telling you to play around with chords off &#8220;E&#8221;&#8230; chords off &#8220;G&#8221; (like we&#8217;ve done in prior examples)&#8230; and even chords off &#8220;B.&#8221;<\/p>\n<p>If you take each one of the tones (not including &#8220;C&#8221;) and play random chords on them, you&#8217;ll come across things like this:<\/p>\n<blockquote><p>\nC + <strong>E minor<\/strong> = C major 7<\/p>\n<p>C + <strong>E major<\/strong> = C augmented major 7<\/p>\n<p>C + <strong>E diminished<\/strong> = C dominant 7<\/p>\n<p>C + E + <strong>G major<\/strong> = C major 9<\/p>\n<p>C + E + <strong>G minor<\/strong> = C dominant 9<\/p>\n<p>C + E + <strong>G diminished<\/strong> = C dominant 7 (b9) (pronounced <em>&#8220;C dominant seventh, flat nine&#8221;<\/em>)<\/p>\n<p><em>*This is a great 6-chord. Like if you&#8217;re in the key of Eb and you&#8217;re going from Eb major to C (which is the 6th degree), play this chord and it gives you a nice bluesy feel.<\/em><\/p>\n<p>C + E + G + <strong>B diminished<\/strong> = C major 11<\/p>\n<p>*You can also try &#8220;B major&#8221; and &#8220;B minor&#8221; like I did in the other examples but you&#8217;ll get some really altered chords. They are used, but rarely.<\/p><\/blockquote>\n<p>Heck, you can even experiment with chords outside of the scale.<\/p>\n<p>Like <strong>Ab major<\/strong> over <strong>C major<\/strong> (you&#8217;ll get a cool <em><a href=\"https:\/\/my.leadpages.net\/leadbox\/141e8f273f72a2%3A14dcc288eb46dc\/5650082896543744\/\" target=\"_blank\" rel=\"noopener\">altered chord<\/a><script type=\"text\/javascript\" src=\"\/\/my.leadpages.net\/leadbox-714.js\"><\/script><\/em> that sounds really good on a 3-chord that progresses to a 4 or 6-chord. Like if you were in the key of Ab major and used this chord to go from <strong>C<\/strong> (the 3-chord) to either <strong>Db<\/strong> or <strong>F<\/strong> (the  4 and 6-chords, respectively).<\/p>\n<p>The good news is that these combinations and possibilities are practically everywhere. <\/p>\n<p>And I believe you should reserve a portion of your practice for what I call, <strong>&#8220;exploration.&#8221;<\/strong> This is where you take proven rules and ideas from this blog and experiment further.<\/p>\n<p>For example, the rule learned in the last 2 posts is that you can stack smaller chords to create bigger sounding ones. So you take that rule and run with it! Explore and you never know what you&#8217;ll find!<\/p>\n<div class=\"productinfo\"> <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.hearandplay.com\/new\/assets\/images\/audio102new.jpg\" alt=\"hear and play\" height=\"200\" width=\"214\" class=\"videopic\"><\/p>\n<h2> <strong>Hear and Play Chords 102:<\/strong> The Power of Seventh Chords <\/h2>\n<p>This audio course will start where chords 101 left off and show you step-by-step&#8230; <\/p>\n<ul>\n<li>How to form various types of seventh chords and why they are so important in playing by ear. <\/li>\n<li>Why seventh chords are the foundation of many more extended chords like ninths, elevenths, thirteenths, and altered voicings. <\/li>\n<li>The power of the &quot;magic 3rd &amp; 7th&quot; and how manipulating them can help you to instantly play dozens of chords in all twelve keys&#8230; very easily!<\/li>\n<li>And much more! <a href=\"https:\/\/www.hearandplay.com\/hpchords.html\">Click here to learn more<\/a> | <a href=\"https:\/\/www.hearandplay.com\/orderhpchords.html\">Buy now<\/a><\/li>\n<\/ul><\/div>\n<p>Until next time &#8212;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>So you want to play big, fancy chords! Who doesn&#8217;t?<\/p>\n<p><a href='https:\/\/www.hearandplay.com\/main\/what-every-musician-should-know-about-chord-stacking\/348\/' rel='attachment wp-att-348' title='stacking1-small.jpg'><img src='https:\/\/www.hearandplay.com\/main\/wp-content\/uploads\/2008\/10\/stacking1-small.jpg' class='videopic' alt='stacking1-small.jpg' \/><\/a>And <a href=\"https:\/\/www.hearandplay.com\/main\/now-you-can-play-big-chords-without-having-to-memorize-anything\">yesterday<\/a>, I pointed you in the right direction. We got introduced to <strong>polychords<\/strong>, which are essentially big chords made from two or more smaller ones.<\/p>\n<p>Today, we&#8217;re going to take it a step further. Rather than stack <em>&#8220;common&#8221;<\/em> chords on top of each other, we&#8217;re going to see what happens when we venture outside the norm&#8230;<\/p>\n","protected":false},"author":1,"featured_media":23276,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[25],"tags":[1450,616,618,615,617,95,614,93],"class_list":["post-346","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-chords-progressions","tag-chord-stacking","tag-dominant-ninth-chords","tag-eleventh-chords","tag-major-ninth-chords","tag-minor-ninth-chords","tag-stacking-chords","tag-superimposing-chords","tag-superimposition","post-wrapper","thrv_wrapper"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>What every musician should know about &quot;chord stacking&quot;... - Hear and Play Music Learning Center<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hearplaymain.wpenginepowered.com\/what-every-musician-should-know-about-chord-stacking\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"What every musician should know about &quot;chord stacking&quot;... - Hear and Play Music Learning Center\" \/>\n<meta property=\"og:description\" content=\"So you want to play big, fancy chords! Who doesn&#039;t?  And yesterday, I pointed you in the right direction. We got introduced to polychords, which are essentially big chords made from two or more smaller ones.  Today, we&#039;re going to take it a step further. 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